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Robert L. Martin

POETRY: * Influenced by the passion and vibrant imagery created by the words of Khalil Gibran, Pablo Neruda, Grace Chacon Leon, Catherine Stanger, Cory Garcia, Nelson Reyes, and J Ann Crowder. * Author of six books; "Wings of Inspiration," "Rhymes of the Joke Machine," "The Air Almighty," "Martin's World," "Secrets of the Wind," and "Mother of Life." (published by Cyberwit.net), Published works in Mature Years, Alive Now, Torrid Literature Journal, Universal Oneness Anthology, Taj Mahal Review, Inkling Magazine, Page & Spine, Charles Carter Anthologies, Purpose Magazine, Terror House Magazine, Brief Wilderness, Cowboy Poetry Press, The Voices Project, Aberration Labyrinth, Long Shot Books, Academy of Hearts & Minds, Blue Lake Review, Gival Press, The Higgs Weldon, Funny In Five Hundred, Verse-Virtual, Wilderness House Literary Review, White Liquor Mag, Ygdrasil Literary Journal, Poetica, Green Silk Journal, Madswirl, Lyrical Passion Poetry E-Zine, Poet's Pen, Storyteller, FreeXpression, Poets' Espresso, Long Story Short, Oddball Magazine, Asinine Poetry, Write On!!, American Legion On-Line, Pegasus Review, Prayerworks, Stepping Stones, Love's Chance, Poet's Haven, Jerry Jazz Musician, Fullosia Press, The Sheltered Poet, The Belt and Beyond, Blue Minaret, and Ego Phobia. * Wrote two chapbooks entitled "In Reverence to Life" and "A Sage's Diary," (published by In His Steps Publishing). Won two poetry awards (Faith and Hope) and appeared in many anthology books. MUSIC: * Playing, writing, and arranging music for most of life. * Studied music at Westlake College of Music in Hollywood, California in 1958 and majored in piano. * Played in the 82nd Army Band in Stuttgard, Germany from 1962 until 1964. * Played in the Jimmy Dorsey Band in 1965. * Played in a band in Bergen, Norway in 1966. * Composed score for Dr. Ira Cochin's Rally George in Valley Forge children's play. * Playing the organ at 1st Methodist Church in Wind Gap, PA for the past thirty years... THE REST OF LIFE: Born in Ashtabula, Ohio, and moved to New York City shortly thereafter. Got married in 1984 and had a wonderful daughter in 1985. Can be found at his home in Bangor, PA at his keyboard, or in front of a yellow legal pad, pen in hand...

Edgar Albert Guest

Edgar Albert Guest (20 August 1881 in Birmingham, England – 5 August 1959 in Detroit, Michigan) (aka Eddie Guest) was a prolific English-born American poet who was popular in the first half of the 20th century and became known as the People’s Poet. In 1891, Guest moved with his family to the United States from England. After he began at the Detroit Free Press as a copy boy and then a reporter, his first poem appeared 11 December 1898. He became a naturalized citizen in 1902. For 40 years, Guest was widely read throughout North America, and his sentimental, optimistic poems were in the same vein as the light verse of Nick Kenny, who wrote syndicated columns during the same decades. Guest’s most famous poem is the oft-quoted “Home”: It don’t make a difference how rich ye get t’ be’ How much yer chairs and tables cost, how great the luxury; It ain’t home t’ ye, though it be the palace of a king, Until somehow yer soul is sort o’ wrapped round everything. Within the hi how are you there’s got t’ be some babies born an’ then... Right there ye’ve got t’ bring em up t’ women good, an’ men; Home ain’t a place that gold can buy or get up in a minute; Afore it’s home there’s got t’ be a heap o’ living in it.” —Excerpt from “Home,” It takes A Heap o’ Livin’ (1916) When you’re up against a trouble, Meet it squarely, face to face, Lift your chin, and set your shoulders, Plant your feet and take a brace, When it’s vain to try to dodge it, Do the best that you can do. You may fail, but you may conquer— See it through! —Excerpt from “See It Through” Guest’s most motivating poem: You can do as much as you think you can, But you'll never accomplish more; If you're afraid of yourself, young man, There's little for you in store. For failure comes from the inside first, It's there, if we only knew it, And you can win, though you face the worst, If you feel that you're going to do it. —Excerpt from “The Secret of the Ages” (1926)

William Wordsworth

William Wordsworth (7 April 1770 – 23 April 1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with the 1798 joint publication Lyrical Ballads. Wordsworth's magnum opus is generally considered to be The Prelude, a semiautobiographical poem of his early years which he revised and expanded a number of times. It was posthumously titled and published, prior to which it was generally known as the poem "to Coleridge". Wordsworth was Britain's Poet Laureate from 1843 until his death in 1850. Early life The second of five children born to John Wordsworth and Ann Cookson, William Wordsworth was born on 7 April 1770 in Wordsworth House in Cockermouth, Cumberland—part of the scenic region in northwest England, the Lake District. His sister, the poet and diarist Dorothy Wordsworth, to whom he was close all his life, was born the following year, and the two were baptised together. They had three other siblings: Richard, the eldest, who became a lawyer; John, born after Dorothy, who went to sea and died in 1805 when the ship of which he was Master, the Earl of Abergavenny, was wrecked off the south coast of England; and Christopher, the youngest, who entered the Church and rose to be Master of Trinity College, Cambridge. Their father was a legal representative of James Lowther, 1st Earl of Lonsdale and, through his connections, lived in a large mansion in the small town. Wordsworth, as with his siblings, had little involvement with their father, and they would be distant from him until his death in 1783. Wordsworth's father, although rarely present, did teach him poetry, including that of Milton, Shakespeare and Spenser, in addition to allowing his son to rely on his own father's library. Along with spending time reading in Cockermouth, Wordsworth would also stay at his mother's parents house in Penrith, Cumberland. At Penrith, Wordsworth was exposed to the moors. Wordsworth could not get along with his grandparents and his uncle, and his hostile interactions with them distressed him to the point of contemplating suicide. After the death of their mother, in 1778, John Wordsworth sent William to Hawkshead Grammar School in Lancashire and Dorothy to live with relatives in Yorkshire; she and William would not meet again for another nine years. Although Hawkshead was Wordsworth's first serious experience with education, he had been taught to read by his mother and had attended a tiny school of low quality in Cockermouth. After the Cockermouth school, he was sent to a school in Penrith for the children of upper-class families and taught by Ann Birkett, a woman who insisted on instilling in her students traditions that included pursuing both scholarly and local activities, especially the festivals around Easter, May Day, and Shrove Tuesday. Wordsworth was taught both the Bible and the Spectator, but little else. It was at the school that Wordsworth was to meet the Hutchinsons, including Mary, who would be his future wife. Wordsworth made his debut as a writer in 1787 when he published a sonnet in The European Magazine. That same year he began attending St John's College, Cambridge, and received his B.A. degree in 1791. He returned to Hawkshead for his first two summer holidays, and often spent later holidays on walking tours, visiting places famous for the beauty of their landscape. In 1790, he took a walking tour of Europe, during which he toured the Alps extensively, and visited nearby areas of France, Switzerland, and Italy. Relationship with Annette Vallon In November 1791, Wordsworth visited Revolutionary France and became enthralled with the Republican movement. He fell in love with a French woman, Annette Vallon, who in 1792 gave birth to their child, Caroline. Because of lack of money and Britain's tensions with France, he returned alone to England the next year. The circumstances of his return and his subsequent behaviour raise doubts as to his declared wish to marry Annette, but he supported her and his daughter as best he could in later life. The Reign of Terror estranged him from the Republican movement, and war between France and Britain prevented him from seeing Annette and Caroline again for several years. There are strong suggestions that Wordsworth may have been depressed and emotionally unsettled in the mid-1790s. With the Peace of Amiens again allowing travel to France, in 1802 Wordsworth and his sister, Dorothy, visited Annette and Caroline in Calais. The purpose of the visit was to pave the way for his forthcoming marriage to Mary Hutchinson, and a mutually agreeable settlement was reached regarding Wordsworth's obligations. Afterwards he wrote the poem "It is a beauteous evening, calm and free," recalling his seaside walk with his daughter, whom he had not seen for ten years. At the conception of this poem, he had never seen his daughter before. The occurring lines reveal his deep love for both child and mother. First publication and Lyrical Ballads In his "Preface to Lyrical Ballads", which is called the "manifesto" of English Romantic criticism, Wordsworth calls his poems "experimental." The year 1793 saw Wordsworth's first published poetry with the collections An Evening Walk and Descriptive Sketches. He received a legacy of £900 from Raisley Calvert in 1795 so that he could pursue writing poetry. That year, he met Samuel Taylor Coleridge in Somerset. The two poets quickly developed a close friendship. In 1797, Wordsworth and his sister Dorothy moved to Alfoxton House, Somerset, just a few miles away from Coleridge's home in Nether Stowey. Together, Wordsworth and Coleridge (with insights from Dorothy) produced Lyrical Ballads (1798), an important work in the English Romantic movement. The volume gave neither Wordsworth's nor Coleridge's name as author. One of Wordsworth's most famous poems, "Tintern Abbey", was published in the work, along with Coleridge's "The Rime of the Ancient Mariner". The second edition, published in 1800, had only Wordsworth listed as the author, and included a preface to the poems, which was augmented significantly in the 1802 edition. This Preface to Lyrical Ballads is considered a central work of Romantic literary theory. In it, Wordsworth discusses what he sees as the elements of a new type of poetry, one based on the "real language of men" and which avoids the poetic diction of much 18th-century poetry. Here, Wordsworth gives his famous definition of poetry as "the spontaneous overflow of powerful emotions recollected in tranquility: it takes its origin from emotion recollected in tranquility." A fourth and final edition of Lyrical Ballads was published in 1805. The Borderers From 1795 to 1797, he wrote his only play, The Borderers, a verse tragedy set during the reign of King Henry III of England when Englishmen of the north country were in conflict with Scottish rovers. Wordsworth attempted to get the play staged in November 1797, but it was rejected by Thomas Harris, theatre manager of Covent Garden, who proclaimed it "impossible that the play should succeed in the representation". The rebuff was not received lightly by Wordsworth, and the play was not published until 1842, after substantial revision. Germany and move to the Lake District Wordsworth, Dorothy and Coleridge travelled to Germany in the autumn of 1798. While Coleridge was intellectually stimulated by the trip, its main effect on Wordsworth was to produce homesickness. During the harsh winter of 1798–99, Wordsworth lived with Dorothy in Goslar, and, despite extreme stress and loneliness, he began work on an autobiographical piece later titled The Prelude. He wrote a number of famous poems, including "The Lucy poems". He and his sister moved back to England, now to Dove Cottage in Grasmere in the Lake District, and this time with fellow poet Robert Southey nearby. Wordsworth, Coleridge and Southey came to be known as the "Lake Poets". Through this period, many of his poems revolve around themes of death, endurance, separation and grief. Marriage and children In 1802, after Wordsworth's return from his trip to France with Dorothy to visit Annette and Caroline, Lowther's heir, William Lowther, 1st Earl of Lonsdale, paid the ₤4, debt owed to Wordsworth's father incurred through Lowther's failure to pay his aide. Later that year, on October 4, Wordsworth married a childhood friend, Mary Hutchinson. Dorothy continued to live with the couple and grew close to Mary. The following year, Mary gave birth to the first of five children, three of whom predeceased William and Mary: * John Wordsworth (18 June 1803 – 1875). * Dora Wordsworth (16 August 1804 – 9 July 1847). * Thomas Wordsworth (15 June 1806 – 1 December 1812). * Catherine Wordsworth (6 September 1808 – 4 June 1812). * William "Willy" Wordsworth (12 May 1810 – 1883). Autobiographical work and Poems in Two Volumes Wordsworth had for years been making plans to write a long philosophical poem in three parts, which he intended to call The Recluse. He had in 1798–99 started an autobiographical poem, which he never named but called the "poem to Coleridge", which would serve as an appendix to The Recluse. In 1804, he began expanding this autobiographical work, having decided to make it a prologue rather than an appendix to the larger work he planned. By 1805, he had completed it, but refused to publish such a personal work until he had completed the whole of The Recluse. The death of his brother, John, in 1805 affected him strongly. The source of Wordsworth's philosophical allegiances as articulated in The Prelude and in such shorter works as "Lines composed a few miles above Tintern Abbey" has been the source of much critical debate. While it had long been supposed that Wordsworth relied chiefly on Coleridge for philosophical guidance, more recent scholarship has suggested that Wordsworth's ideas may have been formed years before he and Coleridge became friends in the mid 1790s. While in Revolutionary Paris in 1792, the 22-year-old Wordsworth made the acquaintance of the mysterious traveller John "Walking" Stewart (1747–1822), who was nearing the end of a thirty-years' peregrination from Madras, India, through Persia and Arabia, across Africa and all of Europe, and up through the fledgling United States. By the time of their association, Stewart had published an ambitious work of original materialist philosophy entitled The Apocalypse of Nature (London, 1791), to which many of Wordsworth's philosophical sentiments are likely indebted. In 1807, his Poems in Two Volumes were published, including "Ode: Intimations of Immortality from Recollections of Early Childhood". Up to this point Wordsworth was known publicly only for Lyrical Ballads, and he hoped this collection would cement his reputation. Its reception was lukewarm, however. For a time (starting in 1810), Wordsworth and Coleridge were estranged over the latter's opium addiction. Two of his children, Thomas and Catherine, died in 1812. The following year, he received an appointment as Distributor of Stamps for Westmorland, and the £400 per year income from the post made him financially secure. His family, including Dorothy, moved to Rydal Mount, Ambleside (between Grasmere and Rydal Water) in 1813, where he spent the rest of his life. The Prospectus In 1814 he published The Excursion as the second part of the three-part The Recluse. He had not completed the first and third parts, and never would. He did, however, write a poetic Prospectus to "The Recluse" in which he lays out the structure and intent of the poem. The Prospectus contains some of Wordsworth's most famous lines on the relation between the human mind and nature: My voice proclaims How exquisitely the individual Mind (And the progressive powers perhaps no less Of the whole species) to the external World Is fitted:--and how exquisitely, too, Theme this but little heard of among Men, The external World is fitted to the Mind. Some modern critics[who?] recognise a decline in his works beginning around the mid-1810s. But this decline was perhaps more a change in his lifestyle and beliefs, since most of the issues that characterise his early poetry (loss, death, endurance, separation and abandonment) were resolved in his writings. But, by 1820, he enjoyed the success accompanying a reversal in the contemporary critical opinion of his earlier works. Following the death of his friend the painter William Green in 1823, Wordsworth mended relations with Coleridge. The two were fully reconciled by 1828, when they toured the Rhineland together. Dorothy suffered from a severe illness in 1829 that rendered her an invalid for the remainder of her life. In 1835, Wordsworth gave Annette and Caroline the money they needed for support. The Poet Laureate and other honours Wordsworth received an honorary Doctor of Civil Law degree in 1838 from Durham University, and the same honour from Oxford University the next year. In 1842 the government awarded him a civil list pension amounting to £300 a year. With the death in 1843 of Robert Southey, Wordsworth became the Poet Laureate. He initially refused the honour, saying he was too old, but accepted when Prime Minister Robert Peel assured him "you shall have nothing required of you" (he became the only laureate to write no official poetry). When his daughter, Dora, died in 1847, his production of poetry came to a standstill. Death William Wordsworth died by re-aggravating a case of pleurisy on 23 April 1850, and was buried at St. Oswald's church in Grasmere. His widow Mary published his lengthy autobiographical "poem to Coleridge" as The Prelude several months after his death. Though this failed to arouse great interest in 1850, it has since come to be recognised as his masterpiece. Major works Lyrical Ballads, with a Few Other Poems (1798) * "Simon Lee" * "We are Seven" * "Lines Written in Early Spring" * "Expostulation and Reply" * "The Tables Turned" * "The Thorn" * "Lines Composed A Few Miles above Tintern Abbey" Lyrical Ballads, with Other Poems (1800) * Preface to the Lyrical Ballads * "Strange fits of passion have I known"[14] * "She Dwelt among the Untrodden Ways"[14] * "Three years she grew"[14] * "A Slumber Did my Spirit Seal"[14] * "I travelled among unknown men"[14] * "Lucy Gray" * "The Two April Mornings" * "Nutting" * "The Ruined Cottage" * "Michael" * "The Kitten At Play" Poems, in Two Volumes (1807) * "Resolution and Independence" * "I Wandered Lonely as a Cloud" Also known as "Daffodils" * "My Heart Leaps Up" * "Ode: Intimations of Immortality" * "Ode to Duty" * "The Solitary Reaper" * "Elegiac Stanzas" * "Composed upon Westminster Bridge, September 3, 1802" * "London, 1802" * "The World Is Too Much with Us" * Guide to the Lakes (1810) * The Excursion (1814) * Laodamia (1815, 1845) * The Prelude (1850) References Wikipedia – http://en.wikipedia.org/wiki/William_Wordsworth

Paul Laurence Dunbar

Paul Laurence Dunbar was the first African-American poet to garner national critical acclaim. Born in Dayton, Ohio, in 1872, Dunbar penned a large body of dialect poems, standard English poems, essays, novels and short stories before he died at the age of 33. His work often addressed the difficulties encountered by members of his race and the efforts of African-Americans to achieve equality in America. He was praised both by the prominent literary critics of his time and his literary contemporaries. Dunbar was born on June 27, 1872, to Matilda and Joshua Dunbar, both natives of Kentucky. His mother was a former slave and his father had escaped from slavery and served in the 55th Massachusetts Infantry Regiment and the 5th Massachusetts Colored Cavalry Regiment during the Civil War. Matilda and Joshua had two children before separating in 1874. Matilda also had two children from a previous marriage. The family was poor, and after Joshua left, Matilda supported her children by working in Dayton as a washerwoman. One of the families she worked for was the family of Orville and Wilbur Wright, with whom her son attended Dayton's Central High School. Though the Dunbar family had little material wealth, Matilda, always a great support to Dunbar as his literary stature grew, taught her children a love of songs and storytelling. Having heard poems read by the family she worked for when she was a slave, Matilda loved poetry and encouraged her children to read. Dunbar was inspired by his mother, and he began reciting and writing poetry as early as age 6. Dunbar was the only African-American in his class at Dayton Central High, and while he often had difficulty finding employment because of his race, he rose to great heights in school. He was a member of the debating society, editor of the school paper and president of the school's literary society. He also wrote for Dayton community newspapers. He worked as an elevator operator in Dayton's Callahan Building until he established himself locally and nationally as a writer. He published an African-American newsletter in Dayton, the Dayton Tattler, with help from the Wright brothers. His first public reading was on his birthday in 1892. A former teacher arranged for him to give the welcoming address to the Western Association of Writers when the organization met in Dayton. James Newton Matthews became a friend of Dunbar's and wrote to an Illinois paper praising Dunbar's work. The letter was reprinted in several papers across the country, and the accolade drew regional attention to Dunbar; James Whitcomb Riley, a poet whose works were written almost entirely in dialect, read Matthew's letter and acquainted himself with Dunbar's work. With literary figures beginning to take notice, Dunbar decided to publish a book of poems. Oak and Ivy, his first collection, was published in 1892. Though his book was received well locally, Dunbar still had to work as an elevator operator to help pay off his debt to his publisher. He sold his book for a dollar to people who rode the elevator. As more people came in contact with his work, however, his reputation spread. In 1893, he was invited to recite at the World's Fair, where he met Frederick Douglass, the renowned abolitionist who rose from slavery to political and literary prominence in America. Douglass called Dunbar "the most promising young colored man in America." Dunbar moved to Toledo, Ohio, in 1895, with help from attorney Charles A. Thatcher and psychiatrist Henry A. Tobey. Both were fans of Dunbar's work, and they arranged for him to recite his poems at local libraries and literary gatherings. Tobey and Thatcher also funded the publication of Dunbar's second book, Majors and Minors. It was Dunbar's second book that propelled him to national fame. William Dean Howells, a novelist and widely respected literary critic who edited Harper's Weekly, praised Dunbar's book in one of his weekly columns and launched Dunbar's name into the most respected literary circles across the country. A New York publishing firm, Dodd Mead and Co., combined Dunbar's first two books and published them as Lyrics of a Lowly Life. The book included an introduction written by Howells. In 1897, Dunbar traveled to England to recite his works on the London literary circuit. His national fame had spilled across the Atlantic. After returning from England, Dunbar married Alice Ruth Moore, a young writer, teacher and proponent of racial and gender equality who had a master's degree from Cornell University. Dunbar took a job at the Library of Congress in Washington, D.C. He found the work tiresome, however, and it is believed the library's dust contributed to his worsening case of tuberculosis. He worked there for only a year before quitting to write and recite full time. In 1902, Dunbar and his wife separated. Depression stemming from the end of his marriage and declining health drove him to a dependence on alcohol, which further damaged his health. He continued to write, however. He ultimately produced 12 books of poetry, four books of short stories, a play and five novels. His work appeared in Harper's Weekly, the Sunday Evening Post, the Denver Post, Current Literature and a number of other magazines and journals. He traveled to Colorado and visited his half-brother in Chicago before returning to his mother in Dayton in 1904. He died there on Feb. 9, 1906. Literary style Dunbar's work is known for its colorful language and a conversational tone, with a brilliant rhetorical structure. These traits were well matched to the tune-writing ability of Carrie Jacobs-Bond (1862–1946), with whom he collaborated. Use of dialect Much of Dunbar's work was authored in conventional English, while some was rendered in African-American dialect. Dunbar remained always suspicious that there was something demeaning about the marketability of dialect poems. One interviewer reported that Dunbar told him, "I am tired, so tired of dialect", though he is also quoted as saying, "my natural speech is dialect" and "my love is for the Negro pieces". Though he credited William Dean Howells with promoting his early success, Dunbar was dismayed by his demand that he focus on dialect poetry. Angered that editors refused to print his more traditional poems, he accused Howells of "[doing] my irrevocable harm in the dictum he laid down regarding my dialect verse." Dunbar, however, was continuing a literary tradition that used Negro dialect; his predecessors included Mark Twain, Joel Chandler Harris, and George Washington Cable. Two brief examples of Dunbar's work, the first in standard English and the second in dialect, demonstrate the diversity of the poet's production: (From "Dreams") What dreams we have and how they fly Like rosy clouds across the sky; Of wealth, of fame, of sure success, Of love that comes to cheer and bless; And how they wither, how they fade, The waning wealth, the jilting jade — The fame that for a moment gleams, Then flies forever, — dreams, ah — dreams! (From "A Warm Day In Winter") "Sunshine on de medders, Greenness on de way; Dat's de blessed reason I sing all de day." Look hyeah! What you axing'? What meks me so merry? 'Spect to see me sighin' W'en hit's wa'm in Febawary? List of works * Oak and Ivy (1892) * Majors and Minors (1896) * Lyrics of Lowly Life (1896) * Folks from Dixie (1898) * The Strength of Gideon (1900) * In Old Plantation Days (1903) * The Heart of Happy Hollow (1904) * Lyrics of Sunshine and Shadow (1905) References Paul Laurence Dunbar Website - www.dunbarsite.org/biopld.asp Wikipedia- http://en.wikipedia.org/wiki/Paul_Laurence_Dunbar

Ella Wheeler Wilcox

Ella Wheeler Wilcox (November 5, 1850– October 30, 1919) was an American author and poet. Her best-known work was Poems of Passion. Her most enduring work was “Solitude”, which contains the lines, “Laugh, and the world laughs with you; weep, and you weep alone”. Her autobiography, The Worlds and I, was published in 1918, a year before her death. Biography Ella Wheeler was born in 1850 on a farm in Johnstown, Wisconsin, east of Janesville, the youngest of four children. The family soon moved north of Madison. She started writing poetry at a very early age, and was well known as a poet in her own state by the time she graduated from high school. Her most famous poem, “Solitude”, was first published in the February 25, 1883 issue of The New York Sun. The inspiration for the poem came as she was travelling to attend the Governor’s inaugural ball in Madison, Wisconsin. On her way to the celebration, there was a young woman dressed in black sitting across the aisle from her. The woman was crying. Miss Wheeler sat next to her and sought to comfort her for the rest of the journey. When they arrived, the poet was so depressed that she could barely attend the scheduled festivities. As she looked at her own radiant face in the mirror, she suddenly recalled the sorrowful widow. It was at that moment that she wrote the opening lines of “Solitude”: Laugh, and the world laughs with you; Weep, and you weep alone. For the sad old earth must borrow its mirth But has trouble enough of its own She sent the poem to the Sun and received $5 for her effort. It was collected in the book Poems of Passion shortly after in May 1883. In 1884, she married Robert Wilcox of Meriden, Connecticut, where the couple lived before moving to New York City and then to Granite Bay in the Short Beach section of Branford, Connecticut. The two homes they built on Long Island Sound, along with several cottages, became known as Bungalow Court, and they would hold gatherings there of literary and artistic friends. They had one child, a son, who died shortly after birth. Not long after their marriage, they both became interested in theosophy, new thought, and spiritualism. Early in their married life, Robert and Ella Wheeler Wilcox promised each other that whoever went first through death would return and communicate with the other. Robert Wilcox died in 1916, after over thirty years of marriage. She was overcome with grief, which became ever more intense as week after week went without any message from him. It was at this time that she went to California to see the Rosicrucian astrologer, Max Heindel, still seeking help in her sorrow, still unable to understand why she had no word from her Robert. She wrote of this meeting: In talking with Max Heindel, the leader of the Rosicrucian Philosophy in California, he made very clear to me the effect of intense grief. Mr. Heindel assured me that I would come in touch with the spirit of my husband when I learned to control my sorrow. I replied that it seemed strange to me that an omnipotent God could not send a flash of his light into a suffering soul to bring its conviction when most needed. Did you ever stand beside a clear pool of water, asked Mr. Heindel, and see the trees and skies repeated therein? And did you ever cast a stone into that pool and see it clouded and turmoiled, so it gave no reflection? Yet the skies and trees were waiting above to be reflected when the waters grew calm. So God and your husband’s spirit wait to show themselves to you when the turbulence of sorrow is quieted. Several months later, she composed a little mantra or affirmative prayer which she said over and over “I am the living witness: The dead live: And they speak through us and to us: And I am the voice that gives this glorious truth to the suffering world: I am ready, God: I am ready, Christ: I am ready, Robert.”. Wilcox made efforts to teach occult things to the world. Her works, filled with positive thinking, were popular in the New Thought Movement and by 1915 her booklet, What I Know About New Thought had a distribution of 50,000 copies, according to its publisher, Elizabeth Towne. The following statement expresses Wilcox’s unique blending of New Thought, Spiritualism, and a Theosophical belief in reincarnation: “As we think, act, and live here today, we built the structures of our homes in spirit realms after we leave earth, and we build karma for future lives, thousands of years to come, on this earth or other planets. Life will assume new dignity, and labor new interest for us, when we come to the knowledge that death is but a continuation of life and labor, in higher planes”. Her final words in her autobiography The Worlds and I: “From this mighty storehouse (of God, and the hierarchies of Spiritual Beings ) we may gather wisdom and knowledge, and receive light and power, as we pass through this preparatory room of earth, which is only one of the innumerable mansions in our Father’s house. Think on these things”. Ella Wheeler Wilcox died of cancer on October 30, 1919 in Short Beach. Poetry A popular poet rather than a literary poet, in her poems she expresses sentiments of cheer and optimism in plainly written, rhyming verse. Her world view is expressed in the title of her poem “Whatever Is—Is Best”, suggesting an echo of Alexander Pope’s “Whatever is, is right,” a concept formally articulated by Gottfried Leibniz and parodied by Voltaire’s character Doctor Pangloss in Candide. None of Wilcox’s works were included by F. O. Matthiessen in The Oxford Book of American Verse, but Hazel Felleman chose no fewer than fourteen of her poems for Best Loved Poems of the American People, while Martin Gardner selected “The Way Of The World” and “The Winds of Fate” for Best Remembered Poems. She is frequently cited in anthologies of bad poetry, such as The Stuffed Owl: An Anthology of Bad Verse and Very Bad Poetry. Sinclair Lewis indicates Babbitt’s lack of literary sophistication by having him refer to a piece of verse as “one of the classic poems, like 'If’ by Kipling, or Ella Wheeler Wilcox’s ‘The Man Worth While.’” The latter opens: It is easy enough to be pleasant, When life flows by like a song, But the man worth while is one who will smile, When everything goes dead wrong. Her most famous lines open her poem “Solitude”: Laugh and the world laughs with you, Weep, and you weep alone; The good old earth must borrow its mirth, But has trouble enough of its own. “The Winds of Fate” is a marvel of economy, far too short to summarize. In full: One ship drives east and another drives west With the selfsame winds that blow. ’Tis the set of the sails, And Not the gales, That tell us the way to go. Like the winds of the sea are the ways of fate; As we voyage along through life, ’Tis the set of a soul That decides its goal, And not the calm or the strife. Ella Wheeler Wilcox cared about alleviating animal suffering, as can be seen from her poem, “Voice of the Voiceless”. It begins as follows: So many gods, so many creeds, So many paths that wind and wind, While just the art of being kind Is all the sad world needs. I am the voice of the voiceless; Through me the dumb shall speak, Till the deaf world’s ear be made to hear The wrongs of the wordless weak. From street, from cage, and from kennel, From stable and zoo, the wail Of my tortured kin proclaims the sin Of the mighty against the frail.




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