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The Menage

Up stand
            six
yellow
         jonquils
in a
      glass/
the stems
              dark green,
paling
         as they descend
into the water/
                     seen through
a thicket
              of baby’s breath, “a tall herb
bearing numerous small,
                                   fragrant white flowers.”
I have seen
                 snow-drops larger.
I bent my face down.
                              To my delight
they were convoluted
                              like a rose.
They had no smell,
                           their white
the grain of Biblical dust,
                                       which like the orchid itself
is as common as hayseed.
                                    Their stems were thin and woody
but as tightly compacted
                                    as a tree trunk,
greenish rubbings showing in spots
                                                   through the brown;
wiry, forked twigs so close,
                                          they made an impassable bush
which from a distance
                                looked like mist.
 
I could barely escape
                                from that wood of particulars...
the jonquils whose air within
                                            was irradiated topaz,
silent as in an ear,
                              the stems leaning lightly
against the glass,
                           trisecting its inner circle
in the water,
                    crossed like reverent hands
(ah, the imagination!
                                Benedicite.
Enter monks.
                  Oops, sorry!
Trespassing
                 on Japanese space.
Exit monks
               and all their lore
from grace).
 
I was moved by all this
                                   and murmured
to my eyes, “Oh, Master!”
                                      and became engrossed again
in that wood of particulars
                                         until I found myself
out of character, singing
        “Tell me why you’ve settled here.”
 
        “Because my element is near.”
and reflecting,
                       “The eye of man cares. Yes!”
 
But a familiar voice
                              broke into the wood,
a shade of mockery in it,
                                      and in her smile
a fore-knowledge
                        of something playful,
something forbidden,
                              something make-believe
something saucy,
                        something delicious
about to pull me
                        off guard:
“Do you want to be my Cupid-o?”
 
In fairness to her
                           it must be said
that her freckles
                          are always friendly
and that the anticipation
                                      of a prank
makes them radiate
                           across her face
the way dandelions
                           sprout in a field
after a summer shower.
 
“What makes you so fresh,
                                      my Wife of Bath?
What makes you so silly,
                                    o bright hen?”
 
“That’s for you to find out,
                                          old shoe, old shoe.
That’s for you to find out
                                       if you can.”
 
“Oh yeah!”
               (a mock chase and capture).
“Commit her
                 into jonquil’s custody.
She’ll see a phallus
                              in the pistil.
Let her work it off there.”
 
But I was now myself
                                 under this stringent force
which ended,
                  as real pastorals in time must,
in bed, with the great
                                 eye of man, rolling.
Other works by Carl Rakosi...



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