#Americans #LanguagePoetry #Women
Shooting pleasures Ok’d by My being seen For Or as
You’re it. It is (you are) an error with an arsenal of disguises,
If sadness is akin to patience, we’re back! Pattern recognition was our first response
The very flatness of portraits makes for nostalgia in the connoisseur. Here’s the latest
There were distinctive dips and shivers in the various foliage, syncopated, almost cadenced in the way
Card in pew pocket announces, “I am here.” I made only one statement because of a bad winter.
Sad, fat boy in pirate hat. Long, old, dented, copper—colored Ford. How many traits must a thing have
The idea that they were reenacting something which had been staged in the first place bothered her. If she wanted to go on, she’d need to ignore this limp chronology. She assumed he was...
A girl is running. Don’t tell me “She’s running for her bus.” All that aside!
Ventriloquy is the mother tongue. Can you colonize rejection by phrasing your request, “Me want?”
What if I were turned on by seemi… or “extrapolate?” What if I maneuvered conversation… words? Perhaps the excitement would come…
It’s as if we’ve just been turned… in order to learn that the beetle we’ve caught and are now devouring is our elder brother
spider on the cold expanse of glass, three stories high rests intently and so purely alone. I’m not like that!
A merchant is probing for us with his chintz curtain effect. *
With whom do you leave yourself during reveries? The one making coffee or doing the driving—