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Middle Passage

I

 
Jesús, Estrella, Esperanza, Mercy:
 
      Sails flashing to the wind like weapons,
      sharks following the moans the fever and the dying;  
      horror the corposant and compass rose.
 
Middle Passage:
              voyage through death
                              to life upon these shores.
 
      “10 April 1800—
      Blacks rebellious. Crew uneasy. Our linguist says  
      their moaning is a prayer for death,
      ours and their own. Some try to starve themselves.  
      Lost three this morning leaped with crazy laughter  
      to the waiting sharks, sang as they went under.”
 
Desire, Adventure, Tartar, Ann:
 
      Standing to America, bringing home  
      black gold, black ivory, black seed.
 
              Deep in the festering hold thy father lies,  
              of his bones New England pews are made,  
              those are altar lights that were his eyes.
 
Jesus    Saviour    Pilot    Me
Over    Life’s    Tempestuous    Sea
 
We pray that Thou wilt grant, O Lord,  
safe passage to our vessels bringing  
heathen souls unto Thy chastening.
 
Jesus    Saviour
 
      “8 bells. I cannot sleep, for I am sick
      with fear, but writing eases fear a little
      since still my eyes can see these words take shape  
      upon the page & so I write, as one
      would turn to exorcism. 4 days scudding,
      but now the sea is calm again. Misfortune
      follows in our wake like sharks (our grinning  
      tutelary gods). Which one of us
      has killed an albatross? A plague among
      our blacks—Ophthalmia: blindness—& we  
      have jettisoned the blind to no avail.
      It spreads, the terrifying sickness spreads.
      Its claws have scratched sight from the Capt.'s eyes  
      & there is blindness in the fo’c’sle
      & we must sail 3 weeks before we come
      to port.”
 
              What port awaits us, Davy Jones’
              or home? I’ve heard of slavers drifting, drifting,  
              playthings of wind and storm and chance, their crews  
              gone blind, the jungle hatred
              crawling up on deck.
 
Thou    Who    Walked    On    Galilee
 
      “Deponent further sayeth The Bella J
      left the Guinea Coast
      with cargo of five hundred blacks and odd  
      for the barracoons of Florida:
 
      “That there was hardly room ’tween-decks for half  
      the sweltering cattle stowed spoon-fashion there;  
      that some went mad of thirst and tore their flesh  
      and sucked the blood:
 
      “That Crew and Captain lusted with the comeliest  
      of the savage girls kept naked in the cabins;  
      that there was one they called The Guinea Rose  
      and they cast lots and fought to lie with her:
 
      “That when the Bo’s’n piped all hands, the flames  
      spreading from starboard already were beyond  
      control, the negroes howling and their chains  
      entangled with the flames:
 
      “That the burning blacks could not be reached,  
      that the Crew abandoned ship,
      leaving their shrieking negresses behind,
      that the Captain perished drunken with the wenches:
 
      “Further Deponent sayeth not.”
 
Pilot    Oh    Pilot    Me
 
 

      II

 
Aye, lad, and I have seen those factories,  
Gambia, Rio Pongo, Calabar;
have watched the artful mongos baiting traps  
of war wherein the victor and the vanquished
 
Were caught as prizes for our barracoons.  
Have seen the nigger kings whose vanity
and greed turned wild black hides of Fellatah,  
Mandingo, Ibo, Kru to gold for us.
 
And there was one—King Anthracite we named him—
fetish face beneath French parasols
of brass and orange velvet, impudent mouth
whose cups were carven skulls of enemies:
 
He’d honor us with drum and feast and conjo  
and palm-oil-glistening wenches deft in love,  
and for tin crowns that shone with paste,  
red calico and German-silver trinkets
 
Would have the drums talk war and send  
his warriors to burn the sleeping villages  
and kill the sick and old and lead the young  
in coffles to our factories.
 
Twenty years a trader, twenty years,
for there was wealth aplenty to be harvested  
from those black fields, and I’d be trading still  
but for the fevers melting down my bones.
 
 

      III

 
Shuttles in the rocking loom of history,  
the dark ships move, the dark ships move,  
their bright ironical names
like jests of kindness on a murderer’s mouth;  
plough through thrashing glister toward  
fata morgana’s lucent melting shore,  
weave toward New World littorals that are  
mirage and myth and actual shore.
 
Voyage through death,
                              voyage whose chartings are unlove.
 
A charnel stench, effluvium of living death  
spreads outward from the hold,
where the living and the dead, the horribly dying,  
lie interlocked, lie foul with blood and excrement.
 
      Deep in the festering hold thy father lies,  
      the corpse of mercy rots with him,  
      rats eat love’s rotten gelid eyes.
 
      But, oh, the living look at you
      with human eyes whose suffering accuses you,  
      whose hatred reaches through the swill of dark  
      to strike you like a leper’s claw.
 
      You cannot stare that hatred down
      or chain the fear that stalks the watches
      and breathes on you its fetid scorching breath;  
      cannot kill the deep immortal human wish,  
      the timeless will.
 
              “But for the storm that flung up barriers  
              of wind and wave, The Amistad, señores,
              would have reached the port of Príncipe in two,  
              three days at most; but for the storm we should  
              have been prepared for what befell.  
              Swift as the puma’s leap it came. There was  
              that interval of moonless calm filled only  
              with the water’s and the rigging’s usual sounds,  
              then sudden movement, blows and snarling cries  
              and they had fallen on us with machete  
              and marlinspike. It was as though the very  
              air, the night itself were striking us.  
              Exhausted by the rigors of the storm,
              we were no match for them. Our men went down  
              before the murderous Africans. Our loyal  
              Celestino ran from below with gun  
              and lantern and I saw, before the cane–
              knife’s wounding flash, Cinquez,
              that surly brute who calls himself a prince,  
              directing, urging on the ghastly work.
              He hacked the poor mulatto down, and then  
              he turned on me. The decks were slippery
              when daylight finally came. It sickens me  
              to think of what I saw, of how these apes  
              threw overboard the butchered bodies of
              our men, true Christians all, like so much jetsam.  
              Enough, enough. The rest is quickly told:  
              Cinquez was forced to spare the two of us  
              you see to steer the ship to Africa,  
              and we like phantoms doomed to rove the sea  
              voyaged east by day and west by night,  
              deceiving them, hoping for rescue,  
              prisoners on our own vessel, till  
              at length we drifted to the shores of this  
              your land, America, where we were freed  
              from our unspeakable misery. Now we  
              demand, good sirs, the extradition of  
              Cinquez and his accomplices to La  
              Havana. And it distresses us to know  
              there are so many here who seem inclined  
              to justify the mutiny of these blacks.  
              We find it paradoxical indeed
              that you whose wealth, whose tree of liberty  
              are rooted in the labor of your slaves
              should suffer the august John Quincy Adams  
              to speak with so much passion of the right  
              of chattel slaves to kill their lawful masters  
              and with his Roman rhetoric weave a hero’s  
              garland for Cinquez. I tell you that  
              we are determined to return to Cuba
              with our slaves and there see justice done. Cinquez—
              or let us say ‘the Prince’—Cinquez shall die.”
 
      The deep immortal human wish,  
      the timeless will:
 
              Cinquez its deathless primaveral image,  
              life that transfigures many lives.
 
      Voyage through death
                                    to life upon these shores.
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