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On the Great Atlantic Rainway

I set forth one misted white day of June
Beneath the great Atlantic rainway, and heard:
‘€œHonestly you smite worlds of truth, but
Lose your own trains of thought, like a pigeon.
Did you once ride in Kenneth’€™s machine?'€
‘€œYes, I rode there, an old man in shorts, blind,
Who had lost his way in the filling station; Kenneth was kind.'€
‘€œDid he fill your motionless ears with resonance and stain?'€
‘€œNo, he spoke not as a critic, but as a man.'€
‘€œTell me, what did he say?'€ '€œHe said,
‘€˜My eyes are the white sky, the gravel on the groundway my sad lament.'€™'€
‘€œAnd yet he drives between the two. . . .'€ '€œExactly, Jane,
 
And that is the modern idea of fittingness,
To, always in motion, lose nothing, although beneath the
Rainway they move in threes and twos completely
Ruined for themselves, like moving pictures.'€
‘€œBut how other?'€ '€œFormulalessness, to go from the sun
Into love’€™s sweet disrepair. He would fondly express
‘€˜Rain trees’€™'€”which is not a poem, '€˜rain trees. . . .'€™'€
‘€œStill, it is mysterious to have an engine
That floats bouquets! and one day in the rear-vision
Mirror of his car we vowed delight,
The insufficiency of the silverware in the sunlight,
The dreams he steals from and smiles, losing gain.'€
 
‘€œYet always beneath the rainway unsyntactical
Beauty might leap up!'€ '€œThat we might sing
From smiles’€™ ravines, '€˜Rose, the reverse of everything,
May be profaned or talked at like a hat.'€™'€
‘€œOh that was sweet and short, like the minuet
Of stars, which would permit us to seem our best friends
By silver’€™s eminent lights! For nature is so small, ends
Falsely reign, distending the time we did
Behind our hope for body-work, riding with Kenneth.'€
Their voicing ceased, then started again, to complain
That we are offered nothing when it starts to rain
In the same way, though we are dying for the truth.
 
 
‘€œOn the Great Atlantic Rainway’€ from The Collected Poems of Kenneth Koch, published by Alfred A. Knopf, Inc. Copyright © 2006 by Kenneth Koch
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