#Americans #Modernism #XXCentury
Beloved you are Caviar of Caviar Of all I love you best O my Japanese bird nest No herring from Norway
Why do I write today? The beauty of the terrible faces of our nonentites stirs me to it:
It is a willow when summer is over… a willow by the river from which no leaf has fallen nor bitten by the sun turned orange or crimson.
I bought a dish mop— having no daughter— for they had twisted fine ribbons of shining copper about white twine
An old willow with hollow branches slowly swayed his few high gright… and sang: Love is a young green willow shimmering at the bare wood’s edge…
Of asphodel, that greeny flower, like a buttercup upon its branching stem— save that it’s green and wooden— I come, my sweet,
Not because of his eyes, the eyes of a bird, but because he is beaked, birdlike, to do an injury, has the turtle attracted you.
When I am alone I am happy. The air is cool. The sky is flecked and splashed and wound with color. The crimson phalloi of the sassafras leaves
The dayseye hugging the earth in August, ha! Spring is gone down in purple, weeds stand high in the corn, the rainbeaten furrow
Why go further? One might conceivably rectify the rhythm, study all out and arrive at the perfection of a tiger lily or a china doorknob. One might lift all out of the ruck, be a worthy...
Summer! the painting is organized about a young reaper enjoying his noonday rest
A power-house in the shape of a red brick chair 90 feet high on the seat of which
It’s all in the sound. A song. Seldom a song. It should be a song—made of particulars, wasps,
Ecstatic bird songs pound the hollow vastness of the sky with metallic clinkings— beating color up into it at a far edge,—beating it, beating…
You know there is not much that I desire, a few chrysanthemum… half lying on the grass, yellow and brown and white, the talk of a few people, the trees,