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Robert frost

Robert Frost


We dance round in a ring and suppose,
But the Secret sits in the middle and knows.


In going from room to room in the dark,
I reached out blindly to save my face,
But neglected, however lightly, to lace
My fingers and close my arms in an arc.
A slim door got in past my guard,
And hit me a blow in the head so hard
I had my native simile jarred.
So people and things don’t pair any more
With what they used to pair with before.

I wonder about the trees.  
Why do we wish to bear  
Forever the noise of these  
More than another noise  
So close to our dwelling place?
We suffer them by the day  
Till we lose all measure of pace,  
And fixity in our joys,  
And acquire a listening air.  
They are that that talks of going      
But never gets away;  
And that talks no less for knowing,  
As it grows wiser and older,  
That now it means to stay.  
My feet tug at the floor
And my head sways to my shoulder  
Sometimes when I watch trees sway,  
From the window or the door.  
I shall set forth for somewhere,  
I shall make the reckless choice
Some day when they are in voice  
And tossing so as to scare  
The white clouds over them on.  
I shall have less to say,  
But I shall be gone.


Others taunt me with having knelt at well—curbs
Always wrong to the light, so never seeing
Deeper down in the well than where the water
Gives me back in a shining surface picture
Me myself in the summer heaven godlike
Looking out of a wreath of fern and cloud puffs.
Once, when trying with chin against a well—curb,
I discerned, as I thought, beyond the picture,
Through the picture, a something white, uncertain,
Something more of the depths—and then I lost it.
Water came to rebuke the too clear water.
One drop fell from a fern, and lo, a ripple
Shook whatever it was lay there at bottom,
Blurred it, blotted it out. What was that whiteness?
Truth? A pebble of quartz? For once, then, something.

I found a dimpled spider, fat and white,
On a white heal-all, holding up a moth
Like a white piece of rigid satin cloth—
Assorted characters of death and blight
Mixed ready to begin the morning right,
Like the ingredients of a witches’ broth—
A snow-drop spider, a flower like a froth,
And dead wings carried like a paper kite.

What had that flower to do with being white,
The wayside blue and innocent heal-all?
What brought the kindred spider to that height,
Then steered the white moth thither in the night?
What but design of darkness to appall?—
If design govern in a thing so small.

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.


O hushed October morning mild,  
Thy leaves have ripened to the fall;  
To—morrow’s wind, if it be wild,  
Should waste them all.  
The crows above the forest call;          
To—morrow they may form and go.  
O hushed October morning mild,  
Begin the hours of this day slow,  
Make the day seem to us less brief.  
Hearts not averse to being beguiled,          
Beguile us in the way you know;  
Release one leaf at break of day;  
At noon release another leaf;  
One from our trees, one far away;  
Retard the sun with gentle mist;          
Enchant the land with amethyst.  
Slow, slow!  
For the grapes’ sake, if they were all,  
Whose leaves already are burnt with frost,  
Whose clustered fruit must else be lost—          
For the grapes’ sake along the wall.


Inscription for a Garden Wall

Winds blow the open grassy places bleak;
But where this old wall burns a sunny cheek,
They eddy over it too toppling weak
To blow the earth or anything self-clear;
Moisture and color and odor thicken here.
The hours of daylight gather atmosphere.

We sit indoors and talk of the cold outside.
And every gust that gathers strength and heaves
Is a threat to the house. But the house has long been tried.
We think of the tree. If it never again has leaves,
We’ll know, we say, that this was the night it died.
It is very far north, we admit, to have brought the peach.
What comes over a man, is it soul or mind
That to no limits and bounds he can stay confined?
You would say his ambition was to extend the reach
Clear to the Arctic of every living kind.
Why is his nature forever so hard to teach
That though there is no fixed line between wrong and right,
There are roughly zones whose laws must be obeyed.
There is nothing much we can do for the tree tonight.
But we can’t help feeling more than a little betrayed
That the northwest wind should rise to such a height
Just when the cold went down so many below.
The tree has no leaves and may never have them again.
We must wait till some months hence in the spring to know.
But if it is destined never again to grow,
It can blame this limitless trait in the hearts of men.

I had for my winter evening walk—
No one at all with whom to talk,
But I had the cottages in a row
Up to their shining eyes in snow.
And I thought I had the folk within:
I had the sound of a violin;
I had a glimpse through curtain laces
Of youthful forms and youthful faces.
I had such company outward bound.
I went till there were no cottages found.
I turned and repented, but coming back
I saw no window but that was black.
Over the snow my creaking feet
Disturbed the slumbering village street
Like profanation, by your leave,
At ten o’clock of a winter eve.

‘Fred, where is north?’

 ‘North? North is there, my love.
 The brook runs west.’

 ‘West—running Brook then call it.’
 (West—Running Brook men call it to this day.)
 'What does it think k’s doing running west
 When all the other country brooks flow east
 To reach the ocean? It must be the brook
 Can trust itself to go by contraries
 The way I can with you —and you with me —
 Because we’re —we’re —I don’t know what we are.
 What are we?'

 ‘Young or new?’

 'We must be something.
 We’ve said we two. Let’s change that to we three.
 As you and I are married to each other,
 We’ll both be married to the brook. We’ll build
 Our bridge across it, and the bridge shall be
 Our arm thrown over it asleep beside it.
 Look, look, it’s waving to us with a wave
 To let us know it hears me.'

 ‘ ’Why, my dear,
 That wave’s been standing off this jut of shore —'
 (The black stream, catching a sunken rock,
 Flung backward on itself in one white wave,
 And the white water rode the black forever,
 Not gaining but not losing, like a bird
 White feathers from the struggle of whose breast
 Flecked the dark stream and flecked the darker pool
 Below the point, and were at last driven wrinkled
 In a white scarf against the far shore alders.)
 'That wave’s been standing off this jut of shore
 Ever since rivers, I was going to say,'
 Were made in heaven. It wasn’t waved to us.'

 'It wasn’t, yet it was. If not to you
 It was to me —in an annunciation.'

 'Oh, if you take it off to lady—land,
 As’t were the country of the Amazons
 We men must see you to the confines of
 And leave you there, ourselves forbid to enter,—
 It is your brook! I have no more to say.'

 ‘Yes, you have, too. Go on. You thought of something.’

 'Speaking of contraries, see how the brook
 In that white wave runs counter to itself.
 It is from that in water we were from
 Long, long before we were from any creature.
 Here we, in our impatience of the steps,
 Get back to the beginning of beginnings,
 The stream of everything that runs away.
 Some say existence like a Pirouot
 And Pirouette, forever in one place,
 Stands still and dances, but it runs away,
 It seriously, sadly, runs away
 To fill the abyss’ void with emptiness.
 It flows beside us in this water brook,
 But it flows over us. It flows between us
 To separate us for a panic moment.
 It flows between us, over us, and with us.
 And it is time, strength, tone, light, life and love—
 And even substance lapsing unsubstantial;
 The universal cataract of death
 That spends to nothingness —and unresisted,
 Save by some strange resistance in itself,
 Not just a swerving, but a throwing back,
 As if regret were in it and were sacred.
 It has this throwing backward on itself
 So that the fall of most of it is always
 Raising a little, sending up a little.
 Our life runs down in sending up the clock.
 The brook runs down in sending up our life.
 The sun runs down in sending up the brook.
 And there is something sending up the sun.
 It is this backward motion toward the source,
 Against the stream, that most we see ourselves in,
 The tribute of the current to the source.
 It is from this in nature we are from.
 It is most us.'

 ‘To—day will be the day....You said so.’

 ‘No, to—day will be the day
 You said the brook was called West—running Brook.’
 ‘To—day will be the day of what we both said.’

As I came to the edge of the woods,
Thrush music —hark!
Now if it was dusk outside,
Inside it was dark.

Too dark in the woods for a bird
By sleight of wing
To better its perch for the night,
Though it still could sing.

The last of the light of the sun
That had died in the west
Still lived for one song more
In a thrush’s breast.

Far in the pillared dark
Thrush music went —
Almost like a call to come in
To the dark and lament.

But no, I was out for stars;
I would not come in.
I meant not even if asked;
And I hadn’t been.