Tess Gallagher (born July 21, 1943 in Port Angeles, Washington) is an American poet, essayist, and short story writer. She attended the University of Washington, where she studied creative writing with Theodore Roethke and later Nelson Bentley as well as David Wagoner and Mark Strand. Her honors include a fellowship from the Guggenheim Foundation, two National Endowment for the Arts awards, the The Maxine Cushing Gray Endowed Libraries Visiting Writers Fellowship (University of Washington), and the Elliston Award for “best book of poetry published by a small press” for the collection Instructions to the Double (1976). Her late husband, Raymond Carver, encouraged her to write short stories, some of which were collected in The Lover of Horses (1987) and At the Owl Woman Saloon (1996). Her book Moon Crossing Bridge is a collection of love poems written for Carver after his death from cancer in 1988. “Moon Crossing Bridge” was followed in 2002 by the collection “Dear Ghosts.” Gallagher has taught at many colleges, most recently at Bucknell University and Whitman College. In December 2006, she published an essay in The Sun Magazine, titled “Instead of Dying”, about alcoholism and Raymond Carver’s having maintained his sobriety. The essay is an adaptation of a talk she initially delivered at the Welsh Academy’s Academi Intoxication Conference in 2006. The first lines read: “Instead of dying from alcohol, Raymond Carver chose to live. I would meet him five months after this choice, so I never knew the Ray who drank, except by report and through the characters and actions of his stories and poems.” Distant Rain, published in 2006, is a conversation between Tess and Jakuchō Setouchi, a Buddhist nun from Kyoto, which took place after Carver’s death.

Charles Sangster (July 16, 1822– December 9, 1893) was a Canadian poet whose 1856 volume, The St. Lawrence and the Saguenay, “was received with unanimous acclaim as the best and most important book of poetry produced in Canada until that time.” He was “the first poet who made appreciative use of Canadian subjects in his poetical work.” The Dictionary of Canadian Biography calls him “the best of the pre-confederation poets.” Life Sangster was born at the Navy Yard on Point Frederick (now the site of Royal Military College of Canada), near Kingston, Ontario, the son of Ann Ross and James Sangster. A twin sister died in infancy. His father, a “joiner” or shipbuilder who worked for the British Navy around the Great Lakes, died at Penetanguishene just before Charles turned 2. His mother raised Charles and his 4 siblings on her own. Sangster was an indifferent student, finding “the school curriculum irrelevant and his masters stern and uninspiring.” At 15 years old, he left school to help provide for the family. He took a job in the naval lab making cartridges at Fort Henry and two years later was transferred to the Ordnance office at the fort. About this time (1839) Sangster wrote his first serious poem, a 700-line narrative in rhyming couplets called “The Rebel.” The poem “contains an extensive vocabulary and rich and imaginative historical and geographical allusions,... beyond what might be expected of a boy... who had so little formal education.... the content and form suggest considerable previous writing.” During the 12 years he worked at the Ordinance office Sangster began doing part-time work for a Kingston newspaper, the British Whig. He also continued writing poetry and submitting it, anonymously or pseudonymously, to the local papers. Writing career and success In 1849 Sangster quit his job at Fort Henry and moved to Amherstburg, Ontario, where he became editor of the Amherstburg Courier. When James Reeves, owner of the Courier, died the same year, Sangster returned to Kingston, to work as a proofreader and bookkeeper for the British Whig. Sangster first gained national attention as a poet in 1850, when his poetry began appearing in Canada’s Literary Garland magazine. Soon his work appeared in other magazines, such as Anglo-American Magazine. In 1853 Sangster took a steamship excursion down the St. Lawrence River and up the Saguenay River in Quebec, which he wrote about for the Whig in a series of travel letters called “Etchings by the Way”—material he would also use in his long poem, “The St. Lawrence and the Saguenay”. Sangster published his first book of poetry, The St Lawrence and the Saguenay, and Other Poems, in 1856. The book was widely praised by reviewers and readers. Susanna Moodie wrote to Sangster; "If a native of Canada, [one] may well be proud of her Bard, who has sung in such lofty strains the natural beauties of his native land." The National Magazine of London echoed the same sentiment: “Well may the Canadians be proud of such contributions to their infant literature.... In some sort, and according to his degree, Mr. Sangster may be regarded as the Wordsworth of Canada.” Charles Sangster "married 21-year-old Mary Kilborn of Kingston on Sept. 16, 1856, and the newlyweds moved into a brick house at 144 Barrie Street across from the grassy park. (An historical plaque directly across the street honours the Sangster home.)" Mary was to die of pneumonia just 16 months later. In 1859, Sangster wrote the poem “Brock”, commissioned for the inauguration of the monument to General Isaac Brock at Queenston Heights. Sangster’s second book of poetry, Hesperus and Other Poems and Lyrics, appeared in 1860, published in Kingston and Montreal. “A rousing success, Hesperus... received even more approval than his first book.” “Hesperus was well received, and many critics considered it superior to The St. Lawrence and the Saguenay, as did Sangster himself.” The same year, Sangster remarried, to Henrietta Charlotte Mary Meagher, who was only 17 years of age (to his 38). In 1864, Sangster became a reporter for the Kingston Daily News, and 16 of his poems appeared in the first-ever anthology of Canadian poetry, Selections from Canadian Poets. The same year, the Sangsters celebrated the birth of their first child, Charlotte Mary. Post office and retirement By 1867, Sangster “was in a poor financial situation and suffered increasingly from ill health, depression, and a nervous disorder that would cause him deep mental pain the rest of his life.” To help him out his neighbor, the new Postmaster-General Alexander Campbell arranged a job for Sangster with Canada’s new Post Office Department. Accordingly, in 1868, at 46, Sangster “accepted a position in the Post-Office Department at Ottawa, where his poetic energy and ambition succumbed, apparently, to the incessant drudgery and to the hampering cares of ill-paid employment.”, “With his appointment... Sangster’s life became characterized by overwork, ill health and scant literary output.” He remained with the Post Office until his retirement in 1886. Sangster was also kept busy by a growing family. Sadly, Charlotte died in 1868, shortly after the move to Ottawa. The same year, though, Mrs. Sangster gave birth to a second daughter, Florence. Two years later, in 1870, their third daughter, Gertrude was born, followed in 1879 by a son, Roderick. Sangster published 16 poems in magazines between 1868 and 1878, most of which he had written before moving to Ottawa. He wrote virtually nothing for the 18 years he worked at the Post Office. As he later wrote: "When I went down to Ottawa... I took a pile of M.S. of a third volume with me, as I thought 'ready for the press’, but in all the 18 years I remained there I did little more than correct.... When they get a man into the Civil Service, their first duty is to crush him flat, and if he is a fool of a Poet, or dares to think of any nonsense of that kind, draw him through a Knot or a gimlet hole a few times, pile with agony of toil, toil, toil until his nerves are flattened out, all the rebound knocked out of him, and then– superannuate him... and tell him he should be thankful.” Sangster had a nervous breakdown in 1875, and developed a chronic nervous system condition during the 1880s. To make matters worse, Henrietta died sometime between 1883 and 1886, leaving him to raise his new family alone. After another breakdown in March 1886, he took a six-month leave of absence, and also resigned from the Royal Society of Canada (which had elected him in 1882). Finally, that September he retired and moved back to Kingston. For the first years of retirement, Sangster did little but convalesce. In July 1888, he received a letter from W.D. Lighthall, inquiring about new poems for an upcoming anthology (most likely Lighthall’s 1889 Songs of the Great Dominion. Sangster replied the next day, and the two men struck up a friendship by mail. Revitalized, Sangster began revising his poetry. He doubled the size of “The Saint Lawrence and the Saguenay” to over 200 stanzas, and sent the manuscript to his cousin Amos Sangster to illustrate. When Amos died, the manuscript and the new poem was lost. However, 40 of the new stanzas survived thanks to being published in various magazines. Charles Sangster also cut many of the “other” poems in the first volume, and made over 2,000 changes to the ones he kept. Hesperus got off easier, but Sangster still made more than 200 revisions to the work. As well, Sangster prepared two more volumes for publication, mostly from poems he’d written before moving to Ottawa: Norland Echoes & Other Strains, and The Angel Guest & Other Poems. By the summer of 1871, all four manuscripts were complete, and Sangster sent them off to Lighthall (who had become his literary executor). However, before any of them could be published, Sangster died. None of them were published until the 1970s. Charles Sangster died in Kingston in 1893, and is buried in the city’s Cataraqui Cemetery. Writing The Canadian Encyclopedia says that “Sangster’s poetry distinguishes him as a lover and keen observer of the natural world. He displays overwhelming passion in some poems and equally extreme melancholy in others. Whatever his mood he is consistently and intensely serious and deeply religious.” Sangster’s inspiration was drawn from three themes he was passionate about: love, nature and religion. He wrote many poems about his experiences and was commended for his ability to express the beauty of Canada’s landscapes. Sangster was often called the “father of Canadian poetry” because of this. Many of the love poems from his first book were directed towards his first wife; the nature poems were of his travels. For a man with limited educational training, Charles Sangster had a vast vocabulary and an extraordinary knowledge of history, classics, mythology and authors. His poems include an extensive knowledge of classic, historic, and mythological works, as well as British and American authors, including Shakespeare, Milton, Burns, Wordsworth, P.J. Bailey, and Longfellow. Recognition Sangster was elected a Fellow of the Royal Society of Canada in 1892. Publications * The St. Lawrence and the Saguenay, and Other Poems. Kingston, ON: J. Creighton & J. Duff, 1856. New York: Miller, Orton & Mulligan, 1856. * Hesperus, and Other Poems and Lyrics. Kingston: J. Creighton, 1860. Montreal: J. Lovell, 1860. London, UK: Trubner, 1860. * Our Norland. Toronto: Copp Clark, [1890]. * The St Lawrence and the Saguenay and other poems; Hesperus and other poems and lyrics, intro. Gordon Johnston (Toronto: University of Toronto Press and Buffalo, N.Y., 1972. ISBN 0-8020-1935-8 * Norland echoes and other strains and lyrics,. Frank M. Tierney ed. Ottawa: Tecumseh, 1976. ISBN 0-919662-59-5 * The angel guest and other poems and lyrics. Frank M. Tierney ed. Ottawa: Tecumseh, 1977. ISBN 0-919662-63-3 * Hesperus and other poems and lyrics(rev. ed.). Frank M. Tierney ed. Ottawa: Tecumseh, 1979. ISBN 0-919662-72-2 * St. Lawrence and the Saguenay and other poems (rev. ed.). Frank M. Tierney ed. Ottawa: Tecumseh, 1984. ISBN 0-919662-95-1, ISBN 0-919662-96-X * Except where noted, bibliographic information courtesy Dictionary of Canadian Biography. References Wikipedia—https://en.wikipedia.org/wiki/Charles_Sangster

Benjamin Franklin (January 17, 1706 [O.S. January 6, 1705]– April 17, 1790) was one of the Founding Fathers of the United States. A renowned polymath, Franklin was a leading author, printer, political theorist, politician, freemason, postmaster, scientist, inventor, civic activist, statesman, and diplomat. As a scientist, he was a major figure in the American Enlightenment and the history of physics for his discoveries and theories regarding electricity. As an inventor, he is known for the lightning rod, bifocals, and the Franklin stove, among other inventions. He facilitated many civic organizations, including Philadelphia’s fire department and a university. Franklin earned the title of “The First American” for his early and indefatigable campaigning for colonial unity, initially as an author and spokesman in London for several colonies. As the first United States Ambassador to France, he exemplified the emerging American nation. Franklin was foundational in defining the American ethos as a marriage of the practical values of thrift, hard work, education, community spirit, self-governing institutions, and opposition to authoritarianism both political and religious, with the scientific and tolerant values of the Enlightenment. In the words of historian Henry Steele Commager, “In a Franklin could be merged the virtues of Puritanism without its defects, the illumination of the Enlightenment without its heat.” To Walter Isaacson, this makes Franklin “the most accomplished American of his age and the most influential in inventing the type of society America would become.” Franklin became a successful newspaper editor and printer in Philadelphia, the leading city in the colonies, publishing the Pennsylvania Gazette at the age of 23. He became wealthy publishing this and Poor Richard’s Almanack, which he authored under the pseudonym “Richard Saunders”. After 1767, he was associated with the Pennsylvania Chronicle, a newspaper that was known for its revolutionary sentiments and criticisms of the British policies. He pioneered and was first president of the The Academy and College of Philadelphia which opened in 1751 and later became the University of Pennsylvania. He organised and was the first secretary of the American Philosophical Society and was elected president in 1769. Franklin became a national hero in America when, as an agent for several colonies, he spearheaded an effort in London to have the Parliament of Great Britain repeal the unpopular Stamp Act. An accomplished diplomat, he was widely admired among the French as American minister to Paris and was a major figure in the development of positive Franco-American relations. His efforts to secure support for the American Revolution by shipments of crucial munitions proved vital for the American war effort. He was promoted to deputy postmaster-general for the British colonies in 1753, having been Philadelphia postmaster for many years, and this enabled him to set up the first national communications network. After the Revolution he became the first US Postmaster General. He was active in community affairs, colonial and state politics, as well as national and international affairs. From 1785 to 1788, he served as governor of Pennsylvania. Although he initially owned and dealt in slaves, by the 1750s he argued against slavery from an economic perspective and became one of the most prominent abolitionists. His colorful life and legacy of scientific and political achievement, and status as one of America’s most influential Founding Fathers, have seen Franklin honored on coinage and the $100 bill; warships; the names of many towns; counties; educational institutions; corporations; and, more than two centuries after his death, countless cultural references. Early life in Boston Benjamin Franklin was born on Milk Street, in Boston, Massachusetts, on January 17, 1706, and baptized at Old South Meeting House. He was one of seventeen children born to Josiah Franklin, and one of ten born by Josiah’s second wife, Abiah Folger; the daughter of Peter Foulger and Mary Morrill. Among Benjamin’s siblings were his older brother James and his younger sister Jane. Josiah wanted Ben to attend school with the clergy, but only had enough money to send him to school for two years. He attended Boston Latin School but did not graduate; he continued his education through voracious reading. Although “his parents talked of the church as a career” for Franklin, his schooling ended when he was ten. He worked for his father for a time, and at 12 he became an apprentice to his brother James, a printer, who taught Ben the printing trade. When Ben was 15, James founded The New-England Courant, which was the first truly independent newspaper in the colonies. When denied the chance to write a letter to the paper for publication, Franklin adopted the pseudonym of “Mrs. Silence Dogood”, a middle-aged widow. Mrs. Dogood’s letters were published, and became a subject of conversation around town. Neither James nor the Courant’s readers were aware of the ruse, and James was unhappy with Ben when he discovered the popular correspondent was his younger brother. Franklin was an advocate of free speech from an early age. When his brother was jailed for three weeks in 1722 for publishing material unflattering to the governor, young Franklin took over the newspaper and had Mrs. Dogood (quoting Cato’s Letters) proclaim: “Without freedom of thought there can be no such thing as wisdom and no such thing as public liberty without freedom of speech.” Franklin left his apprenticeship without his brother’s permission, and in so doing became a fugitive. Philadelphia At age 17, Franklin ran away to Philadelphia, Pennsylvania, seeking a new start in a new city. When he first arrived, he worked in several printer shops around town, but he was not satisfied by the immediate prospects. After a few months, while working in a printing house, Franklin was convinced by Pennsylvania Governor Sir William Keith to go to London, ostensibly to acquire the equipment necessary for establishing another newspaper in Philadelphia. Finding Keith’s promises of backing a newspaper empty, Franklin worked as a typesetter in a printer’s shop in what is now the Church of St Bartholomew-the-Great in the Smithfield area of London. Following this, he returned to Philadelphia in 1726 with the help of Thomas Denham, a merchant who employed Franklin as clerk, shopkeeper, and bookkeeper in his business. Junto and library In 1727, Benjamin Franklin, then 21, created the Junto, a group of “like minded aspiring artisans and tradesmen who hoped to improve themselves while they improved their community.” The Junto was a discussion group for issues of the day; it subsequently gave rise to many organizations in Philadelphia. The Junto was modeled after English coffeehouses that Franklin knew well, and which should become the center of the spread of Enlightenment ideas in Britain. Reading was a great pastime of the Junto, but books were rare and expensive. The members created a library initially assembled from their own books after Franklin wrote: A proposition was made by me that since our books were often referr’d to in our disquisitions upon the inquiries, it might be convenient for us to have them altogether where we met, that upon occasion they might be consulted; and by thus clubbing our books to a common library, we should, while we lik’d to keep them together, have each of us the advantage of using the books of all the other members, which would be nearly as beneficial as if each owned the whole. This did not suffice, however. Franklin conceived the idea of a subscription library, which would pool the funds of the members to buy books for all to read. This was the birth of the Library Company of Philadelphia: its charter was composed by Franklin in 1731. In 1732, Franklin hired the first American librarian, Louis Timothee. The Library Company is now a great scholarly and research library. Newspaperman Upon Denham’s death, Franklin returned to his former trade. In 1728, Franklin had set up a printing house in partnership with Hugh Meredith; the following year he became the publisher of a newspaper called The Pennsylvania Gazette. The Gazette gave Franklin a forum for agitation about a variety of local reforms and initiatives through printed essays and observations. Over time, his commentary, and his adroit cultivation of a positive image as an industrious and intellectual young man, earned him a great deal of social respect. But even after Franklin had achieved fame as a scientist and statesman, he habitually signed his letters with the unpretentious ‘B. Franklin, Printer.’ In 1732, Ben Franklin published the first German language newspaper in America– Die Philadelphische Zeitung– although it failed after only one year, because four other newly founded German papers quickly dominated the newspaper market. Franklin printed Moravian religious books in German. Franklin often visited Bethlehem staying at the Moravian Sun Inn. In a 1751 pamphlet on demographic growth and its implications for the colonies, he called the Pennsylvania Germans “Palatine Boors” who could never acquire the “Complexion” of the English settlers and to “Blacks and Tawneys” as weakening the social structure of the colonies. Although Franklin apparently reconsidered shortly thereafter, and the phrases were omitted from all later printings of the pamphlet, his views may have played a role in his political defeat in 1764. Franklin saw the printing press as a device to instruct colonial Americans in moral virtue. Frasca argues he saw this as a service to God, because he understood moral virtue in terms of actions, thus, doing good provides a service to God. Despite his own moral lapses, Franklin saw himself as uniquely qualified to instruct Americans in morality. He tried to influence American moral life through construction of a printing network based on a chain of partnerships from the Carolinas to New England. Franklin thereby invented the first newspaper chain. It was more than a business venture, for like many publishers since, he believed that the press had a public-service duty. When Franklin established himself in Philadelphia, shortly before 1730, the town boasted two “wretched little” news sheets, Andrew Bradford’s American Mercury, and Samuel Keimer’s Universal Instructor in all Arts and Sciences, and Pennsylvania Gazette. This instruction in all arts and sciences consisted of weekly extracts from Chambers’s Universal Dictionary. Franklin quickly did away with all this when he took over the Instructor and made it The Pennsylvania Gazette. The Gazette soon became Franklin’s characteristic organ, which he freely used for satire, for the play of his wit, even for sheer excess of mischief or of fun. From the first he had a way of adapting his models to his own uses. The series of essays called “The Busy-Body”, which he wrote for Bradford’s American Mercury in 1729, followed the general Addisonian form, already modified to suit homelier conditions. The thrifty Patience, in her busy little shop, complaining of the useless visitors who waste her valuable time, is related to the ladies who address Mr. Spectator. The Busy-Body himself is a true Censor Morum, as Isaac Bickerstaff had been in the Tatler. And a number of the fictitious characters, Ridentius, Eugenius, Cato, and Cretico, represent traditional 18th-century classicism. Even this Franklin could use for contemporary satire, since Cretico, the “sowre Philosopher”, is evidently a portrait of Franklin’s rival, Samuel Keimer. As time went on, Franklin depended less on his literary conventions, and more on his own native humor. In this there is a new spirit—not suggested to him by the fine breeding of Addison, or the bitter irony of Swift, or the stinging completeness of Pope. The brilliant little pieces Franklin wrote for his Pennsylvania Gazette have an imperishable place in American literature. The Pennsylvania Gazette, like most other newspapers of the period, was often poorly printed. Franklin was busy with a hundred matters outside of his printing office, and never seriously attempted to raise the mechanical standards of his trade. Nor did he ever properly edit or collate the chance medley of stale items that passed for news in the Gazette. His influence on the practical side of journalism was minimal. On the other hand, his advertisements of books show his very great interest in popularizing secular literature. Undoubtedly his paper contributed to the broader culture that distinguished Pennsylvania from her neighbors before the Revolution. Like many publishers, Franklin built up a book shop in his printing office; he took the opportunity to read new books before selling them. Franklin had mixed success in his plan to establish an inter-colonial network of newspapers that would produce a profit for him and disseminate virtue. He began in Charleston, South Carolina, in 1731. After the second editor died, his widow Elizabeth Timothy took over and made it a success, 1738–46. She was one of the colonial era’s first woman printers. For three decades Franklin maintained a close business relationship with her and her son Peter who took over in 1746. The Gazette had a policy of impartiality in political debates, while creating the opportunity for public debate, which encouraged others to challenge authority. Editor Peter Timothy avoided blandness and crude bias, and after 1765 increasingly took a patriotic stand in the growing crisis with Great Britain. However, Franklin’s Connecticut Gazette (1755–68) proved unsuccessful. Freemason In 1731, Franklin was initiated into the local Masonic Lodge. He became Grand Master in 1734, indicating his rapid rise to prominence in Pennsylvania. That same year, he edited and published the first Masonic book in the Americas, a reprint of James Anderson’s Constitutions of the Free-Masons. Franklin remained a Freemason for the rest of his life. Common-law marriage to Deborah Read In 1723, at the age of 17, Franklin proposed to 15-year-old Deborah Read while a boarder in the Read home. At that time, Read’s mother was wary of allowing her young daughter to marry Franklin, who was on his way to London at Governor Sir William Keith’s request, and also because of his financial instability. Her own husband had recently died, and Mrs. Read declined Franklin’s request to marry her daughter. While Franklin was in London, his trip was extended, and there were problems with Sir William’s promises of support. Perhaps because of the circumstances of this delay, Deborah married a man named John Rodgers. This proved to be a regrettable decision. Rodgers shortly avoided his debts and prosecution by fleeing to Barbados with her dowry, leaving Deborah behind. Rodgers’s fate was unknown, and because of bigamy laws, Deborah was not free to remarry. Franklin established a common-law marriage with Deborah Read on September 1, 1730. They took in Franklin’s young, recently acknowledged illegitimate son, William, and raised him in their household. In addition, they had two children together. The first, Francis Folger Franklin, born October 1732, died of smallpox in 1736. Their second child, Sarah Franklin, familiarly called Sally, was born in 1743. She eventually married Richard Bache, had seven children, and cared for her father in his old age. Deborah’s fear of the sea meant that she never accompanied Franklin on any of his extended trips to Europe, despite his repeated requests. She wrote to him in November 1769 saying she was ill due to “dissatisfied distress” from his prolonged absence, but he did not return until his business was done. Deborah Read Franklin died of a stroke in 1774, while Franklin was on an extended mission to England; he returned in 1775. William Franklin In 1730, at the age of 24, Franklin publicly acknowledged the existence of William, his son, who was deemed 'illegitimate’ as he was born out of wedlock, and raised him in his household. His mother’s identity is not known. He was educated in Philadelphia. Beginning at about age 30, William studied law in London in the early 1760s. He fathered an illegitimate son, William Temple Franklin, born February 22, 1762. The boy’s mother was never identified, and he was placed in foster care. Franklin later that year married Elizabeth Downes, daughter of a planter from Barbados. After William passed the bar, his father helped him gain an appointment in 1763 as the last Royal Governor of New Jersey. A Loyalist, William and his father eventually broke relations over their differences about the American Revolutionary War. The elder Franklin could never accept William’s position. Deposed in 1776 by the revolutionary government of New Jersey, William was arrested at his home in Perth Amboy at the Proprietary House and imprisoned for a time. The younger Franklin went to New York in 1782, which was still occupied by British troops. He became leader of the Board of Associated Loyalists—a quasi-military organization, headquartered in New York City. They initiated guerrilla forays into New Jersey, southern Connecticut, and New York counties north of the city. When British troops evacuated from New York, William Franklin left with them and sailed to England. He settled in London, never to return to North America. In the preliminary peace talks in 1782 with Britain, “... Benjamin Franklin insisted that loyalists who had borne arms against the United States would be excluded from this plea (that they be given a general pardon). He was undoubtedly thinking of William Franklin.” Success as an author In 1733, Franklin began to publish the noted Poor Richard’s Almanack (with content both original and borrowed) under the pseudonym Richard Saunders, on which much of his popular reputation is based. Franklin frequently wrote under pseudonyms. Although it was no secret that Franklin was the author, his Richard Saunders character repeatedly denied it. “Poor Richard’s Proverbs”, adages from this almanac, such as “A penny saved is twopence dear” (often misquoted as “A penny saved is a penny earned”) and “Fish and visitors stink in three days”, remain common quotations in the modern world. Wisdom in folk society meant the ability to provide an apt adage for any occasion, and Franklin’s readers became well prepared. He sold about ten thousand copies per year—it became an institution. In 1741 Franklin began publishing The General Magazine and Historical Chronicle for all the British Plantations in America, the first such monthly magazine of this type published in America. In 1758, the year he ceased writing for the Almanack, he printed Father Abraham’s Sermon, also known as The Way to Wealth. Franklin’s autobiography, begun in 1771 but published after his death, has become one of the classics of the genre. Daylight saving time (DST) is often erroneously attributed to a 1784 satire that Franklin published anonymously. Modern DST was first proposed by George Vernon Hudson in 1895. Inventions and scientific inquiries Franklin was a prodigious inventor. Among his many creations were the lightning rod, glass harmonica (a glass instrument, not to be confused with the metal harmonica), Franklin stove, bifocal glasses and the flexible urinary catheter. Franklin never patented his inventions; in his autobiography he wrote, “... as we enjoy great advantages from the inventions of others, we should be glad of an opportunity to serve others by any invention of ours; and this we should do freely and generously.” His inventions also included social innovations, such as paying forward. Franklin’s fascination with innovation could be viewed as altruistic; he wrote that his scientific works were to be used for increasing efficiency and human improvement. One such improvement was his effort to expedite news services through his printing presses. Electricity Franklin started exploring the phenomenon of electricity in 1746 when he heard of the Leyden Jar. Franklin proposed that “vitreous” and “resinous” electricity were not different types of “electrical fluid” (as electricity was called then), but the same electrical fluid under different pressures. He was the first to label them as positive and negative respectively, and he was the first to discover the principle of conservation of charge. In 1748 he constructed the first ever electrical battery by placing eleven panes of glass coated with lead hung from silk cords and connected by wires. In 1750, he published a proposal for an experiment to prove that lightning is electricity by flying a kite in a storm that appeared capable of becoming a lightning storm. On May 10, 1752, Thomas-François Dalibard of France conducted Franklin’s experiment using a 40-foot-tall (12 m) iron rod instead of a kite, and he extracted electrical sparks from a cloud. On June 15 Franklin may possibly have conducted his well known kite experiment in Philadelphia, successfully extracting sparks from a cloud. Franklin’s experiment was not written up with credit until Joseph Priestley’s 1767 History and Present Status of Electricity. Franklin was careful to stand on an insulator, keeping dry under a roof to avoid the danger of electric shock. Others, such as Prof. Georg Wilhelm Richmann in Russia, were indeed electrocuted during the months following Franklin’s experiment. In his writings, Franklin indicates that he was aware of the dangers and offered alternative ways to demonstrate that lightning was electrical, as shown by his use of the concept of electrical ground. If Franklin did perform this experiment, he may not have done it in the way that is often described—flying the kite and waiting to be struck by lightning—as it would have been dangerous. Instead he used the kite to collect some electric charge from a storm cloud, which implied that lightning was electrical. On October 19 in a letter to England with directions for repeating the experiment, Franklin wrote: When rain has wet the kite twine so that it can conduct the electric fire freely, you will find it streams out plentifully from the key at the approach of your knuckle, and with this key a phial, or Leyden jar, may be charged: and from electric fire thus obtained spirits may be kindled, and all other electric experiments [may be] performed which are usually done by the help of a rubber glass globe or tube; and therefore the sameness of the electrical matter with that of lightening completely demonstrated. Franklin’s electrical experiments led to his invention of the lightning rod. He noted that conductors with a sharp rather than a smooth point could discharge silently, and at a far greater distance. He surmised that this could help protect buildings from lightning by attaching “upright Rods of Iron, made sharp as a Needle and gilt to prevent Rusting, and from the Foot of those Rods a Wire down the outside of the Building into the Ground;... Would not these pointed Rods probably draw the Electrical Fire silently out of a Cloud before it came nigh enough to strike, and thereby secure us from that most sudden and terrible Mischief!” Following a series of experiments on Franklin’s own house, lightning rods were installed on the Academy of Philadelphia (later the University of Pennsylvania) and the Pennsylvania State House (later Independence Hall) in 1752. In recognition of his work with electricity, Franklin received the Royal Society’s Copley Medal in 1753, and in 1756 he became one of the few 18th-century Americans elected as a Fellow of the Society. He received honorary degrees from Harvard and Yale universities (his first). The cgs unit of electric charge has been named after him: one franklin (Fr) is equal to one statcoulomb. Population studies Franklin had a major influence on the emerging science of demography, or population studies. Thomas Malthus is noted for his rule of population growth and credited Franklin for discovering it. Kammen (1990) and Drake (2011) say Franklin’s “Observations on the Increase of Mankind” (1755) stands alongside Ezra Stiles’ “Discourse on Christian Union” (1760) as the leading works of eighteenth century Anglo-American demography; Drake credits Franklin’s “wide readership and prophetic insight.” In the 1730s and 1740s, Franklin began taking notes on population growth, finding that the American population had the fastest growth rates on earth. Emphasizing that population growth depended on food supplies—a line of thought later developed by Thomas Malthus—Franklin emphasized the abundance of food and available farmland in America. He calculated that America’s population was doubling every twenty years and would surpass that of England in a century. In 1751, he drafted "Observations concerning the Increase of Mankind, Peopling of Countries, &c." Four years later, it was anonymously printed in Boston, and it was quickly reproduced in Britain, where it influenced the economists Adam Smith and later Thomas Malthus. Franklin’s predictions alarmed British leaders who did not want to be surpassed by the colonies, so they became more willing to impose restrictions on the colonial economy. Franklin was also a pioneer in the study of slave demography, as shown in his 1755 essay. Atlantic Ocean currents As deputy postmaster, Franklin became interested in the North Atlantic Ocean circulation patterns. While in England in 1768, he heard a complaint from the Colonial Board of Customs: Why did it take British packet ships carrying mail several weeks longer to reach New York than it took an average merchant ship to reach Newport, Rhode Island? The merchantmen had a longer and more complex voyage because they left from London, while the packets left from Falmouth in Cornwall. Franklin put the question to his cousin Timothy Folger, a Nantucket whaler captain, who told him that merchant ships routinely avoided a strong eastbound mid-ocean current. The mail packet captains sailed dead into it, thus fighting an adverse current of 3 miles per hour (5 km/h). Franklin worked with Folger and other experienced ship captains, learning enough to chart the current and name it the Gulf Stream, by which it is still known today. Franklin published his Gulf Stream chart in 1770 in England, where it was completely ignored. Subsequent versions were printed in France in 1778 and the U.S. in 1786. The British edition of the chart, which was the original, was so thoroughly ignored that everyone assumed it was lost forever until Phil Richardson, a Woods Hole oceanographer and Gulf Stream expert, discovered it in the Bibliothèque Nationale in Paris in 1980. This find received front page coverage in the New York Times. It took many years for British sea captains to adopt Franklin’s advice on navigating the current; once they did, they were able to trim two weeks from their sailing time. In 1853, the oceanographer and cartographer Matthew Fontaine Maury noted that Franklin only charted and codified the Gulf Stream, he did not discover it: Though it was Dr. Franklin and Captain Tim Folger, who first turned the Gulf Stream to nautical account, the discovery that there was a Gulf Stream cannot be said to belong to either of them, for its existence was known to Peter Martyr d’Anghiera, and to Sir Humphrey Gilbert, in the 16th century. Wave theory of light Franklin was, along with his contemporary Leonhard Euler, the only major scientist who supported Christiaan Huygens’ wave theory of light, which was basically ignored by the rest of the scientific community. In the 18th century Newton’s corpuscular theory was held to be true; only after Young’s well known slit experiment in 1803 were most scientists persuaded to believe Huygens’ theory. Meteorology On October 21, 1743, according to popular myth, a storm moving from the southwest denied Franklin the opportunity of witnessing a lunar eclipse. Franklin was said to have noted that the prevailing winds were actually from the northeast, contrary to what he had expected. In correspondence with his brother, Franklin learned that the same storm had not reached Boston until after the eclipse, despite the fact that Boston is to the northeast of Philadelphia. He deduced that storms do not always travel in the direction of the prevailing wind, a concept that greatly influenced meteorology. After the Icelandic volcanic eruption of Laki in 1783, and the subsequent harsh European winter of 1784, Franklin made observations connecting the causal nature of these two separate events. He wrote about them in a lecture series. Traction kiting Though Benjamin Franklin has been most noted kite-wise with his lightning experiments, he has also been noted by many for his using kites to pull humans and ships across waterways. The George Pocock in the book A TREATISE on The Aeropleustic Art, or Navigation in the Air, by means of Kites, or Buoyant Sails noted being inspired by Benjamin Franklin’s traction of his body by kite power across a waterway. In his later years he suggested using the technique for pulling ships. Concept of cooling Franklin noted a principle of refrigeration by observing that on a very hot day, he stayed cooler in a wet shirt in a breeze than he did in a dry one. To understand this phenomenon more clearly Franklin conducted experiments. In 1758 on a warm day in Cambridge, England, Franklin and fellow scientist John Hadley experimented by continually wetting the ball of a mercury thermometer with ether and using bellows to evaporate the ether. With each subsequent evaporation, the thermometer read a lower temperature, eventually reaching 7 °F (−14 °C). Another thermometer showed that the room temperature was constant at 65 °F (18 °C). In his letter Cooling by Evaporation, Franklin noted that, “One may see the possibility of freezing a man to death on a warm summer’s day.” Temperature’s effect on electrical conductivity According to Michael Faraday, Franklin’s experiments on the non-conduction of ice are worth mentioning, although the law of the general effect of liquefaction on electrolytes is not attributed to Franklin. However, as reported in 1836 by Prof. A. D. Bache of the University of Pennsylvania, the law of the effect of heat on the conduction of bodies otherwise non-conductors, for example, glass, could be attributed to Franklin. Franklin writes, “... A certain quantity of heat will make some bodies good conductors, that will not otherwise conduct ...” and again, “... And water, though naturally a good conductor, will not conduct well when frozen into ice.” Oceanography findings An aging Franklin accumulated all his oceanographic findings in Maritime Observations, published by the Philosophical Society’s transactions in 1786. It contained ideas for sea anchors, catamaran hulls, watertight compartments, shipboard lightning rods and a soup bowl designed to stay stable in stormy weather. Decision-making In a 1772 letter to Joseph Priestley, Franklin lays out the earliest known description of the Pro & Con list, a common decision-making technique, now sometimes called a decisional balance sheet: ... my Way is, to divide half a Sheet of Paper by a Line into two Columns, writing over the one Pro, and over the other Con. Then during three or four Days Consideration I put down under the different Heads short Hints of the different Motives that at different Times occur to me for or against the Measure. When I have thus got them all together in one View, I endeavour to estimate their respective Weights; and where I find two, one on each side, that seem equal, I strike them both out: If I find a Reason pro equal to some two Reasons con, I strike out the three. If I judge some two Reasons con equal to some three Reasons pro, I strike out the five; and thus proceeding I find at length where the Ballance lies; and if after a Day or two of farther Consideration nothing new that is of Importance occurs on either side, I come to a Determination accordingly. Oil on water While traveling on a ship, Franklin had observed that the wake of a ship was diminished when the cooks scuttled their greasy water. He studied the effects at Clapham Common, London on a large pond there. “I fetched out a cruet of oil and dropt a little of it on the water... though not more than a teaspoon full, produced an instant calm over a space of several yards square.” He later used the trick to “calm the waters” by carrying “a little oil in the hollow joint of my cane”. Musical endeavors Franklin is known to have played the violin, the harp, and the guitar. He also composed music, notably a string quartet in early classical style. He developed a much-improved version of the glass harmonica, in which the glasses rotate on a shaft, with the player’s fingers held steady, instead of the other way around; this version soon found its way to Europe. Chess Franklin was an avid chess player. He was playing chess by around 1733, making him the first chess player known by name in the American colonies. His essay on “The Morals of Chess” in Columbian magazine in December 1786 is the second known writing on chess in America. This essay in praise of chess and prescribing a code of behavior for the game has been widely reprinted and translated. He and a friend also used chess as a means of learning the Italian language, which both were studying; the winner of each game between them had the right to assign a task, such as parts of the Italian grammar to be learned by heart, to be performed by the loser before their next meeting. Franklin was able to play chess more frequently against stronger opposition during his many years as a civil servant and diplomat in England, where the game was far better established than in America. He was able to improve his playing standard by facing more experienced players during this period. He regularly attended the Old Slaughter’s Coffee House in London for chess and socializing, making many important personal contacts. While in Paris, both as a visitor and later as ambassador, he visited the famous Café de la Régence, which France’s strongest players made their regular meeting place. No records of his games have survived, so it is not possible to ascertain his playing strength in modern terms. Franklin was inducted into the U.S. Chess Hall of Fame in 1999. The Franklin Mercantile Chess Club in Philadelphia, the second oldest chess club in the U.S., is named in his honor. Public life Early steps in Pennsylvania In 1736, Franklin created the Union Fire Company, one of the first volunteer firefighting companies in America. In the same year, he printed a new currency for New Jersey based on innovative anti-counterfeiting techniques he had devised. Throughout his career, Franklin was an advocate for paper money, publishing A Modest Enquiry into the Nature and Necessity of a Paper Currency in 1729, and his printer printed money. He was influential in the more restrained and thus successful monetary experiments in the Middle Colonies, which stopped deflation without causing excessive inflation. In 1766 he made a case for paper money to the British House of Commons. As he matured, Franklin began to concern himself more with public affairs. In 1743, he first devised a scheme for The Academy, Charity School, and College of Philadelphia. However, the person he had in mind to run the academy, Rev. Richard Peters, refused and Franklin put his ideas away until 1749, when he printed his own pamphlet, Proposals Relating to the Education of Youth in Pensilvania. He was appointed president of the Academy on November 13, 1749; the Academy and the Charity School opened on August 13, 1751. In 1743, Franklin founded the American Philosophical Society to help scientific men discuss their discoveries and theories. He began the electrical research that, along with other scientific inquiries, would occupy him for the rest of his life, in between bouts of politics and moneymaking. In 1747, he retired from printing and went into other businesses. He created a partnership with his foreman, David Hall, which provided Franklin with half of the shop’s profits for 18 years. This lucrative business arrangement provided leisure time for study, and in a few years he had made discoveries that gave him a reputation with educated persons throughout Europe and especially in France. Franklin became involved in Philadelphia politics and rapidly progressed. In October 1748, he was selected as a councilman, in June 1749 he became a Justice of the Peace for Philadelphia, and in 1751 he was elected to the Pennsylvania Assembly. On August 10, 1753, Franklin was appointed deputy postmaster-general of British North America, (see below). His most notable service in domestic politics was his reform of the postal system, with mail sent out every week. In 1751, Franklin and Dr. Thomas Bond obtained a charter from the Pennsylvania legislature to establish a hospital. Pennsylvania Hospital was the first hospital in what was to become the United States of America. Between 1750 and 1753, the “educational triumvirate” of Dr. Benjamin Franklin, the American Dr. Samuel Johnson of Stratford, Connecticut, and the immigrant Scottish schoolteacher Dr. William Smith built on Franklin’s initial scheme and created what Bishop James Madison, president of the College of William & Mary, called a “new-model” plan or style of American college. Franklin solicited, printed in 1752, and promoted an American textbook of moral philosophy from the American Dr. Samuel Johnson titled Elementa Philosophica to be taught in the new colleges to replace courses in denominational divinity. In June 1753, Johnson, Franklin, and Smith met in Stratford. They decided the new-model college would focus on the professions, with classes taught in English instead of Latin, have subject matter experts as professors instead of one tutor leading a class for four years, and there would be no religious test for admission. Johnson went on to found King’s College (now Columbia University) in New York City in 1754, while Franklin hired Smith as Provost of the College of Philadelphia, which opened in 1755. At its first commencement, on May 17, 1757, seven men graduated; six with a Bachelor of Arts and one as Master of Arts. It was later merged with the University of the State of Pennsylvania to become the University of Pennsylvania. The College was to become influential in guiding the founding documents of the United States: in the Continental Congress, for example, over one third of the college-affiliated men who contributed the Declaration of Independence between September 4, 1774, and July 4, 1776, were affiliated with the College. In 1753, both Harvard and Yale awarded him honorary degrees. In 1754, he headed the Pennsylvania delegation to the Albany Congress. This meeting of several colonies had been requested by the Board of Trade in England to improve relations with the Indians and defense against the French. Franklin proposed a broad Plan of Union for the colonies. While the plan was not adopted, elements of it found their way into the Articles of Confederation and the Constitution. In 1756, Franklin organized the Pennsylvania Militia (see “Associated Regiment of Philadelphia” under heading of Pennsylvania’s 103rd Artillery and 111th Infantry Regiment at Continental Army). He used Tun Tavern as a gathering place to recruit a regiment of soldiers to go into battle against the Native American uprisings that beset the American colonies. Reportedly Franklin was elected “Colonel” of the Associated Regiment but declined the honor. Decades in London From the mid 1750s to the mid 1770s, Franklin spent much of his time in London. Officially he was there on a political mission, but he used his time to further his scientific explorations as well, meeting many notable people. In 1757, he was sent to England by the Pennsylvania Assembly as a colonial agent to protest against the political influence of the Penn family, the proprietors of the colony. He remained there for five years, striving to end the proprietors’ prerogative to overturn legislation from the elected Assembly, and their exemption from paying taxes on their land. His lack of influential allies in Whitehall led to the failure of this mission. At this time, many members of the Pennsylvania Assembly were feuding with William Penn’s heirs, who controlled the colony as proprietors. After his return to the colony, Franklin led the “anti-proprietary party” in the struggle against the Penn family, and was elected Speaker of the Pennsylvania House in May 1764. His call for a change from proprietary to royal government was a rare political miscalculation, however: Pennsylvanians worried that such a move would endanger their political and religious freedoms. Because of these fears, and because of political attacks on his character, Franklin lost his seat in the October 1764 Assembly elections. The anti-proprietary party dispatched Franklin to England again to continue the struggle against the Penn family proprietorship. During this trip, events drastically changed the nature of his mission. In London, Franklin opposed the 1765 Stamp Act. Unable to prevent its passage, he made another political miscalculation and recommended a friend to the post of stamp distributor for Pennsylvania. Pennsylvanians were outraged, believing that he had supported the measure all along, and threatened to destroy his home in Philadelphia. Franklin soon learned of the extent of colonial resistance to the Stamp Act, and he testified during the House of Commons proceedings that led to its repeal. With this, Franklin suddenly emerged as the leading spokesman for American interests in England. He wrote popular essays on behalf of the colonies. Georgia, New Jersey, and Massachusetts also appointed him as their agent to the Crown. Franklin lodged in a house in Craven Street, just off The Strand in central London. During his stays there, he developed a close friendship with his landlady, Margaret Stevenson, and her circle of friends and relations, in particular her daughter Mary, who was more often known as Polly. Their house, which he used on various lengthy missions from 1757 to 1775, is the only one of his residences to survive. It opened to the public as the Benjamin Franklin House museum in 2006. Whilst in London, Franklin became involved in radical politics. He belonged to a gentleman’s club (which he called “the honest Whigs”), which held stated meetings, and included members such as Richard Price, the minister of Newington Green Unitarian Church who ignited the Revolution Controversy, and Andrew Kippis. In 1756, Franklin had become a member of the Society for the Encouragement of Arts, Manufactures & Commerce (now the Royal Society of Arts or RSA), which had been founded in 1754 and whose early meetings took place in Covent Garden coffee shops. After his return to the United States in 1775, Franklin became the Society’s Corresponding Member, continuing a close connection. The RSA instituted a Benjamin Franklin Medal in 1956 to commemorate the 250th anniversary of his birth and the 200th anniversary of his membership of the RSA. The study of natural philosophy (what we would call science) drew him into overlapping circles of acquaintance. Franklin was, for example, a corresponding member of the Lunar Society of Birmingham, which included such other scientific and industrial luminaries as Matthew Boulton, James Watt, Josiah Wedgwood and Erasmus Darwin; on occasion he visited them. In 1762, Oxford University awarded Franklin an honorary doctorate for his scientific accomplishments. He also managed to secure an appointed post for his illegitimate son, William Franklin, by then an attorney, as Colonial Governor of New Jersey. While living in London in 1768, he developed a phonetic alphabet in A Scheme for a new Alphabet and a Reformed Mode of Spelling. This reformed alphabet discarded six letters Franklin regarded as redundant (c, j, q, w, x, and y), and substituted six new letters for sounds he felt lacked letters of their own. His new alphabet, however, never caught on, and he eventually lost interest. Travels around Britain and Ireland Franklin used London as a base to travel. In 1771, he made short journeys through different parts of England, staying with Joseph Priestley at Leeds, Thomas Percival at Manchester and Erasmus Darwin at Lichfield. In Scotland, he spent five days with Lord Kames near Stirling and stayed for three weeks with David Hume in Edinburgh. In 1759, he visited Edinburgh with his son, and recalled his conversations there as “the densest happiness of my life”. In February 1759, the University of St Andrews awarded him an Honorary Doctor of Laws degree. From then he was known as “Doctor Franklin”. In October of the same year he was granted Freedom of the Borough of St Andrews. He had never been to Ireland before, and met and stayed with Lord Hillsborough, who he believed was especially attentive. Franklin noted of him that “all the plausible behaviour I have described is meant only, by patting and stroking the horse, to make him more patient, while the reins are drawn tighter, and the spurs set deeper into his sides.” In Dublin, Franklin was invited to sit with the members of the Irish Parliament rather than in the gallery. He was the first American to receive this honor. While touring Ireland, he was moved by the level of poverty he saw. Ireland’s economy was affected by the same trade regulations and laws of Britain that governed America. Franklin feared that America could suffer the same effects should Britain’s “colonial exploitation” continue. Visits to Europe Franklin spent two months in German lands in 1766, but his connections to the country stretched across a lifetime. He declared a debt of gratitude to German scientist Otto von Guericke for his early studies of electricity. Franklin also co-authored the first treaty of friendship between Prussia and America in 1785. In September 1767, Franklin visited Paris with his usual traveling partner, Sir John Pringle. News of his electrical discoveries was widespread in France. His reputation meant that he was introduced to many influential scientists and politicians, and also to King Louis XV. Defending the American cause One line of argument in Parliament was that Americans should pay a share of the costs of the French and Indian War, and that therefore taxes should be levied on them. Franklin became the American spokesman in highly publicized testimony in Parliament in 1766. He stated that Americans already contributed heavily to the defense of the Empire. He said local governments had raised, outfitted and paid 25,000 soldiers to fight France—as many as Britain itself sent—and spent many millions from American treasuries doing so in the French and Indian War alone. In 1773, Franklin published two of his most celebrated pro-American satirical essays: “Rules by Which a Great Empire May Be Reduced to a Small One”, and “An Edict by the King of Prussia”. Hutchinson letters In June 1773 Franklin obtained private letters of Thomas Hutchinson and Andrew Oliver, governor and lieutenant governor of the Province of Massachusetts Bay, that proved they were encouraging the Crown to crack down on the rights of Bostonians. Franklin sent them to America, where they escalated the tensions. The British began to regard him as the fomenter of serious trouble. Hopes for a peaceful solution ended as he was systematically ridiculed and humiliated by Solicitor-General Alexander Wedderburn, before the Privy Council on January 29, 1774. He returned to Philadelphia in March 1775, and abandoned his accommodationist stance. Coming of revolution In 1763, soon after Franklin returned to Pennsylvania from England for the first time, the western frontier was engulfed in a bitter war known as Pontiac’s Rebellion. The Paxton Boys, a group of settlers convinced that the Pennsylvania government was not doing enough to protect them from American Indian raids, murdered a group of peaceful Susquehannock Indians and marched on Philadelphia. Franklin helped to organize a local militia to defend the capital against the mob. He met with the Paxton leaders and persuaded them to disperse. Franklin wrote a scathing attack against the racial prejudice of the Paxton Boys. “If an Indian injures me”, he asked, “does it follow that I may revenge that Injury on all Indians?” He provided an early response to British surveillance through his own network of counter-surveillance and manipulation. “He waged a public relations campaign, secured secret aid, played a role in privateering expeditions, and churned out effective and inflammatory propaganda.” Declaration of Independence By the time Franklin arrived in Philadelphia on May 5, 1775, after his second mission to Great Britain, the American Revolution had begun– with fighting between colonials and British at Lexington and Concord. The New England militia had trapped the main British army in Boston. The Pennsylvania Assembly unanimously chose Franklin as their delegate to the Second Continental Congress. In June 1776, he was appointed a member of the Committee of Five that drafted the Declaration of Independence. Although he was temporarily disabled by gout and unable to attend most meetings of the Committee, Franklin made several “small but important” changes to the draft sent to him by Thomas Jefferson. At the signing, he is quoted as having replied to a comment by Hancock that they must all hang together: “Yes, we must, indeed, all hang together, or most assuredly we shall all hang separately.” Postmaster Well known as a printer and publisher, Franklin was appointed postmaster of Philadelphia in 1737, holding the office until 1753, when he and publisher William Hunter were named deputy postmasters–general of British North America, the first to hold the office. (Joint appointments were standard at the time, for political reasons.) Franklin was responsible for the British colonies as far as the island of Newfoundland, opening Canada’s first post office at Halifax, Nova Scotia, while Hunter became postal administrator in Williamsburg, Virginia and oversaw areas south of Annapolis, Maryland. Franklin reorganized the service’s accounting system, then improved speed of delivery between Philadelphia, New York and Boston. By 1761, efficiencies lead to the first profits for the colonial post office. When the lands of New France were ceded to the British under the Treaty of Paris in 1763, the new British province of Quebec was created among them, and Franklin saw mail service expanded between Montreal, Trois-Rivières, Quebec City, and New York. For the greater part of his appointment, Franklin lived in England (from 1757 to 1762, and again from 1764 to 1774)– about three-quarters of his term. Eventually, his sympathies for the rebel cause in the American Revolution led to his dismissal on January 31, 1774. On July 26, 1775, the Second Continental Congress established the United States Post Office and named Benjamin Franklin as the first United States Postmaster General. Franklin had been a postmaster for decades and was a natural choice for the position. He had just returned from England and was appointed chairman of a Committee of Investigation to establish a postal system. The report of the Committee, providing for the appointment of a postmaster general for the 13 American colonies, was considered by the Continental Congress on July 25 and 26. On July 26, 1775, Franklin was appointed Postmaster General, the first appointed under the Continental Congress. It established a postal system that became the United States Post Office, a system that continues to operate today. Ambassador to France: 1776–1785 In December 1776, Franklin was dispatched to France as commissioner for the United States. He took with him as secretary his 16-year-old grandson, William Temple Franklin. They lived in a home in the Parisian suburb of Passy, donated by Jacques-Donatien Le Ray de Chaumont, who supported the United States. Franklin remained in France until 1785. He conducted the affairs of his country toward the French nation with great success, which included securing a critical military alliance in 1778 and negotiating the Treaty of Paris (1783). Among his associates in France was Honoré Gabriel Riqueti, comte de Mirabeau—a French Revolutionary writer, orator and statesman who in early 1791 would be elected president of the National Assembly. In July 1784, Franklin met with Mirabeau and contributed anonymous materials that the Frenchman used in his first signed work: Considerations sur l’ordre de Cincinnatus. The publication was critical of the Society of the Cincinnati, established in the United States. Franklin and Mirabeau thought of it as a “noble order”, inconsistent with the egalitarian ideals of the new republic. During his stay in France, Benjamin Franklin was active as a Freemason, serving as Venerable Master of the Lodge Les Neuf Sœurs from 1779 until 1781. He was the 106th member of the Lodge. In 1784, when Franz Mesmer began to publicize his theory of “animal magnetism” which was considered offensive by many, Louis XVI appointed a commission to investigate it. These included the chemist Antoine Lavoisier, the physician Joseph-Ignace Guillotin, the astronomer Jean Sylvain Bailly, and Benjamin Franklin. In 1781, he was elected a Fellow of the American Academy of Arts and Sciences. Franklin’s advocacy for religious tolerance in France contributed to arguments made by French philosophers and politicians that resulted in Louis XVI’s signing of the Edict of Versailles in November 1787. This edict effectively nullified the Edict of Fontainebleau, which had denied non-Catholics civil status and the right to openly practice their faith. Franklin also served as American minister to Sweden, although he never visited that country. He negotiated a treaty that was signed in April 1783. On August 27, 1783, in Paris, Franklin witnessed the world’s first hydrogen balloon flight. Le Globe, created by professor Jacques Charles and Les Frères Robert, was watched by a vast crowd as it rose from the Champ de Mars (now the site of the Eiffel Tower). This so enthused Franklin that he subscribed financially to the next project to build a manned hydrogen balloon. On December 1, 1783, Franklin was seated in the special enclosure for honoured guests when La Charlière took off from the Jardin des Tuileries, piloted by Jacques Charles and Nicolas-Louis Robert. Constitutional Convention When he returned home in 1785, Franklin occupied a position only second to that of George Washington as the champion of American independence. Le Ray honored him with a commissioned portrait painted by Joseph Duplessis, which now hangs in the National Portrait Gallery of the Smithsonian Institution in Washington, D.C. After his return, Franklin became an abolitionist and freed his two slaves. He eventually became president of the Pennsylvania Abolition Society. In 1787, Franklin served as a delegate to the Philadelphia Convention. He held an honorary position and seldom engaged in debate. He is the only Founding Father who is a signatory of all four of the major documents of the founding of the United States: the Declaration of Independence, the Treaty of Alliance with France, the Treaty of Paris and the United States Constitution. In 1787, a group of prominent ministers in Lancaster, Pennsylvania, proposed the foundation of a new college named in Franklin’s honor. Franklin donated £200 towards the development of Franklin College (now called Franklin & Marshall College). Between 1771 and 1788, he finished his autobiography. While it was at first addressed to his son, it was later completed for the benefit of mankind at the request of a friend. Franklin strongly supported the right to freedom of speech: In those wretched countries where a man cannot call his tongue his own, he can scarce call anything his own. Whoever would overthrow the liberty of a nation must begin by subduing the freeness of speech... Without freedom of thought there can be no such thing as wisdom, and no such thing as public liberty without freedom of speech, which is the right of every man... —Silence Dogood no. 8, 1722 In his later years, as Congress was forced to deal with the issue of slavery, Franklin wrote several essays that stressed the importance of the abolition of slavery and of the integration of blacks into American society. These writings included: * An Address to the Public (1789) * A Plan for Improving the Condition of the Free Blacks (1789) * Sidi Mehemet Ibrahim on the Slave Trade (1790) In 1790, Quakers from New York and Pennsylvania presented their petition for abolition to Congress. Their argument against slavery was backed by the Pennsylvania Abolitionist Society and its president, Benjamin Franklin. President of Pennsylvania Special balloting conducted October 18, 1785, unanimously elected Franklin the sixth president of the Supreme Executive Council of Pennsylvania, replacing John Dickinson. The office was practically that of governor. Franklin held that office for slightly over three years, longer than any other, and served the constitutional limit of three full terms. Shortly after his initial election he was reelected to a full term on October 29, 1785, and again in the fall of 1786 and on October 31, 1787. In that capacity he served as host to the Constitutional Convention of 1787 in Philadelphia. Virtue, religion, and personal beliefs Like the other advocates of republicanism, Franklin emphasized that the new republic could survive only if the people were virtuous. All his life he explored the role of civic and personal virtue, as expressed in Poor Richard’s aphorisms. Franklin felt that organized religion was necessary to keep men good to their fellow men, but rarely attended religious services himself. When Franklin met Voltaire in Paris and asked his fellow member of the Enlightenment vanguard to bless his grandson, Voltaire said in English, “God and Liberty”, and added, “this is the only appropriate benediction for the grandson of Monsieur Franklin.” Franklin’s parents were both pious Puritans. The family attended the Old South Church, the most liberal Puritan congregation in Boston, where Benjamin Franklin was baptized in 1706. Franklin’s father, a poor chandler, owned a copy of a book, Bonifacius: Essays to Do Good, by the Puritan preacher and family friend Cotton Mather, which Franklin often cited as a key influence on his life. Franklin’s first pen name, Silence Dogood, paid homage both to the book and to a widely known sermon by Mather. The book preached the importance of forming voluntary associations to benefit society. Franklin learned about forming do-good associations from Cotton Mather, but his organizational skills made him the most influential force in making voluntarism an enduring part of the American ethos. Franklin formulated a presentation of his beliefs and published it in 1728. It did not mention many of the Puritan ideas as regards belief in salvation, the divinity of Jesus, and indeed most religious dogma. He clarified himself as a deist in his 1771 autobiography, although he still considered himself a Christian. He retained a strong faith in a God as the wellspring of morality and goodness in man, and as a Providential actor in history responsible for American independence. It was Ben Franklin who, at a critical impasse during the Constitutional Convention in June 1787, attempted to introduce the practice of daily common prayer with these words: ... In the beginning of the contest with G. Britain, when we were sensible of danger we had daily prayer in this room for the Divine Protection.– Our prayers, Sir, were heard, and they were graciously answered. All of us who were engaged in the struggle must have observed frequent instances of a Superintending providence in our favor.... And have we now forgotten that powerful friend? or do we imagine that we no longer need His assistance. I have lived, Sir, a long time and the longer I live, the more convincing proofs I see of this truth– that God governs in the affairs of men. And if a sparrow cannot fall to the ground without his notice, is it probable that an empire can rise without his aid? We have been assured, Sir, in the sacred writings that “except the Lord build they labor in vain that build it.” I firmly believe this; and I also believe that without his concurring aid we shall succeed in this political building no better than the Builders of Babel:... I therefore beg leave to move– that henceforth prayers imploring the assistance of Heaven, and its blessings on our deliberations, be held in this Assembly every morning before we proceed to business, and that one or more of the Clergy of this City be requested to officiate in that service. However, the motion met with resistance and was never brought to a vote. Franklin was an enthusiastic supporter of the evangelical minister George Whitefield during the First Great Awakening. Franklin did not subscribe to Whitefield’s theology, but he admired Whitefield for exhorting people to worship God through good works. Franklin published all of Whitefield’s sermons and journals, thereby earning a lot of money and boosting the Great Awakening. When he stopped attending church, Franklin wrote in his autobiography: ... Sunday being my studying day, I never was without some religious principles. I never doubted, for instance, the existence of the Deity; that He made the world, and governed it by His providence; that the most acceptable service of God was the doing good to man; that our souls are immortal; and that all crime will be punished, and virtue rewarded, either here or hereafter. Franklin retained a lifelong commitment to the Puritan virtues and political values he had grown up with, and through his civic work and publishing, he succeeded in passing these values into the American culture permanently. He had a “passion for virtue”. These Puritan values included his devotion to egalitarianism, education, industry, thrift, honesty, temperance, charity and community spirit. The classical authors read in the Enlightenment period taught an abstract ideal of republican government based on hierarchical social orders of king, aristocracy and commoners. It was widely believed that English liberties relied on their balance of power, but also hierarchal deference to the privileged class. “Puritanism... and the epidemic evangelism of the mid-eighteenth century, had created challenges to the traditional notions of social stratification” by preaching that the Bible taught all men are equal, that the true value of a man lies in his moral behavior, not his class, and that all men can be saved. Franklin, steeped in Puritanism and an enthusiastic supporter of the evangelical movement, rejected the salvation dogma, but embraced the radical notion of egalitarian democracy. Franklin’s commitment to teach these values was itself something he gained from his Puritan upbringing, with its stress on “inculcating virtue and character in themselves and their communities.” These Puritan values and the desire to pass them on, were one of Franklin’s quintessentially American characteristics, and helped shape the character of the nation. Franklin’s writings on virtue were derided by some European authors, such as Jackob Fugger in his critical work Portrait of American Culture. Max Weber considered Franklin’s ethical writings a culmination of the Protestant ethic, which ethic created the social conditions necessary for the birth of capitalism. One of Franklin’s notable characteristics was his respect, tolerance and promotion of all churches. Referring to his experience in Philadelphia, he wrote in his autobiography, “new Places of worship were continually wanted, and generally erected by voluntary Contribution, my Mite for such purpose, whatever might be the Sect, was never refused.” “He helped create a new type of nation that would draw strength from its religious pluralism.” The evangelical revivalists who were active mid-century, such as Franklin’s friend and preacher, George Whitefield, were the greatest advocates of religious freedom, “claiming liberty of conscience to be an ‘inalienable right of every rational creature.’” Whitefield’s supporters in Philadelphia, including Franklin, erected “a large, new hall, that... could provide a pulpit to anyone of any belief.” Franklin’s rejection of dogma and doctrine and his stress on the God of ethics and morality and civic virtue made him the “prophet of tolerance.” Franklin composed “A Parable Against Persecution”, an apocryphal 51st chapter of Genesis in which God teaches Abraham the duty of tolerance. While he was living in London in 1774, he was present at the birth of British Unitarianism, attending the inaugural session of the Essex Street Chapel, at which Theophilus Lindsey drew together the first avowedly Unitarian congregation in England; this was somewhat politically risky, and pushed religious tolerance to new boundaries, as a denial of the doctrine of the Trinity was illegal until the 1813 Act. Although Franklin’s parents had intended for him to have a career in the Church, Franklin as a young man adopted the Enlightenment religious belief in deism, that God’s truths can be found entirely through nature and reason. “I soon became a thorough Deist.” As a young man he rejected Christian dogma in a 1725 pamphlet A Dissertation on Liberty and Necessity, Pleasure and Pain, which he later saw as an embarrassment, while simultaneously asserting that God is “all wise, all good, all powerful.” He defended his rejection of religious dogma with these words: “I think opinions should be judged by their influences and effects; and if a man holds none that tend to make him less virtuous or more vicious, it may be concluded that he holds none that are dangerous, which I hope is the case with me.” After the disillusioning experience of seeing the decay in his own moral standards, and those of two friends in London whom he had converted to Deism, Franklin turned back to a belief in the importance of organized religion, on the pragmatic grounds that without God and organized churches, man will not be good. Moreover, because of his proposal that prayers be said in the Constitutional Convention of 1787, many have contended that in his later life Franklin became a pious Christian. At one point, he wrote to Thomas Paine, criticizing his manuscript, The Age of Reason: For without the Belief of a Providence that takes Cognizance of, guards and guides and may favour particular Persons, there is no Motive to Worship a Deity, to fear its Displeasure, or to pray for its Protection... think how great a Proportion of Mankind consists of weak and ignorant Men and Women, and of inexperienc’d and inconsiderate Youth of both Sexes, who have need of the Motives of Religion to restrain them from Vice, to support their Virtue, and retain them in the Practice of it till it becomes habitual, which is the great Point for its Security; And perhaps you are indebted to her originally that is to your Religious Education, for the Habits of Virtue upon which you now justly value yourself. If men are so wicked with religion, what would they be if without it. According to David Morgan, Franklin was a proponent of religion in general. He prayed to “Powerful Goodness” and referred to God as “the infinite”. John Adams noted that Franklin was a mirror in which people saw their own religion: “The Catholics thought him almost a Catholic. The Church of England claimed him as one of them. The Presbyterians thought him half a Presbyterian, and the Friends believed him a wet Quaker.” Whatever else Franklin was, concludes Morgan, “he was a true champion of generic religion.” In a letter to Richard Price, Franklin stated that he believed that religion should support itself without help from the government, claiming, “When a Religion is good, I conceive that it will support itself; and, when it cannot support itself, and God does not take care to support, so that its Professors are oblig’d to call for the help of the Civil Power, it is a sign, I apprehend, of its being a bad one.” In 1790, just about a month before he died, Franklin wrote a letter to Ezra Stiles, president of Yale University, who had asked him his views on religion: As to Jesus of Nazareth, my Opinion of whom you particularly desire, I think the System of Morals and his Religion, as he left them to us, the best the world ever saw or is likely to see; but I apprehend it has received various corrupt changes, and I have, with most of the present Dissenters in England, some Doubts as to his divinity; tho’ it is a question I do not dogmatize upon, having never studied it, and I think it needless to busy myself with it now, when I expect soon an Opportunity of knowing the Truth with less Trouble. I see no harm, however, in its being believed, if that belief has the good consequence, as it probably has, of making his doctrines more respected and better observed; especially as I do not perceive that the Supreme takes it amiss, by distinguishing the unbelievers in his government of the world with any particular marks of his displeasure. On July 4, 1776, Congress appointed a three-member committee composed of Franklin, Thomas Jefferson, and John Adams to design the Great Seal of the United States. Franklin’s proposal (which was not adopted) featured the motto: “Rebellion to Tyrants is Obedience to God” and a scene from the Book of Exodus, with Moses, the Israelites, the pillar of fire, and George III depicted as pharaoh. The design that was produced was never acted upon by Congress, and the Great Seal’s design was not finalized until a third committee was appointed in 1782. Thirteen Virtues Franklin sought to cultivate his character by a plan of 13 virtues, which he developed at age 20 (in 1726) and continued to practice in some form for the rest of his life. His autobiography lists his 13 virtues as: 1. “Temperance. Eat not to dullness; drink not to elevation.” 2. “Silence. Speak not but what may benefit others or yourself; avoid trifling conversation.” 3. “Order. Let all your things have their places; let each part of your business have its time.” 4. “Resolution. Resolve to perform what you ought; perform without fail what you resolve.” 5. “Frugality. Make no expense but to do good to others or yourself; i.e., waste nothing.” 6. “Industry. Lose no time; be always employ’d in something useful; cut off all unnecessary actions.” 7. “Sincerity. Use no hurtful deceit; think innocently and justly, and, if you speak, speak accordingly.” 8.“Justice. Wrong none by doing injuries, or omitting the benefits that are your duty.” 9. “Moderation. Avoid extremes; forbear resenting injuries so much as you think they deserve.” 10. “Cleanliness. Tolerate no uncleanliness in body, clothes, or habitation.” 11. “Tranquility. Be not disturbed at trifles, or at accidents common or unavoidable.” 12. “Chastity. Rarely use venery but for health or offspring, never to dullness, weakness, or the injury of your own or another’s peace or reputation.” 13. “Humility. Imitate Jesus and Socrates.” Franklin did not try to work on them all at once. Instead, he would work on one and only one each week “leaving all others to their ordinary chance.” While Franklin did not live completely by his virtues, and by his own admission he fell short of them many times, he believed the attempt made him a better man contributing greatly to his success and happiness, which is why in his autobiography, he devoted more pages to this plan than to any other single point; in his autobiography Franklin wrote, “I hope, therefore, that some of my descendants may follow the example and reap the benefit.” Slavery During Franklin’s lifetime slaves were numerous in Philadelphia. In 1750, half the persons in Philadelphia who had established probate estates owned slaves. Dock workers in the city consisted of 15% slaves. Franklin owned as many as seven slaves, two males of whom worked in his household and his shop. Franklin posted paid ads for the sale of slaves and for the capture of runaway slaves and allowed the sale of slaves in his general store. Franklin profited from both the international and domestic slave trade, even criticizing slaves who had run off to join the British Army during the colonial wars of the 1740s and 1750s. Franklin, however, later became a “cautious abolitionist” and became an outspoken critic of landed gentry slavery. In 1758, Franklin advocated the opening of a school for the education of black slaves in Philadelphia. After returning from England in 1762, Franklin became more anti-slavery, in his view believing that the institution promoted black degradation rather than the idea blacks were inherently inferior. By 1770, Franklin had freed his slaves and attacked the system of slavery and the international slave trade. Franklin, however, refused to publicly debate the issue of slavery at the 1787 Constitutional Convention. Franklin tended to take both sides of the issue of slavery, never fully divesting himself from the institution. Death and legacy Franklin struggled with obesity throughout his middle-aged and later years, which resulted in multiple health problems, particularly gout, which worsened as he aged. In poor health during the signing of the US Constitution in 1787, he was rarely seen in public from then until his death. Benjamin Franklin died from pleuritic attack at his home in Philadelphia on April 17, 1790, at age 84. Approximately 20,000 people attended his funeral. He was interred in Christ Church Burial Ground in Philadelphia. In 1728, aged 22, Franklin wrote what he hoped would be his own epitaph: The Body of B. Franklin Printer; Like the Cover of an old Book, Its Contents torn out, And stript of its Lettering and Gilding, Lies here, Food for Worms. But the Work shall not be wholly lost: For it will, as he believ’d, appear once more, In a new & more perfect Edition, Corrected and Amended By the Author. Franklin’s actual grave, however, as he specified in his final will, simply reads “Benjamin and Deborah Franklin”. In 1773, when Franklin’s work had moved from printing to science and politics, he corresponded with a French scientist, Jacques Barbeu-Dubourg, on the subject of preserving the dead for later revival by more advanced scientific methods, writing: I should prefer to an ordinary death, being immersed with a few friends in a cask of Madeira, until that time, then to be recalled to life by the solar warmth of my dear country! But in all probability, we live in a century too little advanced, and too near the infancy of science, to see such an art brought in our time to its perfection. (Extended excerpt also online.) His death is described in the book The Life of Benjamin Franklin, quoting from the account of Dr. John Jones: ... when the pain and difficulty of breathing entirely left him, and his family were flattering themselves with the hopes of his recovery, when an imposthume, which had formed itself in his lungs, suddenly burst, and discharged a quantity of matter, which he continued to throw up while he had power; but, as that failed, the organs of respiration became gradually oppressed; a calm, lethargic state succeeded; and on the 17th instant (April 1790), about eleven o’clock at night, he quietly expired, closing a long and useful life of eighty-four years and three months. A signer of both the Declaration of Independence and the Constitution, Franklin is considered one of the Founding Fathers of the United States. His pervasive influence in the early history of the nation has led to his being jocularly called “the only President of the United States who was never President of the United States.” Franklin’s likeness is ubiquitous. Since 1928, it has adorned American $100 bills, which are sometimes referred to in slang as “Benjamins” or “Franklins.” From 1948 to 1963, Franklin’s portrait was on the half dollar. He has appeared on a $50 bill and on several varieties of the $100 bill from 1914 and 1918. Franklin appears on the $1,000 Series EE Savings bond. The city of Philadelphia contains around 5,000 likenesses of Benjamin Franklin, about half of which are located on the University of Pennsylvania campus. Philadelphia’s Benjamin Franklin Parkway (a major thoroughfare) and Benjamin Franklin Bridge (the first major bridge to connect Philadelphia with New Jersey) are named in his honor. In 1976, as part of a bicentennial celebration, Congress dedicated a 20-foot (6 m) marble statue in Philadelphia’s Franklin Institute as the Benjamin Franklin National Memorial. Many of Franklin’s personal possessions are also on display at the Institute, one of the few national memorials located on private property. In London, his house at 36 Craven Street, which is the only surviving former residence of Benjamin Franklin, was first marked with a blue plaque and has since been opened to the public as the Benjamin Franklin House. In 1998, workmen restoring the building dug up the remains of six children and four adults hidden below the home. The Times reported on February 11, 1998: Initial estimates are that the bones are about 200 years old and were buried at the time Franklin was living in the house, which was his home from 1757 to 1762 and from 1764 to 1775. Most of the bones show signs of having been dissected, sawn or cut. One skull has been drilled with several holes. Paul Knapman, the Westminster Coroner, said yesterday: “I cannot totally discount the possibility of a crime. There is still a possibility that I may have to hold an inquest.” The Friends of Benjamin Franklin House (the organization responsible for the restoration) note that the bones were likely placed there by William Hewson, who lived in the house for two years and who had built a small anatomy school at the back of the house. They note that while Franklin likely knew what Hewson was doing, he probably did not participate in any dissections because he was much more of a physicist than a medical man. Bequest Franklin bequeathed £1,000 (about $4,400 at the time, or about $112,000 in 2011 dollars) each to the cities of Boston and Philadelphia, in trust to gather interest for 200 years. The trust began in 1785 when the French mathematician Charles-Joseph Mathon de la Cour, who admired Franklin greatly, wrote a friendly parody of Franklin’s “Poor Richard’s Almanack” called “Fortunate Richard”. The main character leaves a smallish amount of money in his will, five lots of 100 livres, to collect interest over one, two, three, four or five full centuries, with the resulting astronomical sums to be spent on impossibly elaborate utopian projects. Franklin, who was 79 years old at the time, wrote thanking him for a great idea and telling him that he had decided to leave a bequest of 1,000 pounds each to his native Boston and his adopted Philadelphia. By 1990, more than $2,000,000 had accumulated in Franklin’s Philadelphia trust, which had loaned the money to local residents. From 1940 to 1990, the money was used mostly for mortgage loans. When the trust came due, Philadelphia decided to spend it on scholarships for local high school students. Franklin’s Boston trust fund accumulated almost $5,000,000 during that same time; at the end of its first 100 years a portion was allocated to help establish a trade school that became the Franklin Institute of Boston, and the whole fund was later dedicated to supporting this institute. For his philanthropic life and generosity, he is included in the Philanthropy Hall of Fame in the Almanac of American Philanthropy. Franklin on U.S. postage Benjamin Franklin is a prominent figure in American history comparable to Washington, Jefferson and Lincoln, and as such he has been honored on U.S. postage stamps many times. The image of Franklin, the first Postmaster General of the United States, occurs on the face of U.S. postage more than any other notable American save that of George Washington. Franklin appeared on the first U.S. postage stamp (displayed above) issued in 1847. From 1908 through 1923 the U.S. Post Office issued a series of postage stamps commonly referred to as the Washington-Franklin Issues where, along with George Washington, Franklin was depicted many times over a 14-year period, the longest run of any one series in U.S. postal history. Along with the regular issue stamps Franklin however only appears on a few commemorative stamps. Some of the finest portrayals of Franklin on record can be found on the engravings inscribed on the face of U.S. postage. Bawdy Ben “Advice to a Friend on Choosing a Mistress” is a letter written by Benjamin Franklin, dated June 25, 1745, in which Franklin gives advice to a young man about channeling sexual urges. Due to its licentious nature, the letter was not published in collections of Franklin’s papers during the nineteenth century. Federal court decisions from the mid– to late– twentieth century cited the document as a reason for overturning obscenity laws, using it to make a case against censorship. Exhibitions “The Princess and the Patriot: Ekaterina Dashkova, Benjamin Franklin and the Age of Enlightenment” exhibition opened in Philadelphia in February 2006 and ran through December 2006. Benjamin Franklin and Dashkova met only once, in Paris in 1781. Franklin was 75 and Dashkova was 37. Franklin invited Dashkova to become the first woman to join the American Philosophical Society; she was the only woman so honored for another 80 years. Later, Dashkova reciprocated by making him the first American member of the Russian Academy of Sciences. Places and things named after Benjamin Franklin As a founding father of the United States, Franklin’s name has been attached to many things. Among these are: The State of Franklin, a short-lived independent state formed during the American Revolutionary War Counties in at least 16 U.S. states Several major landmarks in and around Philadelphia, Pennsylvania, Franklin’s longtime home, including: Franklin and Marshall College in nearby Lancaster Franklin Field, a football field once home to the Philadelphia Eagles of the National Football League and the home field of the University of Pennsylvania Quakers since 1895 The Franklin Mercantile Chess Club in Philadelphia, the second oldest chess club in the U.S. (Franklin was a keen chess enthusiast and the first writer on chess in America) The Benjamin Franklin Bridge across the Delaware River between Philadelphia and Camden, New Jersey The Franklin Institute, a science museum in Philadelphia, which presents the Benjamin Franklin Medal The Sons of Ben soccer supporters club for the Philadelphia Union Ben Franklin Stores chain of variety stores, with a key-and-spark logo Franklin Templeton Investments an investment firm whose New York Stock Exchange ticker abbreviation, BEN, is also in honor of Franklin The Ben Franklin effect from the field of psychology Benjamin Franklin Shibe, baseball executive and namesake of the longtime Philadelphia baseball stadium Benjamin Franklin “Hawkeye” Pierce, the fictional character from the M*A*S*H novels, film, and television program Benjamin Franklin Gates, Nicolas Cage’s character from the National Treasure films. Several US Navy ships have been named the USS Franklin or the USS Bonhomme Richard, the latter being a French translation of his penname “Poor Richard”. Two aircraft carriers, USS Franklin (CV-13) and USS Bon Homme Richard (CV-31) were simultaneously in commission and in operation during World War II, and Franklin therefore had the distinction of having two simultaneously operational US Navy warships named in his honor. The French ship Franklin (1797) was also named in Franklin’s honor. Franklinia alatamaha, commonly called the Franklin tree. It was named after him by his friends and fellow Philadelphians, botanists James and William Bartram. CMA CGM Benjamin Franklin, a Chinese-built French owned Explorer-class container ship Ancestry Franklin’s father, Josiah Franklin, was a tallow chandler, a soap-maker and a candle-maker. Josiah was born at Ecton, Northamptonshire, England, on December 23, 1657, the son of Thomas Franklin, a blacksmith-farmer, and Jane White. Benjamin’s mother, Abiah Folger, was born in Nantucket, Massachusetts, on August 15, 1667, to Peter Folger (Governor Thomas Mayhew’s assistant), a miller and schoolteacher, and his wife Mary Morrill, a former indentured servant. Josiah Franklin had 17 children with his two wives. He married his first wife, Anne Child, in about 1677 in Ecton and emigrated with her to Boston in 1683; they had three children before emigrating and four after. After her death, Josiah married Abiah Folger on July 9, 1689, in the Old South Meeting House by Samuel Willard. Benjamin, their eighth child, was Josiah Franklin’s 15th child and tenth and last son. Benjamin Franklin’s mother, Abiah Folger, was born into a Puritan family among those that fled to Massachusetts to establish a purified Congregationalist Christianity in New England, when King Charles I of England began persecuting Puritans. They sailed for Boston in 1635. Her father was “the sort of rebel destined to transform colonial America”; as clerk of the court, he was jailed for disobeying the local magistrate in defense of middle-class shopkeepers and artisans in conflict with wealthy landowners. Ben Franklin followed in his grandfather’s footsteps in his battles against the wealthy Penn family that owned the Pennsylvania Colony. References Wikipedia—https://en.wikipedia.org/wiki/Benjamin_Franklin

B.H. Fairchild (born 1942) is an American poet and former college professor. His most recent book is Usher (W.W. Norton, 2009), and his poems have appeared in literary journals and magazines including The New Yorker, The Paris Review, The Southern Review, Poetry, TriQuarterly, The Hudson Review, Salmagundi, The Sewanee Review. His third poetry collection, The Art of the Lathe, winner of the 1997 Beatrice Hawley Award (Alice James Books, 1998), brought Fairchild’s work to national prominence, garnering him a large number of awards and fellowships including the William Carlos Williams Award, Kingsley Tufts Poetry Award, California Book Award, Natalie Ornish Poetry Award, PEN Center USA West Poetry Award, National Book Award (finalist), Capricorn Poetry Award, and Rockefeller and Guggenheim fellowships. The book ultimately gave him international prominence, as The Way Weiser Press in England published the U.K. edition of the book. The Los Angeles Times wrote that “The Art of the Lathe by B.H. Fairchild has become a contemporary classic—a passionate example of the plain style, so finely crafted and perfectly pitched... workhorse narratives suffused with tenderness and elegiac music.” Fairchild has written that a fellowship from the National Endowment for the Arts was vital to his career as a poet: "It’s very simple: without an NEA Fellowship in 1989-90, I would not have been able to complete my second book, Local Knowledge, nor have had the necessary time to compose the core poems for The Art of the Lathe, my third book, which, I am proud to say, received the Kingsley Tufts Award and was a finalist for the National Book Award, thus bringing my work to a wider audience than the immediate members of my family and also, therefore, making future work possible.” He was born in Houston, Texas, and grew up in small towns in the oil fields of Oklahoma, Texas, and Kansas, later working through high school and college for his father, a lathe machinist. He taught English and Creative Writing at California State University, San Bernardino and Claremont Graduate University. He lives in Claremont, California with his wife, Patti, and dog, Minnie. As of 2011, it has been announced that Fairchild will teach at The University of North Texas. Books * Full-Length Poetry Collections * The Blue Buick: New and Selected Poems (W. W. Norton, 2014) * Usher (W. W. Norton, 2009) * Local Knowledge (W. W. Norton, 2005, second edition) * Early Occult Memory Systems of the Lower Midwest (W. W. Norton, 2003) * The Arrival of the Future (Alice James Books, 2000, second edition) * The Art of the Lathe (Alice James Books, 1998) * Local Knowledge (Quarterly Review of Literature, Princeton, NJ, 1991) * The Arrival of the Future (illustrated by Ross Zirkle, Swallow’s Tale Press, 1985; Livingston Publishing, 1985) * Chapbooks * The System of Which the Body Is One Part (State Street Press, 1988) * Flight (Devil’s Millhopper Press, 1985) * C & W Machine Works (Trilobite Press, 1983) * Special Editions * Trilogy, with an introduction by Paul Mariani and engravings by Barry Moser. (Pennyroyal Press, 2008) * Literary Criticism * Such Holy Song: Music as Idea, Form, and Image in the Poetry of William Blake (Kent State University Press, 1980) Honors and awards * 2015 The Paterson Poetry Prize * 2015 The Blue Buick, one of two books of poetry chosen for the RUSA/ALA Notable Books List * 2014 John William Corrington Award for Literary Excellence from Centenary College * 2014 Pushcart Prize in Poetry for “The Story” * 2011 Pushcart Prize in the Essay for “Logophilia” * 2010 Best of the Net Award for “The Student Assistant” * 2009 Pushcart Prize in Poetry for “Frieda Pushnik” * 2007 University of Kansas Distinguished Achievement Award * 2005 Lannan Foundation Residency in Marfa, Texas * 2005 Gold Medal in Poetry, California Book Awards * 2005 Aiken Taylor Award for Modern American Poetry * 2005 National Endowment for the Arts - Literature Fellowship in Poetry * 2004 Bobbitt National Prize for Poetry * 2002 Arthur Rense Poetry Prize, from the American Academy of Arts and Letters * 2002 National Book Critics Circle Award, for Early Occult Memory Systems of the Lower Midwest * 2001 The Frost Place poet in residence * 2000 Rockefeller Fellowship * 1999 Guggenheim Fellowship * 1999 William Carlos Williams Award * 1999 Kingsley Tufts Poetry Award * 1999 California Book Award * 1999 Natalie Ornish Poetry Award * 1999 PEN Center USA West Poetry Award * 1998 Finalist, National Book Award * 1997 Beatrice Hawley Award * 1996 Capricorn Poetry Award * 1988 National Endowment for the Arts - Literature Fellowship in Poetry * Walter E. Dakin Fellowship to the Sewanee Writers Conference * National Writers’ Union First Prize * AWP Anniversary Award References Wikipedia—https://en.wikipedia.org/wiki/B._H._Fairchild

Cid (Sidney) Corman (June 29, 1924 – March 12, 2004) was an American poet, translator and editor, most notably of Origin, who was a key figure in the history of American poetry in the second half of the 20th century. Corman was born in Boston's Roxbury neighborhood and grew up nearby in the Dorchester neighborhood. His parents were both from the Ukraine. From an early age he was an avid reader and showed an aptitude for drawing and calligraphy. He attended Boston Latin School and in 1941 he entered Tufts University, where he achieved Phi Beta Kappa honours and wrote his first poems. He was excused from service in World War II for medical reasons and graduated in 1945. Corman studied for his Master's degree at the University of Michigan, where he won the Hopwood poetry award, but dropped out when two credits short of completion. After a brief stint at the University of North Carolina at Chapel Hill, he spent some time travelling around the United States, returning to Boston in 1948. Here he ran poetry events in public libraries and, with the help of his high-school friend Nat Hentoff, he started the country's first poetry radio program. In 1952, Corman wrote: "I initiated my weekly broadcasts, known as This Is Poetry, from WMEX (1510 kc.) in Boston. The program has been usually a fifteen-minute reading of modern verse on Saturday evenings at seven thirty; however, I have taken some liberties and have read from Moby Dick and from stories by Dylan Thomas, Robert Creeley, and Joyce."[3] This program featured readings by Robert Creeley, Stephen Spender, Theodore Roethke and many other Boston-based and visiting poets. He also spent some time at the Yaddo artists' retreat in Saratoga Springs. It was about this time that Corman changed his name from Sydney Corman to the simpler "Cid." As Corman indicated in conversation, this name change--similar to Whitman's assumption of Walt over Walter--signaled his beginnings as a poet for the common man. During this period, Corman was writing prolifically and published in excess of 500 poems in about 100 magazines by 1954. He considered this to be a kind of apprenticeship, and none of these poems were ever published in book form. Origin and Europe In 1951, Corman began Origin in response to the failure of a magazine that Creeley had planned. The magazine typically featured one writer per issue and ran, with breaks, until the mid 1980s. Poets featured included Robert Creeley, Robert Duncan, Larry Eigner, Denise Levertov, William Bronk, Theodore Enslin, Charles Olson, Louis Zukofsky, Gary Snyder, Lorine Niedecker, Wallace Stevens, William Carlos Williams, Paul Blackburn and Frank Samperi. The magazine also led to the establishment of Origin Press, which published books by a similar range of poets as well as by Corman himself and which remains currently active. In 1954, Corman won a Fulbright Fellowship grant (with an endorsement from Marianne Moore) and moved to France, where he studied for a time at the Sorbonne. He then moved to Italy to teach English in a small town called Matera. By this time, Corman had published a number of small books, but his Italian experiences were to provide the materials for his first major work, Sun Rock Man (1962). He also experimented with oral poetry, recording improvised poems on tape. These tapes were later to influence the talk-poems of David Antin, one of the key developments in the emergence of performance poetry. At this time he produced the first English translations of Paul Celan, even though he didn't have the poet's approval. Japan In 1958, Corman got a teaching job in Kyoto through the auspices of Will Petersen or, according to one account, poet Gary Snyder. Here he continued to write and to run Origin and in 1959 he published Snyder's first book, Riprap. He remained in Japan until 1960, when he returned to the States for two years. Back in Japan he married Konishi Shizumi, a Japanese TV news editor. Corman began to translate Japanese poetry, particularly work by Bashō and Kusano Shimpei. The Cormans spent the years 1970 to 1982 in Boston, where they unsuccessfully tried to establish a number of small businesses. They returned to Kyoto, where they remained, running CC's Coffee Shop in Kyoto, "offering poetry and western-style patisserie". Later work Corman has been associated with the Beats, Black Mountain poets and Objectivists, mainly through his championing as an editor, publisher and critic. However, he remained independent of all groups and fashions throughout his career. Michael Carlson, who contributed to Origins and corresponded with Corman starting in the 1980s, described Corman's correspondence this way: "In the days before email his words came by return post, aerogrammes densely typed to take advantage of every inch of space, or postcards printed in his fine hand. They were encouraging, gossipy, and always challenging; he expected everyone to match his commitment to poetry as a way of life. But they also digressed into other shared enthusiasms: in my case his love of baseball and sumo wrestling, and often into the difficulties of making a living in expensive Japan." He was a prolific poet until his final illness, publishing more than 100 books and pamphlets. In 1990, he published the first two volumes of his selected poems, OF, running to some 1500 poems. Volume 3, with a further 750 poems appeared in 1998 and two further volumes are planned. Several collections of wide-ranging essays have been published. His translations (or co-translations) include Bashō's Back Roads to Far Towns, Things by Francis Ponge, poems by Paul Celan and collections of haiku. Cid Corman did not speak, read or write Japanese, even though his co-translation with Susumu Kamaike of Bashō's Oku No Hosomichi (see above) is considered to be one of the most accurate in tone in the English language. Corman also felt himself able to translate from classical Chinese without so much as a minimal understanding of the language. One of Corman's last appearances in the United States was at the 2003 centennial symposium and celebration in southern Wisconsin that honored his friend and fellow poet, Lorine Niedecker. At the time, Corman spoke warmly about his connection to the Fort Atkinson, Wisconsin, poet (playing the only known audio tape of Niedecker reading from her works). Niedecker had died in 1970, shortly after Corman had visited her. As he told friends and admirers during the 2003 gathering, Corman had not returned to the Black Hawk Island haunts of Niedecker since that first (and only) visit with Niedecker. He died in Kyoto, Japan on March 12, 2004 after being hospitalized for a cardiac condition since January 2004. References Wikipedia - http://en.wikipedia.org/wiki/Cid_Corman

Lascelles Abercrombie (also known as the Georgian Laureate, linking him with the “Georgian poets”; 9 January 1881– 27 October 1938) was a British poet and literary critic, one of the “Dymock poets”. Biography He was born in Ashton upon Mersey, Sale, Cheshire and educated at Malvern College, and at Owens College. Before the First World War, he lived for a time at Dymock in Gloucestershire, part of a community that included Rupert Brooke and Robert Frost. Edward Thomas visited. During these early years, he worked as a journalist, and he started his poetry writing. His first book, Interludes and Poems (1908), was followed by Mary and the Bramble (1910) and the poem Deborah, and later by Emblems of Love (1912) and Speculative Dialogues (1913). His critical works include An Essay Towards a Theory of Art (1922), and Poetry, Its Music and Meaning (1932). Collected Poems (1930) was followed by The Sale of St. Thomas (1931), a poetic drama. During World War I, he served as a munitions examiner, after which, he was appointed to the first lectureship in poetry at the University of Liverpool. In 1922 he was appointed Professor of English at the University of Leeds in preference to J. R. R. Tolkien, with whom he shared, as author of The Epic (1914), a professional interest in heroic poetry. In 1929 he moved on to the University of London, and in 1935 to the prestigious Goldsmiths’ Readership at Oxford University, where he was elected as a Fellow of Merton College. He wrote a series of works on the nature of poetry, including The Idea of Great Poetry (1925) and Romanticism (1926). He published several volumes of original verse, largely metaphysical poems in dramatic form, and a number of verse plays. Abercrombie also contributed to Georgian Poetry and several of his verse plays appeared in New Numbers (1914). His poems and plays were collected in 'Poems’ (1930). Lascelles Abercrombie died in London in 1938, aged 57, from undisclosed causes. Family He was the brother of the architect and noted town planner, Patrick Abercrombie. In 1909 he married Catherine Gwatkin (1881–1968) of Grange-over-Sands. They had 4 children, a daughter and three sons. Two of the sons achieved prominence as a phonetician David Abercrombie and a cell biologist Michael Abercrombie. A grandson, Jeffrey Cooper, produced an admirable bibliography of his grandfather, with brief but important notes, while a great-grandson is author Joe Abercrombie. Archives A collection of literary and other manuscripts relating to Abercrombie is held by Special Collections in the Brotherton Library at the University of Leeds. The collection contains drafts of many of Abercrombie’s own publications and literary material; lecture notes, including those of his own lectures and some notes taken from the lectures of others, and a printed order of service for his Memorial Service in 1938. Special Collections in the Brotherton Library also holds correspondence relating to Lascelles Abercrombie and his family. Comprising 105 letters, the collection contains letters of condolence to Catherine and Ralph Abercrombie on the death of Lascelles, as well as Abercrombie family letters from various correspondents, chiefly to Ralph Abercrombie. Works * Interludes and Poems 1908 * Mary and the Bramble 1910 * Deborah * Emblems of Love 1912 * Speculative Dialogues 1913 * An Essay Towards a Theory of Art 1922 * Poetry, Its Music and Meaning 1932 * Collected Poems 1930 * The Sale of St. Thomas 1931 References Wikipedia—https://en.wikipedia.org/wiki/Lascelles_Abercrombie

Alice Christiana Gertrude Meynell (née Thompson; 11 October 1847– 27 November 1922) was an English writer, editor, critic, and suffragist, now remembered mainly as a poet. Biography Alice Christiana Gertrude Thompson was born in Barnes, London, to Thomas James and Christiana (née Weller) Thompson. The family moved around England, Switzerland, and France, but she was brought up mostly in Italy, where a daughter of Thomas from his first marriage had settled. Her father was a friend of Charles Dickens. Preludes (1875) was her first poetry collection, illustrated by her elder sister Elizabeth (the artist Lady Elizabeth Butler, 1846–1933, whose husband was Sir William Francis Butler). The work was warmly praised by Ruskin, although it received little public notice. Ruskin especially singled out the sonnet “Renunciation” for its beauty and delicacy. After Alice, the entire Thompson family converted to the Catholic Church (1868 to 1880), and her writings migrated to subjects of religious matters. This eventually led her to the Catholic newspaper publisher and editor Wilfrid Meynell (1852–1948) in 1876. A year later (in 1877) she married Meynell, and they settled in Kensington. They became the proprietors and editors of such magazines as The Pen, the Weekly Register, and Merry England, among others. Alice and Wilfrid Meynell had eight children, Sebastian, Monica, Everard, Madeleine, Viola, Vivian (who died at three months), Olivia, and Francis. Viola Meynell (1885–1956) became an author in her own right, and the youngest child Francis Meynell (1891–1975) was a poet and printer, co-founding the Nonesuch Press. She was much involved in editorial work on publications with her husband, and in her own writing, poetry and prose. She wrote regularly for The World, The Spectator, The Magazine of Art, the Scots Observer (which became the National Observer, both edited by W. E. Henley), The Tablet, The Art Journal, the Pall Mall Gazette, and The Saturday Review. The poet Francis Thompson, down and out in London and trying to recover from his opium addiction, sent the couple a manuscript. His poems were first published in Wilfrid’s Merry England, and the Meynells became a supporter of Thompson. His 1893 book Poems was a Meynell production and initiative. Another supporter of Thompson was the poet Coventry Patmore. Alice had a deep friendship with Patmore, lasting several years, which led to his becoming obsessed with her, forcing her to break with him. At the end of the 19th century, in conjunction with uprisings against the British (among them the Indians’, the Zulus’, the Boxer Rebellion, and the Muslim revolt led by Muhammad Ahmed in the Sudan), many European scholars, writers, and artists, began to question Europe’s colonial imperialism. This led the Meynells and others in their circle to speak out for the oppressed. Alice Meynell was a vice-president of the Women Writers’ Suffrage League, founded by Cicely Hamilton and active 1908–19. Death and legacy After a series of illnesses, including migraine and depression, she died 27 November 1922. She is buried at Kensal Green Catholic Cemetery, London, England. There is a London Borough Council commemorative blue plaque on the front wall of the property at 47 Palace Court, Bayswater, London, W2, where she and her husband once lived.

Francisco Esteban Acuña de Figueroa (Montevideo, 3 de septiembre de 1791 – ídem, 6 de octubre de 1862) fue un escritor y poeta uruguayo. Fue hijo del Tesorero de la Real Hacienda Jacinto Acuña de Figueroa. Cursó sus primeros estudios en el Convento de San Bernardino, y los termina en Buenos Aires en el Real Colegio de San Carlos, de donde vuelve en 1810 habiendo realizado estudios en Letras.

William Craig Berkson (August 30, 1939– June 16, 2016) was an American poet, critic, and teacher who was active in the art and literary worlds from his early twenties on. Early life and education Born in New York City on August 30, 1939, Bill Berkson grew up on Manhattan’s Upper East Side, the only child of Seymour Berkson, general manager of International News Service and later publisher of the New York Journal American, and the fashion publicist Eleanor Lambert. He attended The Day School of the Church of the Heavenly Rest and transferred to Trinity School in 1945. He graduated from Lawrenceville School in 1957. He dropped out of Brown University to return to New York after his father died. He studied poetry at The New School for Social Research with Kenneth Koch. He attended Columbia University and New York University’s Institute of Fine Arts. Having begun writing poetry at Lawrenceville, encouraged there by such teachers as John Silver and the eminent Emily Dickinson scholar, Thomas H. Johnson, he went on to study short story writing with John Hawkes and prosody with S. Foster Damon at Brown. But his full commitment to poetry was prompted under the tutelage of Kenneth Koch in spring, 1959 at the New School for Social Research. It was also through Koch that he was introduced to the poetry and arts community loosely termed the New York School, which in turn led to close friendships with Frank O’Hara and such senior artists as Philip Guston and Alex Katz, as well as with poets and artists of his own generation such as Ron Padgett, Joe Brainard, George Schneeman, Ted Berrigan, Anne Waldman, Jim Carroll and others. Career After leaving Columbia in 1960, Berkson started work as an editorial associate at ARTnews, where he continued for the next three years. During the remainder of the 1960s, he was a regular contributor to both ARTnews and Arts, guest editor at the Museum of Modern Art, an associate producer of a program on art for public television, and taught literature and writing workshops at the New School for Social Research and Yale University. After moving to Northern California in 1970, Berkson began editing and publishing a series of poetry books and magazines under the Big Sky imprint and taught regularly in the California Poets in the Schools program. In 1975 he married the artist Lynn O’Hare; their son Moses Edwin Clay Berkson was born in Bolinas, California, on January 23, 1976. He also has a daughter, Siobhan O’Hare Mora Lopez (b. 1969), and three grandchildren, Henry Berkson and Estella and Lourdes Mora Lopez. His friendships during his California years included those with; Joanne Kyger, Duncan McNaughton and Philip Whalen. Berkson is the author of some twenty collections and pamphlets of poetry—including most recently Portrait and Dream: New & Selected Poems and Expect Delays, both from Coffee House Press. His poems have also appeared in many magazines and anthologies and have been translated into French, Russian, Hungarian, Dutch, Czechoslovakian, Romanian, Italian, German and Spanish. Les Parties du Corps, a selection of his poetry translated into French, appeared from Joca Seria, Nantes, in 2011. Other recent books are What’s Your Idea of a Good Time?: Letters & Interviews 1977-1985 with Bernadette Mayer; BILL with drawings by Colter Jacobsen; Ted Berrigan with George Schneeman; Not an Exit with Léonie Guyer and Repeat After Me with John Zurier. Beside the aforementioned collaborations, he executed extensive projects with visual artists Philip Guston, Alex Katz, Joe Brainard, Lynn O’Hare and Greg Irons, as well as with the poets Frank O’Hara, Larry Fagin, Ron Padgett, Anne Waldman and Bernadette Mayer. In the mid-1980s, Berkson resumed writing art criticism on a regular basis, contributing monthly reviews and articles to Artforum from 1985 to 1991; he became a corresponding editor for Art in America in 1988 and contributing editor for artcritical.com and has also written frequently for such magazines as Aperture, Modern Painters, Art on Paper and others. In 1984, he began teaching art history and literature and organizing the public lectures program at the San Francisco Art Institute, where he also served as interim dean in 1990 and Director of Letters and Science from 1993 to 1998. He retired from SFAI in 2008 and later held the position of Professor Emeritus. During the same period, he was also on the visiting faculty of Naropa Institute, California College of Arts and Crafts and Mills College. Berkson continued until the end of his life to lecture widely in colleges and universities. He published three collections of art criticism, to date, the last being For the Ordinary Artist: Short Reviews, Occasional Pieces & More. As a sometime curator, he organized or co-curated such exhibitions as Ronald Bladen: Early and Late (SFMoMA), Albert York (Mills College), Why Painting I & II (Susan Cummins Gallery), Homage to George Herriman (Campbell-Thiebaud Gallery), Facing Eden: 100 years of Northern California Landscape Art (M.H. de Young Museum), George Schneeman (CUE Foundation), Gordon Cook: Out There (Nelson Gallery, University of California, Davis), George Schneeman in Italy (Instituto di Cultura Italiano, San Francisco), and, with Ron Padgett, A Painter and His Poets: The Art of George Schneeman (Poets House, New York). In 1998, he married the curator Constance Lewallen, with whom he lived in the Eureka Valley section of San Francisco. Berkson died of a heart attack in San Francisco on June 16, 2016 at the age of 76. Berkson’s archive of literary, artistic and other materials, including extensive correspondence and collaborations with O’Hara, Guston, Brainard, Mayer and others through the years is maintained in the Special Collections at the Thomas J. Dodd Research Center, University of Connecticut, Storrs. Bibliography * Poetry * Saturday Night: Poems 1960-61 (Tibor de Nagy, 1961; reprint, Sand Dollar, 1975) * Shining Leaves (Angel Hair, 1969) * Recent Visitors (with drawings by George Schneeman) (Angel Hair, 1973) * Enigma Variations (with drawings by Philip Guston) (Big Sky, 1975) * 100 Women (Simon & Schuchat, 1975) * Blue Is the Hero (Poems 1960-75) (L, 1976) * Red Devil (Smithereens Press, 1983) * Start Over (Tombouctou Books, 1983) * Lush Life (Z Press, 1984) * A Copy of the Catalogue (Labyrinth, Vienna, 1999) * Serenade (Poetry & Prose 1975-1989) (Zoland Books, 2000) * Fugue State (Zoland Books, 2001) * 25 Grand View (San Francisco Center for the Book, 2002) * Gloria (with etchings by Alex Katz) (Arion Press, 2005) * Parts of the Body: a 1970s/80s scrapbook (Fell Swoop, 2006) * Same Here, online chapbook (Big Bridge, 2006) * Our Friends Will Pass Among You Silently (The Owl Press, 2007) * Goods and Services (Blue Press, 2008) * Portrait and Dream: New & Selected Poems (Coffee House Press, 2009) * Lady Air (Perdika Press, 2010) * Parties du Corps, trans. Olivier Brossard, Vincent Broqua et alia (Joca Seria, Nantes, 2011) * Snippets (Omerta, 2014) * Expect Delays (Coffee House Press, 2014) * Invisible Oligarchs (Ugly Duckling Presse, 2016) * Collaborations * Recent Visitors with Joe Brainard (Boke Press, 1971) * Hymns of St. Bridget with Frank O’Hara (Adventures in Poetry, 1975) * Ants with drawings by Greg Irons (Arif, 1975) * Two Serious Poems & One Other with Larry Fagin (Big Sky, 1972) * Hymns of St. Bridget & Other Writings with Frank O’ Hara (The Owl Press, 2001) * The World of Leon with Ron Padgett, Larry Fagin, & Michael Brownstein (Big Sky, 1976) * BILL, with Colter Jacobsen (Gallery 16, 2008) * Ted Berrigan, with George Schneeman (Cuneiform Press. 2009) * Not an Exit, with Léonie Guyer (Jungle Garden Press, 2010) * Repeat After Me, with John Zurier (Gallery Paule Anglim, 2011) * Amsterdam Souvenirs, with Joanne Kyger (Blue Press, 2016) * Memoirs * Young Manhattan (w/ Anne Waldman) (Erudite Fangs, 1999) * The Far Flowered Shore: Japan 2006/2010 (Cuneiform Press, 2013) * Since When [memoirs, forthcoming] * Prose * What’ s Your Idea of a Good Time?: Letters & Interviews (w/ Bernadette Mayer) (Tuumba Press, 2006) * Criticism * The Sweet Singer of Modernism & Other Art Writings 1985-2003 (Qua Books, 2004) * Sudden Address: Selected Lectures 1981-2006 (Cuneiform Press, 2007) * For The Ordinary Artist: Short Reviews, Interviews, Occasional Pieces & More (BlazeVox, 2010) * "Hands On/Hands Off," in The Art of Collaboration, Cuneiform Press, 2015 * “New Energies: Philip Guston Among the Poets,” in Philip Guston/ Drawings for Poets (Sievekind Verlag, 2015) * “Empathy and Sculpture,” in Joel Shapiro (Craig Starr Gallery, 2014) * “Eclipse, the View from the Cave” in Larry Deyab, 2014 * “Canan Tolon’s Open Limits,” in Cana Tolon (Parasol Unit, London, 2013) * “Larry Thomas’s Natural Wonders,” in Larry Thomas (Sonoma Valley Art Museum, 2012) * “Piero, Guston and their Followers,” Philip Guston/ Roma: a symposium (New York Review of * Books, 2014) * “ The Elements of Drawing” in Wayne Thiebaud: Still-Life Drawings (Paul Thiebaud Gallery, 2010) * “ Dean Smith in Action,” Dean Smith, (Gallery Paule Anglim San Francisco) * “ Dewey Crumpler’ s Metamorphoses,” in Dewey Crumpler (California African American Museum, Los Angeles, 2008) * “ Seeing with Bechtle,” in Robert Bechtle/ Plein Air (Gallery Paule Anglim, 2007) * “ On Adelie Landis Bischoff” (Salander O’ Reilly, 2006) * “ Ultramodern Park,” in David Park: the 1930s and 40s, 2006 * “ Introduction,” in Jo Babcock, The Invented Camera, 2005 * “ A New Luminist,” in Tim Davis, Permanent Collection, 2005 * “ George’ s House of Mozart,” in Painter Among Poets: The Collaborative Art of George Schneeman (Granary books, 2004) * “ George Schneeman’ s Italian Hours,” CUE Art Foundation, 2003 * “ Without The Rose: Jay DeFeo & 16 Americans,” in Jay DeFeo & The Rose (University of California Press, 2003) * “ Pyramid and Shoe” (Guston and Comics) in Philip Guston (Thames & Hudson, 2003) * “ The Abstract Bischoff,” Salander-O’ Reilly, 2002 * “ DeKooning, With Attitude,” in Writers on Artists, Modern Painters, 2002 * “ Spellbound” (Vija Celmins), McKee Gallery, 2002 * “ Warhol’ s History Lesson,” John Berggruen, 2001 * “ Join the Aminals” (Tom Neely), Jernigan-Wicker, 2001 * “ What the Ground Looks Like” in Aerial Muse: the Art of Yvonne Jacquette, Hudson Hills / Stanford Art Museum, 2001 * “ The Searcher” in Elmer Bischoff, University of California Press, 2001 * “ Ceremonial Surfaces” in Celebrating Modern Art: The Anderson Collection, San Francisco Museum of Modern Art, 2000 * “ Existing Light” in Henry Wessel, Bransten Gallery, 2000 * “Jackson Pollock: The Colored Paper Drawings”, Washburn, 2000 * “ The Portraitist” in Elaine de Kooning / Portraits, Salander O’ Reilly Gallery, New York, 1999 * “ Hung Liu, Action Painter,” in Hung Liu, Rena Bransten Gallery, San Francisco,1998 * “ Things in Place,” in Table Tops: Morandi to Mapplethorpe, California Center for the Arts, Escondido, CA, 1997 * “ Autograph Hounds,” in Hall of Fame of Halls of Fame, Yerba Buena Center for the Arts, San Francisco, 1997 * Homage to George Herriman, Campbell-Thiebaud Gallery, 1997 * “ The Romance of the Rose,” in Jay DeFeo, Moore College of Art, 1996 * “ Changes like the Weather,” in Facing Eden, University of California Press, 1995 * “ The Ideal Reader,” in Philip Guston: Poem Pictures, Addison Gallery, 1994 * “ Poet and Painter Coda,” in Franz Kline, Tàpies Foundation/Tate Gallery, 1994 * “ Apparition as Knowledge” in Deborah Oropallo, Wirtz Gallery, 1993 * “ The Thiebaud Papers,” in Wayne Thiebaud: Vision and Revision, Fine Arts Museums, 1992 * “Air and Such” in Biotherm by Frank O’Hara, Arion Press, 1990 * Ronald Bladen: Early and Late, SFMOMA, 1991 * Editor * In Memory of My Feelings by Frank O’Hara (posthumous collection of poetry, illustrated by 30 American artists) (The Museum of Modern Art, New York, 1967; reprint 2005) * Best & Company, a one-shot anthology of art & literature, 1969 * Alex Katz (with Irving Sandler) (Praeger, 1971) * Big Sky magazine (12 issues) and books (20 volumes), 1971–78 * Homage to Frank O’Hara (ith/ Joe LeSueur) (Big Sky, 1978; reprint * Creative Arts, 1980; 3rd edition, Big Sky, 1988) * The World Record (with Bob Rosenthal), LP of poets’ readings, St. Marks Poetry Project, 1980. * Art Journal, Special de Kooning Issue (with Rackstraw Downes), 1989 * What’s With Modern Art? By Frank O’ Hara (Mike & Dale’ s Press, 1998) * Anthologies * The Young American Poets,10 American Poets, The Young American Writers, The World Anthology, An Anthology of New York Poets, Best & Company, On the Mesa, Calafia, One World Poetry, Another World, Poets & Painters, The Ear, Aerial, Broadway, Broadway 2, Hills/Talks, Wonders, Up Late: American Poetry Since 1970, Best Minds, Out of This World, Reading Jazz, A Norton Anthology of Postmodern American Poetry, American Poets Say Goodbye to the 20th Century, Euro-San Francisco Poetry Festival, The Blind See Only this World, The Angel Hair Anthology, Evidence of the Paranormal, Enough, The New York Poets II, Bay Area Poetics, Hom(m)age to Whitman, POEM, The i.e. Reader, Nuova Poesia Americana: New York, A Norton Anthology of Postmodern American Poetry, Second Edition. * 'Other * Recordings of poetry on Disconnected (Giorno Poetry Systems) and The World Record (St Marks Poetry Project); Daniel Kane, All Poets Welcome; and in the American Poetry Archive (San Francisco State University), PennSound (University of Pennsylvania) & elsewhere. * Poetry translated into French, Italian, Turkish, Spanish, German, Dutch, Romanian, Arabic, Czechoslovakian and Hungarian. * Art reviews & essays regularly contributed to ARTnews 1961-64; Arts 1964-66; Art in America 1980- ; Artforum 1985-1990; Modern Painters, 1998–2003; artcritical.com 2009. Awards * * Dylan Thomas Memorial Poetry Award, The New School for Social Research, 1959 * Poets Foundation Grant, 1968 * Yaddo Fellowship, 1968 * Creative Writing Fellowship in Poetry, National Endowment for the Arts, 1980 * Briarcombe Fellowship, 1983 * Marin Arts Council Poetry Award, 1987 * Artspace Award for New Writing in Art Criticism, 1990 * Visiting Artist/Scholar, American Academy in Rome, 1991 * Fund for Poetry Grant, 1994, 2001 * San Francisco Public Library Laureate, 2001 * Guest of Honor, Small Press Distribution Open House, 2004 * Paul Mellon Distinguished Fellow (lecture), Skowhegan School of Painting and Sculpture, 2006 * “Goldie” for Literature, the San Francisco Bay Guardian, 2008 * Balcones Poetry Prize, Austin, Texas, 2010 * Coordinating Council of Literary Magazines (CCLM) grants for publishing, 1972, 1974, 1976, 1978 * Honorable Mention, Editor’s Fellowship, CCLM, 1979 * NEA, Small Press Publishing Grants, 1975, 1977 References Wikipedia—https://en.wikipedia.org/wiki/Bill_Berkson

Lizelia Augusta Jenkins Moorer (September 1868 - May 24, 1936) was a poet and teacher in Orangeburg, South Carolina. She taught at the Normal and Grammar Schools, Claflin University, Orangeburg, South Carolina from 1895 to 1899. In 1907, she published a collection of poems, “Prejudice Unveiled and Other Poems”. Her work was called, by Joan R. Sherman, the “best poems on racial issues written by any black woman until the middle of the century”. Moorer attacks “lynching, debt peonage, white rape, Jim Crow segregation, and the hypocrisy of the church and the white press”. Moorer was born in September 1868 to Warren D. Jenkins and Mattie Miller in Pickens, South Carolina. In 1899, she married Jacob Moorer, an attorney in Orangeburg who frequently saw cases defending the rights of blacks against what he saw as a prejudiced legal system in South Carolina. In particular, he fought against the constitutionality of election law in the 1895 South Carolina Constitution. Lizelia was also a very strong activist. Beyond her poetry, she was active in the Woman’s Christian Temperance Union, serving as State Vice-President in South Carolina in 1910. In 1924, she attended the 1924 Methodist Episcopal Church General Conference where she gave a speech arguing that women should be allowed to be ordained within the Methodist Church. During that conference, women were, indeed, given the right to be ordained as local deacons and elders.

David McKee Wright (6 August 1869– 5 February 1928) was an Irish-born poet and journalist, active in New Zealand and Australia. Early life Wright was born at Ballynaskeagh, County Down, Ireland, the second son of Rev. William Wright, D.D. (1837-1899), a Congregational missionary working in Damascus, scholar and author, and his wife Ann (d.1877), née McKee, daughter of the Rev. David McKee, an educationist and author. David Wright was born while his parents were home on furlough and was left with a grandmother (Rebecca McKee) until he was seven years old. Wright was educated at the local Glascar School and then from 1876 in England at Mr Pope’s School and the Crystal Palace School of Engineering, London. New Zealand Wright migrated to New Zealand in 1887 and spent several years as a rabbiter on stations in Central Otago. During this time he wrote in both prose and verse for major provincial newspapers about station life. He studied for the Congregational ministry and Wright studied divinity from 1896 at the University of Otago. Wright had done a lot of private reading, but found that apart from English his education was generally below that of the other students. In 1897 Wright was awarded a Stuart prize for poetry. Wright published four volumes of ballads, Aorangi and other Verses (1896), Station Ballads and other Verses (1897), Wisps of Tussock (1900), and New Zealand Chimes (1900). As a clergyman Wright was liked, but he found the work uncongenial and gave it up for journalism in which he had considerable experience in New Zealand. Wright married Elizabeth Couper at Dunedin on 3 August 1899; a son David was born in 1900, but the marriage failed. Wright joined the New Zealand Mail as parliamentary reporter in 1907. Australia Wright moved to Sydney in 1910 and did a large amount of successful freelance work for the Sun, The Bulletin, and other papers. Wright was editor of the Red Page of The Bulletin 1916–1926 and encouraged many of the rising writers of the time, and continued to do a large amount of writing himself in both prose and verse. Much of this appeared over pen-names such as “Pat O’Maori” and “Mary McCommonwealth” and much was signed with his initials. As Wright grew older his mind turned more and more to the country of his birth, he published his most important volume, An Irish Heart (1918). In 1920 he was awarded the prize for the best poem in commemoration of the visit of the Prince of Wales, and in the same year the Rupert Brooke memorial prize for a long poem, “Gallipoli”. Neither of these poems has been published in book form. From 1912-18 Wright lived with the writer 'Margaret Fane’ (Beatrice Florence Osborne, 1887-1962) in Sydney; they had four sons. From 1918 Wright lived with Zora Cross in Greeanawn, Glenbrook, Blue Mountains. He died there on 5 February 1928. The couple had two daughters, Davidina Wright and April McKee Wright (also known as April Hersey), who went on to write at least one wartime thriller. Legacy Wright was a friend of Christopher Brennan, Randolph Bedford, Frank Morton and Henry Lawson. Though much of a Bohemian, something of the clergyman still clung to him. Zora Cross, in An Introduction to the Study of Australian Literature, gave him a high position among Australian poets. Charming though An Irish Heart may be, it is too derivative to be work of the highest kind. It is not a question of individual words or phrases, but rather of a man steeping himself in the modern Irish school of poetry, and with all the skill of his practised craftsmanship reproducing its spirit in another land. A large amount of his work, including some short plays, has never been collected. References Wikipedia—https://en.wikipedia.org/wiki/David_McKee_Wright

Marjorie Lowry Christie Pickthall (14 September 1883, Gunnersbury, London– 19 April 1922, Vancouver), was a Canadian writer who was born in England but lived in Canada from the time she was seven. She was once “thought to be the best Canadian poet of her generation.” According to her father, she had planned her career before she was six; she would be a writer and illustrator of books. Her parents encouraged her artistic talents with lessons in drawing and music; an accomplished violinist, she continued studying violin until she was twenty.

Joseph Furphy (26 September 1843– 13 September 1912), is widely regarded as the “Father of the Australian novel”. He mostly wrote under the pseudonym Tom Collins, and is best known for his novel Such is Life (1903), regarded as an Australian classic.

Carl Rakosi (November 6, 1903– June 25, 2004) was the last surviving member of the original group of poets who were given the rubric Objectivist. He was still publishing and performing his poetry well into his 90s. Early life Rakosi was born in Berlin and lived there and in Hungary until 1910, when he moved to the United States to live with his father and stepmother. His father was a jeweler and watchmaker in Chicago and later in Gary, Indiana. The family lived in semi-poverty but contrived to send him to the University of Chicago and then to the University of Wisconsin–Madison. During his time studying at the university level, he started writing poetry. On graduating, he worked for a time as a social worker, then returned to college to study psychology. At this time, he changed his name to Callman Rawley because he felt he stood a better chance of being employed if he had a more American-sounding name. After a spell as a psychologist and teacher, he returned to social work for the rest of his working life. Early writings At the University of Wisconsin–Madison, Rakosi edited the Wisconsin Literary Magazine. His own poetry at this stage was influenced by W. B. Yeats, Wallace Stevens, and E. E. Cummings. He also started reading William Carlos Williams and T. S. Eliot. By 1925, he was publishing poems in The Little Review and Nation. Pound and the Objectivists By the late 1920s, Rakosi was in correspondence with Ezra Pound, who prompted Louis Zukofsky to contact him. This led to Rakosi’s inclusion in the Objectivist issue of Poetry and in the Objectivist Anthology. Rakosi himself had reservations about the Objectivist tag, feeling that the poets involved were too different from each other to form a group in any meaningful sense of the word. He did, however, especially admire the work of Charles Reznikoff. Later career Like a number of his fellow Objectivists, Rakosi abandoned poetry in the 1940s. After his 1941 Selected Poems he dedicated himself to social work and apparently neither read nor wrote poetry. Years earlier, shortly after his twenty-first birthday, Rakosi had legally changed his name to Callman Rawley, believing that he would not find work with his foreign-sounding name. Under his adopted name, he served as head of the Minneapolis Jewish Children’s and Family Service from 1945 until his retirement in 1968. A letter from the English poet Andrew Crozier about his early poetry was the trigger that started Rakosi writing again. His first book in 26 years, Amulet, was published by New Directions in 1967 and his Collected Poems in 1986 by the National Poetry Foundation. These were followed by several more volumes and by readings across the United States and Europe. In early November 2003, Rakosi celebrated his 100th birthday with friends at the San Francisco Public Library. Upon his death Jacket Magazine editor John Tranter observed the following: Poet Carl Rakosi died on Friday afternoon June 25 at the age of 100, after a series of strokes, in his home in San Francisco. My wife Lyn and I were passing through California in November 2003, and we stopped by to have a coffee with Carl at his home in Sunset. By a lucky coincidence, it happened to be his 100th birthday. He was, as always, kind, thoughtful, bright and alert, and as sharp as a pin. We felt privileged to know him. External links Rakosi at Modern American Poetry The Carl Rakosi Papers in the Mandeville Special Collections Library at UC San Diego Carl Rakosi Reading and Interview on KPFA’s Ode To Gravity, 13 May 1971 (from The Internet Archive) Obituary in The Guardian, UK Carl Rakosi feature at Jacket Magazine includes Rakosi in conversation with Tom Devaney & Olivier Brossard; link to audio recordings at University of Pennsylvania, and poems, dedications & remembrances from Jane Augustine, Robert Creeley, Laurie Duggan, Michael Heller and Kent Johnson “Add-Verse” a poetry-photo-video project Rakosi participated in References Wikipedia—https://en.wikipedia.org/wiki/Carl_Rakosi

Henry Livingston, Jr. (October 13, 1748 - February 29, 1828) has been proposed as being the uncredited author of the poem “A Visit from St. Nicholas”, more popularly known (after its first line) as “The Night Before Christmas.” Credit for the poem was taken in 1837 by Clement Clarke Moore, a Bible scholar in New York City, nine years after Livingston’s death. It wasn’t until another twenty years that the Livingston family knew of Moore’s claim, and it wasn’t until 1900 that they went public with their claim. Since then, the question has been repeatedly raised and argued by experts on both sides. In 2000, Professor Don Foster made a strong case for Livingston’s authorship, while Professor Stephen Nissenbaum and manuscript dealer Seth Keller, who had owned a Moore manuscript copy of the poem at the time of Foster’s book, argued for Moore. Fifteen years later New Zealand scholar and Emeritus Professor of English Literature MacDonald P. Jackson invested over a year of research statistically analyzing the poetry of both men. His conclusion: “Every test, so far applied, associates ”The Night Before Christmas" much more closely with Livingston’s verse than with Moore’s.” Biography Livingston was born on October 13, 1748, in Poughkeepsie, New York, to Henry Livingston, Sr. and Susannah Conklin. In 1774, Livingston married Sarah Welles, the daughter of Reverend Noah Welles, the minister of the Stamford, Connecticut Congregational Church. Their daughter Catherine was born shortly before Livingston joined the army on a six months’ enlistment. In 1776, their son Henry Welles Livingston was born; the child was fatally burned at the age of fourteen months and, when another son was born, he was given the same name, according to the common practice of necronyms. Livingston farmed. Sarah died in 1783, and the children were boarded out. During this period Livingston began writing poetry. Over the next ten years, Livingston was occupied with poetry and drawings for his friends and family, some of which ended up in the pages of New York Magazine and the Poughkeepsie Journal. Although he signed his drawings, his poetry was usually anonymous or signed simply “R”. Ten years to the day after Sarah’s death, Livingston remarried. Jane Patterson, at 24, was 21 years younger than her husband. Their first baby arrived nine months after the wedding. After that, the couple bore seven more children. It was for this second family that Henry Livingston is believed by some to have written the famous poem known as “A Visit from St. Nicholas” or “The Night Before Christmas”. This famous Christmas poem first appeared in the Troy Sentinel on December 23, 1823. There seems to be no question that the poem came out of the home of Clement Moore, and the person giving the poem to the newspaper, without Moore’s knowledge, certainly believed the poem had been written by Moore. However, several of Livingston’s children remembered their father reading that very same poem to them fifteen years earlier. As early as 1837, Charles Fenno Hoffman, a friend of Moore’s, put Moore’s name on the poem. In 1844, Moore published the poem in his own book, Poems. At multiple times in his later life, Moore wrote out the now famous poem in longhand for his friends. Dispute over authorship Because the poem was first published anonymously, various editions were for many years published both with and without attribution. As a result, it was only in 1859, 26 years after the poem first appeared in print, that Henry’s family discovered that Moore was taking credit for what they believed to be their father’s poem. That belief went back many years. Around 1807, Henry’s sons Charles and Edwin, as well as their neighbor Eliza (who would later marry Charles) remembered their father’s reading the poem to them as his own. Following their father’s death in 1828, Charles claimed to have found a newspaper copy of the poem in his father’s desk, and son Sidney claimed to have found the original handwritten copy of the poem with its original crossouts. The handwritten copy of the poem was passed from Sidney, on his death, to his brother Edwin. However, the same year that the family discovered Moore’s claim of authorship, Edwin claimed to have lost the original manuscript in a house fire in Wisconsin, where he was living with his sister Susan. By 1879, five separate lines of Henry’s descendants had begun to correspond among themselves, trying to compare their family stories in the hope that someone had some proof that could be brought forward, but there was no documentation beyond family stories. In 1899, even without proof, Sidney’s grandson published the first public claim of Henry’s authorship in his own newspaper on Long Island. The claim drew little attention. In 1920, Henry’s great grandson, William Sturgis Thomas became interested in the family stories and began to collect the memories and papers of existing descendants, eventually publishing his research in the 1919 issue of the Duchess County Historical Society yearbook. Thomas provided this material to Winthrop P. Tryon for his article on the subject in the Christian Science Monitor on August 4, 1920. Later, Moore descendants arranged to have an elderly family connection, Maria Jephson O’Conor, depose about her memories of Moore’s claim of authorship. On independent grounds, Don Foster, Professor of English at Vassar, has argued that Livingston is a more likely candidate for authorship than Moore. Foster’s claim, however, has been countered by document dealer and historian Seth Kaller, who once owned one of Moore’s original manuscripts of the poem. Kaller has offered a point-by-point rebuttal of both Foster’s linguistic analysis and external findings, buttressed by the work of autograph expert James Lowe and Dr. Joe Nickell, author of Pen, Ink and Evidence. There is no proof that Livingston himself ever claimed authorship, nor has any record ever been found of any printing of the poem with Livingston’s name attached to it. References Wikipedia—https://en.wikipedia.org/wiki/Henry_Livingston,_Jr.

Francis Bacon, 1st Viscount St Alban, PC KC (/ˈbeɪkən/; 22 January 1561– 9 April 1626) was an English philosopher, statesman, scientist, jurist, orator, and author. He served both as Attorney General and as Lord Chancellor of England. After his death, he remained extremely influential through his works, especially as philosophical advocate and practitioner of the scientific method during the scientific revolution. Bacon has been called the father of empiricism. His works argued for the possibility of scientific knowledge based only upon inductive and careful observation of events in nature. Most importantly, he argued this could be achieved by use of a skeptical and methodical approach whereby scientists aim to avoid misleading themselves. While his own practical ideas about such a method, the Baconian method, did not have a long lasting influence, the general idea of the importance and possibility of a skeptical methodology makes Bacon the father of scientific method. This marked a new turn in the rhetorical and theoretical framework for science, the practical details of which are still central in debates about science and methodology today. Bacon was generally neglected at court by Queen Elizabeth, but after the accession of King James I in 1603, Bacon was knighted. He was later created Baron Verulam in 1618 and Viscount St. Alban in 1621. Because he had no heirs, both titles became extinct upon his death in 1626, at 65 years of age. Bacon died of pneumonia, with one account by John Aubrey stating that he had contracted the condition while studying the effects of freezing on the preservation of meat. Biography Early life Francis Bacon was born on 22 January 1561 at York House near the Strand in London, the son of Sir Nicholas Bacon by his second wife, Anne (Cooke) Bacon, the daughter of the noted humanist Anthony Cooke. His mother’s sister was married to William Cecil, 1st Baron Burghley, making Burghley Bacon’s uncle. Biographers believe that Bacon was educated at home in his early years owing to poor health, which would plague him throughout his life. He received tuition from John Walsall, a graduate of Oxford with a strong leaning toward Puritanism. He entered Trinity College, Cambridge, on 5 April 1573 at the age of 12, living for three years there, together with his older brother Anthony Bacon under the personal tutelage of Dr John Whitgift, future Archbishop of Canterbury. Bacon’s education was conducted largely in Latin and followed the medieval curriculum. He was also educated at the University of Poitiers. It was at Cambridge that he first met Queen Elizabeth, who was impressed by his precocious intellect, and was accustomed to calling him “The young lord keeper”. His studies brought him to the belief that the methods and results of science as then practised were erroneous. His reverence for Aristotle conflicted with his rejection of Aristotelian philosophy, which seemed to him barren, disputatious and wrong in its objectives. On 27 June 1576, he and Anthony entered de societate magistrorum at Gray’s Inn. A few months later, Francis went abroad with Sir Amias Paulet, the English ambassador at Paris, while Anthony continued his studies at home. The state of government and society in France under Henry III afforded him valuable political instruction. For the next three years he visited Blois, Poitiers, Tours, Italy, and Spain. During his travels, Bacon studied language, statecraft, and civil law while performing routine diplomatic tasks. On at least one occasion he delivered diplomatic letters to England for Walsingham, Burghley, and Leicester, as well as for the queen. The sudden death of his father in February 1579 prompted Bacon to return to England. Sir Nicholas had laid up a considerable sum of money to purchase an estate for his youngest son, but he died before doing so, and Francis was left with only a fifth of that money. Having borrowed money, Bacon got into debt. To support himself, he took up his residence in law at Gray’s Inn in 1579, his income being supplemented by a grant from his mother Lady Anne of the manor of Marks near Romford in Essex, which generated a rent of £46. Parliamentarian Bacon stated that he had three goals: to uncover truth, to serve his country, and to serve his church. He sought to further these ends by seeking a prestigious post. In 1580, through his uncle, Lord Burghley, he applied for a post at court that might enable him to pursue a life of learning, but his application failed. For two years he worked quietly at Gray’s Inn, until he was admitted as an outer barrister in 1582. His parliamentary career began when he was elected MP for Bossiney, Cornwall, in a by-election (similar to a special election in the US) in 1581. In 1584 he took his seat in parliament for Melcombe in Dorset, and in 1586 for Taunton. At this time, he began to write on the condition of parties in the church, as well as on the topic of philosophical reform in the lost tract Temporis Partus Maximus. Yet he failed to gain a position that he thought would lead him to success. He showed signs of sympathy to Puritanism, attending the sermons of the Puritan chaplain of Gray’s Inn and accompanying his mother to the Temple Church to hear Walter Travers. This led to the publication of his earliest surviving tract, which criticised the English church’s suppression of the Puritan clergy. In the Parliament of 1586, he openly urged execution for the Catholic Mary, Queen of Scots. About this time, he again approached his powerful uncle for help; this move was followed by his rapid progress at the bar. He became a bencher in 1586 and was elected a Reader in 1587, delivering his first set of lectures in Lent the following year. In 1589, he received the valuable appointment of reversion to the Clerkship of the Star Chamber, although he did not formally take office until 1608; the post was worth £1,600 a year. In 1588 he became MP for Liverpool and then for Middlesex in 1593. He later sat three times for Ipswich (1597, 1601, 1604) and once for Cambridge University (1614). He became known as a liberal-minded reformer, eager to amend and simplify the law. Though a friend of the crown, he opposed feudal privileges and dictatorial powers. He spoke against religious persecution. He struck at the House of Lords in its usurpation of the Money Bills. He advocated for the union of England and Scotland, which made him a significant influence toward the consolidation of the United Kingdom; and he later would advocate for the integration of Ireland into the Union. Closer constitutional ties, he believed, would bring greater peace and strength to these countries. Attorney General Bacon soon became acquainted with Robert Devereux, 2nd Earl of Essex, Queen Elizabeth’s favourite. By 1591 he acted as the earl’s confidential adviser. In 1592 he was commissioned to write a tract in response to the Jesuit Robert Parson’s anti-government polemic, which he titled Certain observations made upon a libel, identifying England with the ideals of democratic Athens against the belligerence of Spain. Bacon took his third parliamentary seat for Middlesex when in February 1593 Elizabeth summoned Parliament to investigate a Roman Catholic plot against her. Bacon’s opposition to a bill that would levy triple subsidies in half the usual time offended the Queen: opponents accused him of seeking popularity, and for a time the Court excluded him from favour. When the office of Attorney General fell vacant in 1594, Lord Essex’s influence was not enough to secure the position for Bacon and it was given to Sir Edward Coke. Likewise, Bacon failed to secure the lesser office of Solicitor General in 1595, the Queen pointedly snubbing him by appointing Sir Thomas Fleming instead. To console him for these disappointments, Essex presented him with a property at Twickenham, which Bacon subsequently sold for £1,800. In 1596 Bacon became Queen’s Counsel, but missed the appointment of Master of the Rolls. During the next few years, his financial situation remained embarrassing. His friends could find no public office for him, and a scheme for retrieving his position by a marriage with the wealthy and young widow Lady Elizabeth Hatton failed after she broke off their relationship upon accepting marriage to Sir Edward Coke, a further spark of enmity between the men. In 1598 Bacon was arrested for debt. Afterward, however, his standing in the Queen’s eyes improved. Gradually, Bacon earned the standing of one of the learned counsels, though he had no commission or warrant, and received no salary. His relationship with the Queen further improved when he severed ties with Essex—a shrewd move, as Essex would be executed for treason in 1601. With others, Bacon was appointed to investigate the charges against Essex. A number of Essex’s followers confessed that Essex had planned a rebellion against the Queen. Bacon was subsequently a part of the legal team headed by the Attorney General Sir Edward Coke at Essex’s treason trial. After the execution, the Queen ordered Bacon to write the official government account of the trial, which was later published as A DECLARATION of the Practices and Treasons attempted and committed by Robert late Earle of Essex and his Complices, against her Majestie and her Kingdoms... after Bacon’s first draft was heavily edited by the Queen and her ministers. According to his personal secretary and chaplain, William Rawley, as a judge Bacon was always tender-hearted, “looking upon the examples with the eye of severity, but upon the person with the eye of pity and compassion”. And also that “he was free from malice”, “no revenger of injuries”, and “no defamer of any man”. James I comes to the throne The succession of James I brought Bacon into greater favour. He was knighted in 1603. In another shrewd move, Bacon wrote his Apologies in defence of his proceedings in the case of Essex, as Essex had favoured James to succeed to the throne. The following year, during the course of the uneventful first parliament session, Bacon married Alice Barnham. In June 1607 he was at last rewarded with the office of solicitor general. The following year, he began working as the Clerkship of the Star Chamber. Despite a generous income, old debts still could not be paid. He sought further promotion and wealth by supporting King James and his arbitrary policies. In 1610 the fourth session of James’s first parliament met. Despite Bacon’s advice to him, James and the Commons found themselves at odds over royal prerogatives and the king’s embarrassing extravagance. The House was finally dissolved in February 1611. Throughout this period Bacon managed to stay in the favour of the king while retaining the confidence of the Commons. In 1613 Bacon was finally appointed attorney general, after advising the king to shuffle judicial appointments. As attorney general, Bacon, by his zealous efforts—which included torture—to obtain the conviction of Edmund Peacham for treason, raised legal controversies of high constitutional importance; and successfully prosecuted Robert Carr, 1st Earl of Somerset, and his wife, Frances Howard, Countess of Somerset, for murder in 1616. The so-called Prince’s Parliament of April 1614 objected to Bacon’s presence in the seat for Cambridge and to the various royal plans that Bacon had supported. Although he was allowed to stay, parliament passed a law that forbade the attorney general to sit in parliament. His influence over the king had evidently inspired resentment or apprehension in many of his peers. Bacon, however, continued to receive the King’s favour, which led to his appointment in March 1617 as temporary Regent of England (for a period of a month), and in 1618 as Lord Chancellor. On 12 July 1618 the king created Bacon Baron Verulam, of Verulam, in the Peerage of England; he then became known as Francis, Lord Verulam. Bacon continued to use his influence with the king to mediate between the throne and Parliament, and in this capacity he was further elevated in the same peerage, as Viscount St Alban, on 27 January 1621. Lord Chancellor and public disgrace Bacon’s public career ended in disgrace in 1621. After he fell into debt, a parliamentary committee on the administration of the law charged him with 23 separate counts of corruption. His lifelong enemy, Sir Edward Coke, who had instigated these accusations, was one of those appointed to prepare the charges against the chancellor. To the lords, who sent a committee to enquire whether a confession was really his, he replied, “My lords, it is my act, my hand, and my heart; I beseech your lordships to be merciful to a broken reed.” He was sentenced to a fine of £40,000 and committed to the Tower of London at the king’s pleasure; the imprisonment lasted only a few days and the fine was remitted by the king. More seriously, parliament declared Bacon incapable of holding future office or sitting in parliament. He narrowly escaped undergoing degradation, which would have stripped him of his titles of nobility. Subsequently, the disgraced viscount devoted himself to study and writing. There seems little doubt that Bacon had accepted gifts from litigants, but this was an accepted custom of the time and not necessarily evidence of deeply corrupt behaviour. While acknowledging that his conduct had been lax, he countered that he had never allowed gifts to influence his judgement and, indeed, he had on occasion given a verdict against those who had paid him. He even had an interview with King James in which he assured: The law of nature teaches me to speak in my own defence: With respect to this charge of bribery I am as innocent as any man born on St. Innocents Day. I never had a bribe or reward in my eye or thought when pronouncing judgment or order... I am ready to make an oblation of myself to the King He also wrote the following to Buckingham: My mind is calm, for my fortune is not my felicity. I know I have clean hands and a clean heart, and I hope a clean house for friends or servants; but Job himself, or whoever was the justest judge, by such hunting for matters against him as hath been used against me, may for a time seem foul, especially in a time when greatness is the mark and accusation is the game. The true reason for his acknowledgement of guilt is the subject of debate, but some authors speculate that it may have been prompted by his sickness, or by a view that through his fame and the greatness of his office he would be spared harsh punishment. He may even have been blackmailed, with a threat to charge him with sodomy, into confession. The British jurist Basil Montagu wrote in Bacon’s defence, concerning the episode of his public disgrace: Bacon has been accused of servility, of dissimulation, of various base motives, and their filthy brood of base actions, all unworthy of his high birth, and incompatible with his great wisdom, and the estimation in which he was held by the noblest spirits of the age. It is true that there were men in his own time, and will be men in all times, who are better pleased to count spots in the sun than to rejoice in its glorious brightness. Such men have openly libelled him, like Dewes and Weldon, whose falsehoods were detected as soon as uttered, or have fastened upon certain ceremonious compliments and dedications, the fashion of his day, as a sample of his servility, passing over his noble letters to the Queen, his lofty contempt for the Lord Keeper Puckering, his open dealing with Sir Robert Cecil, and with others, who, powerful when he was nothing, might have blighted his opening fortunes for ever, forgetting his advocacy of the rights of the people in the face of the court, and the true and honest counsels, always given by him, in times of great difficulty, both to Elizabeth and her successor. When was a “base sycophant” loved and honoured by piety such as that of Herbert, Tennison, and Rawley, by noble spirits like Hobbes, Ben Jonson, and Selden, or followed to the grave, and beyond it, with devoted affection such as that of Sir Thomas Meautys. Personal life When he was 36, Bacon courted Elizabeth Hatton, a young widow of 20. Reportedly, she broke off their relationship upon accepting marriage to a wealthier man, Bacon’s rival, Edward Coke. Years later, Bacon still wrote of his regret that the marriage to Hatton had not taken place. At the age of 45, Bacon married Alice Barnham, the 14-year-old daughter of a well-connected London alderman and MP. Bacon wrote two sonnets proclaiming his love for Alice. The first was written during his courtship and the second on his wedding day, 10 May 1606. When Bacon was appointed lord chancellor, “by special Warrant of the King”, Lady Bacon was given precedence over all other Court ladies. Reports of increasing friction in his marriage to Alice appeared, with speculation that some of this may have been due to financial resources not being as readily available to her as she had been accustomed to. Alice was reportedly interested in fame and fortune, and when reserves of money were no longer available there were complaints about where all the money was going. Alice Chambers Bunten wrote in her Life of Alice Barnham that, upon their descent into debt, she actually went on trips to ask for financial favours and assistance from their circle of friends. Bacon disinherited her upon discovering her secret romantic relationship with Sir John Underhill. He rewrote his will, which had previously been very generous—leaving her lands, goods, and income—revoking it all. Bacon’s personal secretary and chaplain, William Rawley, however, wrote in his biography of Bacon that his marriage was one of “much conjugal love and respect”, mentioning a robe of honour that he gave to Alice and which “she wore unto her dying day, being twenty years and more after his death”. The well-connected antiquary John Aubrey noted in his Brief Lives concerning Bacon, “He was a Pederast. His Ganimeds and Favourites tooke Bribes”, biographers continue to debate Bacon’s sexual inclinations and the precise nature of his personal relationships. Some authors believe that despite his marriage, Bacon was primarily attracted to men. Forker, for example, has explored the “historically documentable sexual preferences” of both King James and Bacon, and concluded they were all oriented to “masculine love”, a contemporary term that “seems to have been used exclusively to refer to the sexual preference of men for members of their own gender.” The Jacobean antiquarian Sir Simonds D’Ewes implied there had been a question of bringing him to trial for buggery, which his brother Anthony Bacon had also been charged with. This conclusion has been disputed by others, who point to lack of consistent evidence, and consider the sources to be more open to interpretation. In his “New Atlantis”, Bacon describes his utopian island as being “the chastest nation under heaven”, in which there was no prostitution or adultery, and further saying that “as for masculine love, they have no touch of it”. Death On 9 April 1626, Bacon died of pneumonia while at Arundel mansion at Highgate outside London. An influential account of the circumstances of his death was given by John Aubrey’s Brief Lives, with Aubrey stating he contracted pneumonia while studying the effects of freezing on the preservation of meat. Aubrey has been criticised for his evident credulousness in this and other works; on the other hand, he knew Thomas Hobbes, Bacon’s fellow-philosopher and friend. Aubrey’s vivid account, which portrays Bacon as a martyr to experimental scientific method, had him journeying to Highgate through the snow with the King’s physician when he is suddenly inspired by the possibility of using the snow to preserve meat: “They were resolved they would try the experiment presently. They alighted out of the coach and went into a poor woman’s house at the bottom of Highgate hill, and bought a fowl, and made the woman exenterate it.” After stuffing the fowl with snow, Bacon contracted a fatal case of pneumonia. Some people, including Aubrey, consider these two contiguous, possibly coincidental events as related and causative of his death: "The Snow so chilled him that he immediately fell so extremely ill, that he could not return to his Lodging... but went to the Earle of Arundel’s house at Highgate, where they put him into... a damp bed that had not been layn-in... which gave him such a cold that in 2 or 3 days as I remember Mr Hobbes told me, he died of Suffocation.” Being unwittingly on his deathbed, the philosopher wrote his last letter to his absent host and friend Lord Arundel: My very good Lord,—I was likely to have had the fortune of Caius Plinius the elder, who lost his life by trying an experiment about the burning of Mount Vesuvius; for I was also desirous to try an experiment or two touching the conservation and induration of bodies. As for the experiment itself, it succeeded excellently well; but in the journey between London and Highgate, I was taken with such a fit of casting as I know not whether it were the Stone, or some surfeit or cold, or indeed a touch of them all three. But when I came to your Lordship’s House, I was not able to go back, and therefore was forced to take up my lodging here, where your housekeeper is very careful and diligent about me, which I assure myself your Lordship will not only pardon towards him, but think the better of him for it. For indeed your Lordship’s House was happy to me, and I kiss your noble hands for the welcome which I am sure you give me to it. I know how unfit it is for me to write with any other hand than mine own, but by my troth my fingers are so disjointed with sickness that I cannot steadily hold a pen. Another account appears in a biography by William Rawley, Bacon’s personal secretary and chaplain: He died on the ninth day of April in the year 1626, in the early morning of the day then celebrated for our Saviour’s resurrection, in the sixty-sixth year of his age, at the Earl of Arundel’s house in Highgate, near London, to which place he casually repaired about a week before; God so ordaining that he should die there of a gentle fever, accidentally accompanied with a great cold, whereby the defluxion of rheum fell so plentifully upon his breast, that he died by suffocation. At the news of his death, over 30 great minds collected together their eulogies of him, which were then later published in Latin. He left personal assets of about £7,000 and lands that realised £6,000 when sold. His debts amounted to more than £23,000, equivalent to more than £3m at current value. Philosophy and works Francis Bacon’s philosophy is displayed in the vast and varied writings he left, which might be divided into three great branches: Scientific works– in which his ideas for an universal reform of knowledge into scientific methodology and the improvement of mankind’s state using the Scientific method are presented. Religious and literary works– in which he presents his moral philosophy and theological meditations. Juridical works– in which his reforms in English Law are proposed. Influence Science Bacon’s seminal work Novum Organum was influential in the 1630s and 1650s among scholars, in particular Sir Thomas Browne, who in his encyclopaedia Pseudodoxia Epidemica (1646–72) frequently adheres to a Baconian approach to his scientific enquiries. During the Restoration, Bacon was commonly invoked as a guiding spirit of the Royal Society founded under Charles II in 1660. During the 18th-century French Enlightenment, Bacon’s non-metaphysical approach to science became more influential than the dualism of his French contemporary Descartes, and was associated with criticism of the ancien regime. In 1733 Voltaire introduced him to a French audience as the “father” of the scientific method, an understanding which had become widespread by the 1750s. In the 19th century his emphasis on induction was revived and developed by William Whewell, among others. He has been reputed as the “Father of Experimental Philosophy”. He also wrote a long treatise on Medicine, History of Life and Death, with natural and experimental observations for the prolongation of life. One of his biographers, the historian William Hepworth Dixon, states: “Bacon’s influence in the modern world is so great that every man who rides in a train, sends a telegram, follows a steam plough, sits in an easy chair, crosses the channel or the Atlantic, eats a good dinner, enjoys a beautiful garden, or undergoes a painless surgical operation, owes him something.” In 1902 Hugo von Hofmannsthal published a fictional letter addressed to Bacon and dated 1603, about a writer who is experiencing a crisis of language. Known as The Lord Chandos Letter, it has been proposed that Bacon was identified as its recipient as having laid the foundation for the work of scientists such as Ernst Mach, notable both for his academic distinction in the history and philosophy of the inductive sciences, and for his own contributions to physics. North America Bacon played a leading role in establishing the British colonies in North America, especially in Virginia, the Carolinas and Newfoundland in northeastern Canada. His government report on “The Virginia Colony” was submitted in 1609. In 1610 Bacon and his associates received a charter from the king to form the Tresurer and the Companye of Adventurers and planter of the Cittye of London and Bristoll for the Collonye or plantacon in Newfoundland, and sent John Guy to found a colony there. Thomas Jefferson, the third President of the United States, wrote: “Bacon, Locke and Newton. I consider them as the three greatest men that have ever lived, without any exception, and as having laid the foundation of those superstructures which have been raised in the Physical and Moral sciences”. In 1910 Newfoundland issued a postage stamp to commemorate Bacon’s role in establishing the colony. The stamp describes Bacon as "the guiding spirit in Colonization Schemes in 1610". Moreover, some scholars believe he was largely responsible for the drafting, in 1609 and 1612, of two charters of government for the Virginia Colony. William Hepworth Dixon considered that Bacon’s name could be included in the list of Founders of the United States. Law Although few of his proposals for law reform were adopted during his lifetime, his legal legacy was considered by the magazine New Scientist in 1961 as having influenced the drafting of the Napoleonic Code as well as the law reforms introduced by 19th-century British Prime Minister Sir Robert Peel. The historian William Hepworth Dixon had referred to the Napoleonic Code as “the sole embodiment of Bacon’s thought”, saying that Bacon’s legal work “has had more success abroad than it has found at home”, and that in France “it has blossomed and come into fruit”. Harvey Wheeler attributed to Bacon, in Francis Bacon’s Verulamium—the Common Law Template of The Modern in English Science and Culture, the creation of these distinguishing features of the modern common law system: using cases as repositories of evidence about the “unwritten law”; determining the relevance of precedents by exclusionary principles of evidence and logic; treating opposing legal briefs as adversarial hypotheses about the application of the “unwritten law” to a new set of facts. As late as the 18th century some juries still declared the law rather than the facts, but already before the end of the 17th century Sir Matthew Hale explained modern common law adjudication procedure and acknowledged Bacon as the inventor of the process of discovering unwritten laws from the evidences of their applications. The method combined empiricism and inductivism in a new way that was to imprint its signature on many of the distinctive features of modern English society. Paul H. Kocher writes that Bacon is considered by some jurists to be the father of modern Jurisprudence. Bacon is commemorated with a statue in Gray’s Inn, South Square in London where he received his legal training, and where he was elected Treasurer of the Inn in 1608. James McClellan, a political scientist from the University of Virginia, considered Bacon to have had “a great following” in the American colonies. More recent scholarship on Bacon’s jurisprudence has focused on his advocating torture as a legal recourse for the crown. Bacon himself was not a stranger to the torture chamber: in his various legal capacities in both Elizabeth I’s and James I’s reigns, Bacon was listed as a commissioner on five torture warrants. In 1613(?), in a letter addressed to King James I on the question of torture’s place within English law, Bacon identifies the scope of torture: a means to further the investigation of threats to the state: “In the cases of treasons, torture is used for discovery, and not for evidence.” For Bacon, torture was not a punitive measure, an intended form of state repression, but instead offered a modus operandi for the government agent tasked with uncovering acts of treason. Historical debates Bacon and Shakespeare The Baconian hypothesis of Shakespearean authorship, first proposed in the mid-19th century, contends that Francis Bacon wrote some or even all of the plays conventionally attributed to William Shakespeare. Occult hypotheses Francis Bacon often gathered with the men at Gray’s Inn to discuss politics and philosophy, and to try out various theatrical scenes that he admitted writing. Bacon’s alleged connection to the Rosicrucians and the Freemasons has been widely discussed by authors and scholars in many books. However, others, including Daphne du Maurier in her biography of Bacon, have argued that there is no substantive evidence to support claims of involvement with the Rosicrucians. Frances Yates does not make the claim that Bacon was a Rosicrucian, but presents evidence that he was nevertheless involved in some of the more closed intellectual movements of his day. She argues that Bacon’s movement for the advancement of learning was closely connected with the German Rosicrucian movement, while Bacon’s New Atlantis portrays a land ruled by Rosicrucians. He apparently saw his own movement for the advancement of learning to be in conformity with Rosicrucian ideals. The link between Bacon’s work and the Rosicrucians ideals which Yates allegedly found was the conformity of the purposes expressed by the Rosicrucian Manifestos and Bacon’s plan of a “Great Instauration”, for the two were calling for a reformation of both “divine and human understanding”, as well as both had in view the purpose of mankind’s return to the “state before the Fall”. Another major link is said to be the resemblance between Bacon’s New Atlantis and the German Rosicrucian Johann Valentin Andreae’s Description of the Republic of Christianopolis (1619). Andreae describes a utopic island in which Christian theosophy and applied science ruled, and in which the spiritual fulfillment and intellectual activity constituted the primary goals of each individual, the scientific pursuits being the highest intellectual calling—linked to the achievement of spiritual perfection. Andreae’s island also depicts a great advancement in technology, with many industries separated in different zones which supplied the population’s needs—which shows great resemblance to Bacon’s scientific methods and purposes. The Rosicrucian organisation AMORC claims that Bacon was the “Imperator” (leader) of the Rosicrucian Order in both England and the European continent, and would have directed it during his lifetime. Bacon’s influence can also be seen on a variety of religious and spiritual authors, and on groups that have utilised his writings in their own belief systems. Bibliography * Some of the more notable works by Bacon are: * Essays (1st edition 1597) * The Advancement and Proficience of Learning Divine and Human (1605) * Essays (2nd edition– 38 essays, 1612) * Novum Organum Scientiarum ('New Method’, 1620) * Essays, or Counsels Civil and Moral (3rd/final edition– 58 essays, 1625) * New Atlantis (1627) References Wikipedia—https://en.wikipedia.org/wiki/Francis_Bacon

George Frederick Cameron (24 September 1854– 17 September 1885) was a Canadian poet, lawyer, and journalist, best known for the libretto for the operetta Leo, the Royal Cadet. He moved to Boston in April 1869. He graduated from the Boston University School of Law in 1877. He worked for the law firm Dean, Butler and Abbot of Boston from 1877 to 1882. He contributed poetry to Boston periodicals, including the Courier and the Transcript. In fall 1882 he enrolled in Queen’s College in Kingston, Ontario where he won a poetry prize in 1883 for “Adelphi.” He is sometimes considered one of the Confederation Poets.

Aphra Behn (14 December 1640? April 1689) was an English playwright, poet, translator and fiction writer from the Restoration era. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors. Rising from obscurity, she came to the notice of Charles II, who employed her as a spy in Antwerp. Upon her return to London and a probable brief stay in debtors’ prison, she began writing for the stage. She belonged to a coterie of poets and famous libertines such as John Wilmot, Lord Rochester. She wrote under the pastoral pseudonym Astrea. During the turbulent political times of the Exclusion Crisis, she wrote an epilogue and prologue that brought her into legal trouble; she thereafter devoted most of her writing to prose genres and translations. A staunch supporter of the Stuart line, she declined an invitation from Bishop Burnet to write a welcoming poem to the new king William III. She died shortly after.She is remembered in Virginia Woolf’s A Room of One’s Own: “All women together ought to let flowers fall upon the tomb of Aphra Behn which is, most scandalously but rather appropriately, in Westminster Abbey, for it was she who earned them the right to speak their minds.” Her grave is not included in the Poets’ Corner but lies in the East Cloister near the steps to the church. Life and work Versions of her early life Information regarding Behn’s life is scant, especially regarding her early years. This may be due to intentional obscuring on Behn’s part. One version of Behn’s life tells that she was born to a barber named John Amis and his wife Amy. Another story has Behn born to a couple named Cooper. The Histories And Novels of the Late Ingenious Mrs. Behn (1696) states that Behn was born to Bartholomew Johnson, a barber, and Elizabeth Denham, a wet-nurse. Colonel Thomas Colepeper, the only person who claimed to have known her as a child, wrote in Adversaria that she was born at “Sturry or Canterbury” to a Mr Johnson and that she had a sister named Frances. Another contemporary, Anne Finch, wrote that Behn was born in Wye in Kent, the “Daughter to a Barber”. In some accounts the profile of her father fits Eaffrey Johnson.Behn was born during the buildup of the English Civil War, a child of the political tensions of the time. One version of Behn’s story has her travelling with a Bartholomew Johnson to Surinam. He was said to die on the journey, with his wife and children spending some months in the country, though there is no evidence of this. During this trip Behn said she met an African slave leader, whose story formed the basis for one of her most famous works, Oroonoko. It is possible that she acted a spy in the colony. There is little verifiable evidence to confirm any one story. In Oroonoko Behn gives herself the position of narrator and her first biographer accepted the assumption that Behn was the daughter of the lieutenant general of Surinam, as in the story. There is little evidence that this was the case, and none of her contemporaries acknowledge any aristocratic status. There is also no evidence that Oroonoko existed as an actual person or that any such slave revolt, as is featured in the story, really happened. Writer Germaine Greer has called Behn “a palimpsest; she has scratched herself out,” and biographer Janet Todd noted that Behn “has a lethal combination of obscurity, secrecy and staginess which makes her an uneasy fit for any narrative, speculative or factual. She is not so much a woman to be unmasked as an unending combination of masks”. It is notable that her name is not mentioned in tax or church records. During her lifetime she was also known as Ann Behn, Mrs Bean, agent 160 and Astrea. Career Shortly after her supposed return to England from Surinam in 1664, Behn may have married Johan Behn (also written as Johann and John Behn). He may have been a merchant of German or Dutch extraction, possibly from Hamburg. He died or the couple separated soon after 1664, however from this point the writer used “Mrs Behn” as her professional name.Behn may have had a Catholic upbringing. She once commented that she was “designed for a nun,” and the fact that she had so many Catholic connections, such as Henry Neville who was later arrested for his Catholicism, would have aroused suspicions during the anti-Catholic fervour of the 1680s. She was a monarchist, and her sympathy for the Stuarts, and particularly for the Catholic Duke of York may be demonstrated by her dedication of her play The Rover II to him after he had been exiled for the second time. Behn was dedicated to the restored King Charles II. As political parties emerged during this time, Behn became a Tory supporter.By 1666 Behn had become attached to the court, possibly through the influence of Thomas Culpeper and other associates. The Second Anglo-Dutch War had broken out between England and the Netherlands in 1665, and she was recruited as a political spy in Antwerp on behalf of King Charles II, possibly under the auspices of courtier Thomas Killigrew. This is the first well-documented account we have of her activities. Her code name is said to have been Astrea, a name under which she later published many of her writings. Her chief role was to establish an intimacy with William Scot, son of Thomas Scot, a regicide who had been executed in 1660. Scot was believed to be ready to become a spy in the English service and to report on the doings of the English exiles who were plotting against the King. Behn arrived in Bruges in July 1666, probably with two others, as London was wracked with plague and fire. Behn’s job was to turn Scot into a double agent, but there is evidence that Scot betrayed her to the Dutch.Behn’s exploits were not profitable however; the cost of living shocked her, and she was left unprepared. One month after arrival, she pawned her jewellry. King Charles was slow in paying (if he paid at all), either for her services or for her expenses whilst abroad. Money had to be borrowed so that Behn could return to London, where a year’s petitioning of Charles for payment was unsuccessful. It may be that she was never paid by the crown. A warrant was issued for her arrest, but there is no evidence it was served or that she went to prison for her debt, though apocryphally it is often given as part of her history. Forced by debt and her husband’s death, Behn began to work for the King’s Company and the Duke’s Company players as a scribe. She had, however, written poetry up until this point. While she is recorded to have written before she adopted her debt, John Palmer said in a review of her works that, “Mrs. Behn wrote for a livelihood. Playwriting was her refuge from starvation and a debtor’s prison.” The theatres that had been closed under Cromwell were now re-opening under Charles II, plays enjoying a revival. Her first play, The Forc’d Marriage, was staged in 1670, followed by The Amorous Prince (1671). After her third play, The Dutch Lover, failed, Behn falls off the public record for three years. It is speculated that she went travelling again, possibly in her capacity as a spy. She gradually moved towards comic works, which proved more commercially successful. Her most popular works included The Rover. Behn became friends with notable writers of the day, including John Dryden, Elizabeth Barry, John Hoyle, Thomas Otway and Edward Ravenscroft, and was acknowledged as a part of the circle of the Earl of Rochester. Behn often used her writings to attack the parliamentary Whigs claiming, “In public spirits call’d, good o’ th’ Commonwealth... So tho’ by different ways the fever seize... in all ’tis one and the same mad disease.” This was Behn’s reproach to parliament which had denied the king funds. Final years and death In 1688, in the year before her death, she published A Discovery of New Worlds, a translation of a French popularisation of astronomy, Entretiens sur la pluralité des mondes, by Bernard le Bovier de Fontenelle, written as a novel in a form similar to her own work, but with her new, religiously oriented preface. In all she would write and stage 19 plays, contribute to more, and become one of the first prolific, high-profile female dramatists in Britain. During the 1670s and 1680s she was one of the most productive playwrights in Britain, second only to Poet Laureate John Dryden.In her last four years, Behn’s health began to fail, beset by poverty and debt, but she continued to write ferociously, though it became increasingly hard for her to hold a pen. In her final days, she wrote the translation of the final book of Abraham Cowley’s Six Books of Plants. She died on 16 April 1689, and was buried in the East Cloister Westminster Abbey. The inscription on her tombstone reads: “Here lies a Proof that Wit can never be Defence enough against Mortality.” She was quoted as stating that she had led a “life dedicated to pleasure and poetry.” Published works Behn earned a living writing, one of the earliest Englishwoman to do so. After John Dryden she was the most prolific writer of the English Restoration. Behn was not the first woman in England to publish a play. In 1613 Lady Elizabeth Cary had published The Tragedy of Miriam, in the 1650s Margaret Cavendish published two volumes of plays, and in 1663 a translation of Corneille’s Pompey by Katherine Philips was performed in Dublin and London. Women had been excluded from theatre in the Elizabethan era, but in Restoration England they made up a significant part of the audience and professional actresses played the women’s parts. This changed the nature and themes of Restoration theatre.Behn’s first play The Forc’d Marriage was a romantic tragicomedy on arranged marriages and was staged by the Duke’s Company in September 1670. The performance ran for six nights, which was regarded as a good run for an unknown author. Six months later Behn’s play The Amorous Prince was successfully staged. Again, Behn used the play to comment on the harmful effects of arranged marriages. Behn did not hide the fact that she was a woman, instead she made a point of it. When in 1673 the Dorset Garden Theatre staged The Dutch Lover, critics sabotaged the play on the grounds that the author was a woman. Behn tackled the critics head on in Epistle to the Reader. She argued that women had been held back by their unjust exclusion from education, not their lack of ability. After a three-year publication pause, Behn published four plays in close succession. In 1676 she published Abdelazar, The Town Fop and The Rover. In early 1678 Sir Patient Fancy was published. This succession of box-office successes led to frequent attacks on Behn. She was attacked for her private life, the morality of her plays was questioned and she was accused of plagiarising The Rover. Behn countered these public attacks in the prefaces of her published plays. In the preface to Sir Patient Fancy she argued that she was being singled out because she was a woman, while male playwrights were free to live the most scandalous lives and write bawdy plays.Under Charles II of England prevailing Puritan ethics was reversed in the fashionable society of London. The King associated with playwrights that poured scorn on marriage and the idea of consistency in love. Among the King’s favourite was the Earl of Rochester John Wilmot, who became famous for his cynical libertinism. Behn was a friend of Wilmot and Behn became a bold proponent of sexual freedom for both women and men. Like her contemporary male libertines, she wrote freely about sex. In the infamous poem The Disappointment she wrote a comic account of male impotence from a woman’s perspective. Critics Lisa Zeitz and Peter Thoms contend that the poem “playfully and wittily questions conventional gender roles and the structures of oppression which they support”. In The Dutch Lover Behn forthrightly acknowledged female sexual desire. Critics of Behn were provided with ammunition because of her public liaison with John Hoyle, a bisexual lawyer who scandalised his contemporaries.By the late 1670s Behn was among the leading playwrights of England. Her plays were staged frequently and attended by the King. The Rover became a favourite at the King’s court. Behn became heavily involved in the political debate about the succession. Because Charles II had no heir a prolonged political crisis ensued. Mass hysteria commenced as in 1678 the rumoured Popish Plot suggested the King should be replaced with his Roman Catholic brother James. Political parties developed, the Whigs wanted to exclude James, while the Tories did not believe succession should be altered in any way. Charles II eventually dissolved the Cavalier Parliament and James II succeeded him in 1685. Behn supported the Tory position and in the two years between 1681 and 1682 produced five plays to discredit the Whigs. The London audience, mainly Tory sympathisers, attended the plays in large numbers. But Behn was arrested on the order of King Charles II when she used one of the plays to attack James Scott, Duke of Monmouth, the illegitimate son of the King.As audience numbers declined, theatres staged mainly old works to save costs. Nevertheless, Behn published The Luckey Chance in 1686. In response to the criticism levelled at they play she articulated a long and passionate defence of women writers. Her play The Emperor of the Moon was published and staged in 1687, it became one of her longest running plays. Behn stopped writing plays and turned to prose fiction. Today she is mostly known for the novels she wrote in the later part of her life. Her first novel was the three-part Love-Letters Between a Nobleman and His Sister, published between 1682 and 1687. The novels were inspired by a contemporary scandal, which saw Lord Grey elope with his sister-in-law Lady Henrietta Berkeley. At the time of publication Love Letters was very popular and went through more than 16 editions. Today Behn’s prose work is critically acknowledged as having been important to the development of the English novel. Following Behn’s death, new female dramatists such as Delarivier Manley, Mary Pix, Susanna Centlivre and Catherine Trotter acknowledged Behn as their most vital predecessor, who opened up public space for women writers.In 1688, less than a year before her death, Behn published Oroonoko: or, The Royal Oroonoko, the story of the enslaved Oroonoko and his love Imoinda. It was based on Behn’s travel to Surinam twenty years earlier. The novel became a great success. In 1696 it was adapted for the stage by Thomas Southerne and continuously performed throughout the 18th century. In 1745 the novel was translated into French, going through seven French editions. As abolitionism gathered pace in the late 18th century the novel was celebrated as the first anti-slavery novel. Legacy and re-evaluation After her death in 1689 Behn’s literary work was marginalised and dismissed outright. Until the mid-20th century Behn was repeatedly dismissed as morally depraved minor writer. In the 18th century her literary work was scandalised as lewd by Thomas Brown, William Wycherley, Richard Steele and John Duncombe. Alexander Pope penned the famous lines “The stage how loosely does Astrea tread, Who fairly puts all characters to bed!”. In the 19th century Mary Hays, Matilda Betham, Alexander Dyce, Jane Williams and Julia Kavanagh decided that Behn’s writings were unfit to read, because they were corrupt and deplorable. Among the few critics who believed that Behn was an important writer were Leigh Hunt, William Forsyth and William Henry Hudson.The life and times of Behn were recounted by a long line of biographers, among them Dyce, Edmund Gosse, Ernest Bernbaum, Montague Summers, Vita Sackville-West, Virginia Woolf, George Woodcock, William J. Cameron and Frederick Link.Of Behn’s considerable literary output only Oroonoko was seriously considered by literary scholars. The late 18th century the novel is regarded as one of the first abolitionist and humanitarian novel published in the English language. It is credited as precursor to Jean-Jaques Rousseau’s Discourses on Inequality. Since the 1970s Behn’s literary works have been re-evaluated by feminist critics and writers. Behn was rediscovered as a significant female writer by Maureen Duffy, Angeline Goreau, Ruth Perry, Hilda Lee Smith, Moira Ferguson, Jane Spencer, Dale Spender, Elaine Hobby and Janet Todd. This led to the reprinting of her works. The Rover was republished in 1967, Oroonoko was republished in 1973, Love Letters between a Nobleman and His Sisters was published again in 1987 and The Lucky Chance was reprinted in 1988. Montague Summers, an author of scholarly works on the English drama of the 17th century, published a six-volume collection of her work, in hopes of rehabilitating her reputation. Summers was fiercely passionate about the work of Behn and found himself incredibly devoted to the appreciation of 17th century literature. Felix Schelling wrote in The Cambridge History of English Literature, that she was “a very gifted woman, compelled to write for bread in an age in which literature... catered habitually to the lowest and most depraved of human inclinations,” and that, “Her success depended upon her ability to write like a man.” Edmund Gosse remarked that she was, “...the George Sand of the Restoration”.The criticism of Behn’s poetry focuses on the themes of gender, sexuality, femininity, pleasure, and love. A feminist critique tends to focus on Behn’s inclusion of female pleasure and sexuality in her poetry, which was a radical concept at the time she was writing. One critic, Alison Conway, views Behn as instrumental to the formation of modern thought around the female gender and sexuality: "Behn wrote about these subjects before the technologies of sexuality we now associate were in place, which is, in part, why she proves so hard to situate in the trajectories most familiar to us”. Virginia Woolf wrote, in A Room of One’s Own: All women together, ought to let flowers fall upon the grave of Aphra Behn... for it was she who earned them the right to speak their minds... Behn proved that money could be made by writing at the sacrifice, perhaps, of certain agreeable qualities; and so by degrees writing became not merely a sign of folly and a distracted mind but was of practical importance. Adaptations of Behn in Literature Behn’s life has been adapted for the stage in the 2014 play Empress of the Moon: The Lives of Aphra Behn by Chris Braak, and the 2015 play [exit Mrs Behn] or, The Leo Play by Christopher VanderArk. She is one of the characters in the 2010 play Or, by Liz Duffy Adams. Behn appears as a character in Daniel O’Mahony’s Newtons Sleep, in Phillip Jose Farmer’s The Magic Labyrinth and Gods of Riverworld, in Molly Brown’s Invitation to a Funeral (1999), and in Diana Norman’s The Vizard Mask. She is referred to in Patrick O’Brian’s novel Desolation Island.

Horace Smith (born Horatio Smith) (31 December 1779 – 12 July 1849) was an English poet and novelist, perhaps best known for his participation in a sonnet-writing competition with Percy Bysshe Shelley. It was of him that Shelley said: “Is it not odd that the only truly generous person I ever knew who had money enough to be generous with should be a stockbroker? He writes poetry and pastoral dramas and yet knows how to make money, and does make it, and is still generous.” Smith was born in London, the son of a London solicitor, and the fifth of eight children. He was educated at Chigwell School with his elder brother James Smith, also a writer. Horace first came to public attention in 1812 when he and his brother James (four years older than he) produced a popular literary parody connected to the rebuilding of the Drury Lane Theatre, after a fire in which it had been burnt down. The managers offered a prize of £50 for an address to be recited at the Theatre's reopening in October. The Smith brothers hit on the idea of pretending that the most popular poets of the day had entered the competition and writing a book of addresses rejected from the competition in parody of their various styles. James wrote parodies of Wordsworth, Southey, Coleridge and Crabbe, and Horace took on Byron, Moore, Scott and Bowles. The book was a smash, and went through seven editions within three months. The Rejected Addresses still stands the most widely popular parodies ever published in the country. The book was written without malice; none of the poets caricatured took offence, while the imitation is so clever that both Byron and Scott claimed that they could scarcely believe they had not written the addresses ascribed to them. The only other collaboration by the two brothers was Horace in London (1813). Smith went on to become a prosperous stockbroker. Smith knew Shelley as a member of the circle around Leigh Hunt. Smith helped to manage Shelley's finances. Sonnet-writing competitions were not uncommon; Shelley and Keats wrote competing sonnets on the subject of the Nile River. Inspired by Diodorus Siculus (Book 1, Chapter 47), they each wrote and submitted a sonnet on the subject to The Examiner. Shelley's Ozymandias was published on 11 January 1818 under the pen name Glirastes, and Smith's On a Stupendous Leg of Granite, Discovered Standing by Itself in the Deserts of Egypt, with the Inscription Inserted Below was published on 1 February 1818 with the initials H.S. (and later in his collection Amarynthus). After making his fortune, Horace Smith produced a series of historical novels: Brambletye House (1826), Tor Hill (1826), Reuben Apsley (1827), Zillah (1828), The New Forest (1829), Walter Colyton (1830), among others. Three volumes of Gaieties and Gravities, published by him in 1826, contain many clever essays both in verse and prose, but the only piece that remains much remembered is the “Address to the Mummy in Belzoni's Exhibition.” Horace Smith died at Tunbridge Wells on 12 July 1849. References Wikipedia – http://en.wikipedia.org/wiki/Horace_Smith_(poet)

Roderick Watson Kerr was born on January 1st 1895 at Old Monklands in Lanarkshire. His father (also called Roderick) was a master watchmaker. The family moved to Dalkeith shortly after his birth, and then to Edinburgh, living first in Candlemaker Row and then, after the death of Kerr senior, to Salisbury Terrace. Kerr was educated at Boroughmuir and Heriot's schools and then attended Broughton Junior Student Centre for several years, where, jointly with John Gould, he edited the Broughton Magazine from 1910-1911. His predecessor in the role of editor had been Hugh MacDiarmid, who, like Kerr, had been under the guidance of George Ogilvie, the teacher who was to prove a catalyst for literary development. While continuing his education during the day, he had joined The Scotsman newspaper as an apprentice, and worked there in the evenings. After Broughton, Kerr enrolled for teacher training at the Edinburgh Professional Training College (which became Moray House) and there too, he edited the college magazine. Kerr enlisted in the army shortly after the outbreak of war. He was commissioned as a 2nd Lieutenant in the Machine Gun Corps, and from there volunteered to work with the Army’s new weapon, the tank, joining the 2nd Royal Tank Corps after it was founded in 1916. He was awarded the Military Cross for his courage in commanding his tank in action in September 1918, despite being himself badly wounded. After a year in hospital, he was invalided out of the army in October 1919. After the war, Kerr attended classes at the University of Edinburgh, from 1921 to 1923, leaving to start work as a junior sub-editor at The Scotsman. While at university, Kerr formed a friendship with George Malcolm Thomson; between them, they planned the foundation of a new publishing house to accommodate and promote a new Scottish literary culture. The Porpoise Press started up in 1922. Its first production, launching the first series of contemporary writing in pamphlet form, was a collection of poems by F.V. Branford. The literary quality of the broadsheets was patchy, the editors finding it harder to get first-class writing to publish than they had anticipated. It wasn’t until Kerr’s own issue, No. 10 in 1924, that they came close to the satirical poetry designed to ‘rile the citizenry’ they had originally hoped for. But the stresses of running a small press took their toll, and both men, no longer students, had livings to make. Thomson moved to London in 1925; Kerr took a post as leader-writer on the Liverpool Daily Post & Echo, and left Edinburgh in 1926, but not before acknowledging the ‘spirit of joyous adventure’ which had filled the three years of their work (in a note appended to Thomson’s An Epistle to Roderick Watson Kerr (2nd series, No. 6). The Porpoise Press transferred to the guardianship of Lewis Spence. Kerr married Joan Macpherson from Kingussie in June 1927; they settled in Liverpool and enjoyed family life until 1939, when Mrs Kerr and the children were evacuated back to her parents’ farm in Kingussie, only returning in 1943 when the danger of bombing in Liverpool was over. Kerr’s job as sub-editor and leader writer with the Daily Post & Echo lasted until his retirement in 1957 – retirement taken early because of illness; he died in 1960. In an open reference written for Kerr in April 1914, George Ogilvie praised the ‘singular freshness and even originality of expression’ of his writing. Kerr kept a notebook during his active service in the war, with poems drafted in it; they were collected in War Daubs, published by John Lane in 1919. The publisher advertised the book as being the work of one who strips away the false glory of war and makes us look at it in all its nakedness. The Times Literary Supplement commented ‘The trench scenes are powerfully-etched impressions – vivid, intense, sincere', and a reviewer in the Sunday Evening Telegram said: 'Mr. Watson Kerr sees with the eyes of the man who has the brains to understand what it all means.' Hugh MacDiarmid included several of the war poems in the first issue of his anthology Northern Numbers (1920), and hoped for more, but in fact Kerr published very little poetry after the war. His own Porpoise Press pamphlets were satirical pieces; the first, Annus Mirabilis, or the Ascension o Jimmie Broon (1924), Alistair McCleery calls ‘clever humour aimed at obvious Aunt Sallies’. Kerr’s surviving son describes his father sitting daily in the park in the hours before his evening stint at the newspaper in Liverpool, tinkering with another long poem, again of social and political satire, but Kerr’s only other major literary publication was Style of Me: letters of Eula from the U.S.A., in 1945. Hugh MacDiarmid, in The National Outlook in 1921, wrote that Kerr’s war poetry was ‘the best produced by any Scottish soldier’, and it is for the war poems and his part in the founding of The Porpoise Press that Roderick Watson Kerr will be remembered. References http://www.scottishpoetrylibrary.org.uk/poetry/poets/roderick-watson-kerr

Maryann Corbett (née Zillotti, Washington, D.C.) is an American poet, medievalist, and linguist.She grew up in northern Virginia. She did her undergraduate work at the College of William and Mary in Williamsburg, Virginia, and graduated with a doctorate in English from the University of Minnesota.Her work has appeared in Southwest Review, Barrow Street, Rattle, River Styx, Atlanta Review, The Evansville Review, Measure, Literary Imagination, The Dark Horse, Italian Americana, Mezzo Cammin, Linebreak, Subtropics, Verse Daily, American Life in Poetry, The Poetry Foundation, The Writer’s Almanac, and many other venues in print and online, as well as an assortment of anthologies, including The Best American Poetry 2018. She has been a several-time Pushcart and Best of the Net nominee; a finalist for the 2009 Morton Marr Prize, the 2010 Best of the Net anthology, and the 2011 and 2016 Able Muse Book Prize; and a winner of the Lyric Memorial Award, the Willis Barnstone Translation Prize, and the Richard Wilbur Award. Her third book, Mid Evil, is the Wilbur Award winner and has been published by the University of Evansville Press.She has worked as a writing teacher and indexer for the Minnesota Legislature. She lives in St. Paul, Minnesota.

Frank Stuart Flint (19 December 1885– 28 February 1960) was an English poet and translator who was a prominent member of the Imagist group. Ford Madox Ford called him “one of the greatest men and one of the beautiful spirits of the country”. Life and career British poet, and a poetry reviewer with an unusual gift for language, a self-educated man, born in Islington, London; he left school at 13 and worked in various capacities before beginning his long and distinguished career in the Civil Service in 1904. He published a book on French poets, starting in 1908 and by 1910, his intensive private study had gained him recognition as one of Britain’s most highly informed authorities on modern French poetry. His first collection of poems, In the Net of the Stars (1909), consisted mainly of conventional love lyrics. Flint is mostly known for his participation in the “School of Images” with Ezra Pound and T. E. Hulme in 1909, of which he gave an account in the “Poetry Review” in 1909, and which was to serve as the theoretical basis for the later Imagist movement (1913). His subsequent association with Ezra Pound and T. E. Hulme, together with his deepening knowledge of innovative French poetic techniques, radically affected his poetry’s development. Glenn Hughes reports Flint ‘claiming to inventing the open verse form ’unrimed cadence’, by cutting away all personal emotion, where symbolism was barely suggested, but instead shortened and hardened, and where meter was supplanted by cadence’. Hughes explaining Flint’s form is best understood ‘by comparing his poem ’ A Swan Song’(Published in 1909 and later by Pound in 1914 in 'Des Imagistes’) and, his later ‘cadenced ’ version thereof, ' The Swan’, a poem so devoid of superfluities and cliches, to achieve that perfect chiseled beauty which is the essence of classical art’ In 1916 Flint was described as having ' the gift of artistic courage clothed in beauty which will help build the poetry of the future’. Flint himself, considered his 'cadenced’ form to be a reversion to the real tradition of the English poetry of Cynewulf in the 'Riddle, The Nightingale’ Earlier Flint had published a series of articles on contemporary French poets (1912) that much influenced his contemporaries. In 1914 he was included by Pound in Des Imagistes. He entered into a short-lived dispute with Pound as to each one’s relative contribution to the Imagist movement. During the 1930s Flint was among a number of poets who moved away from poetry and towards economics, working for the Statistics Division of the Ministry of Labour writing that "[t]he proper study of mankind is, for the time being, economics". Flint would go on to publish an article entitled The Plain Man and Economics in The Criterion in 1937. He became a leading spokesman for Imagism and exemplified its methods in the concentration and clarity displayed by much of the work in Cadences (1915). Otherworld, his third and last collection, was published in 1920, its lengthy title poem responding to the desolation of the First World War in its meditations on more viable modes of existence. For some years after he ceased publishing poetry, Flint continued to contribute influential articles to the Times Literary Supplement and The Criterion. He was also a prolific translator of prose works and poetry by French, German, and classical authors. With the exception of some short works arising from his activities as a civil servant, he ceased writing for publication entirely in the early 1930s. Poetry In the Net of the Stars, BiblioBazaar (Jun 2009) ISBN 978-1-110-85842-2 Cadences, Poetry Bookshop. London, 1915 Otherworld: Cadences, Poetry Bookshop, 1920 Translations The Love Poems of Emile Verhaeren, Houghton Mifflin, Boston 1916 The Closed Door, by Jean de Bosschere, John Lane, London 1917 Essays etc ‘Contemporary French Poetry’, article in The Poetry Review, August 1912 ‘Some Modern French Poets( A Commentarey with a Specimen) The Chapbook: A Monthly Miscellany, London October 1919 ‘ The Younger French Poets The Chapbook; A Monthly Miscellany, London November 1920 ‘The History of Imagism’, essay in The Egoist, May 1915 ‘The Poetry of HD ’ essay in The Egoist, May 1915 ‘ Six French Poets’ essay in The Egoist, January 1916 ‘Imagisme, Poetry Chicago March 1913 References Wikipedia—https://en.wikipedia.org/wiki/F._S._Flint

William Matthews (November 11, 1942– November 12, 1997) was an American poet and essayist. Born and raised in Cincinnati, Ohio, Matthews attended Berkshire School and later earned a bachelor’s degree from Yale University as well as a master’s from the University of North Carolina at Chapel Hill.

Augustus Montague Toplady (4 November 1740– 11 August 1778) was an Anglican cleric and hymn writer. He was a major Calvinist opponent of John Wesley. He is best remembered as the author of the hymn “Rock of Ages”. Three of his other hymns– “A Debtor to Mercy Alone”, “Deathless Principle, Arise” and “Object of My First Desire”– are still occasionally sung today, though all three are far less popular than “Rock of Ages”. Background and early life, 1740–55 Augustus Toplady was born in Farnham, Surrey, England in November 1740. His father, Richard Toplady, was probably from Enniscorthy, County Wexford in Ireland. Richard Toplady became a commissioned officer in the Royal Marines in 1739; by the time of his death, he had reached the rank of major. In May 1741, shortly after Augustus’ birth, Richard participated in the Battle of Cartagena de Indias (1741), the most significant battle of the War of Jenkins’ Ear (1739–42), during the course of which he died, most likely of yellow fever, leaving Augustus’ mother to raise the boy alone. Toplady’s mother, Catherine, was the daughter of Richard Bate, who was the incumbent of Chilham from 1711 until his death in 1736. Catherine and her son moved from Farnham to Westminster. He attended Westminster School from 1750 to 1755. Trinity College, Dublin: 1755–60 In 1755, Catherine and Augustus moved to Ireland, and Augustus was enrolled in Trinity College, Dublin. Shortly thereafter, in August 1755, the 15-year-old Toplady attended a sermon preached by James Morris, a follower of John Wesley, in a barn in Codymain, co. Wexford (though in his Dying Avowal, Toplady denies that the preacher was directly connected to Wesley, with whom he had developed a bitter relationship). He would remember this sermon as the time at which he received his effectual calling from God. Having undergone his religious conversion under the preaching of a Methodist, Toplady initially followed Wesley in supporting Arminianism. In 1758, however, the 18-year-old Toplady read Thomas Manton’s seventeenth-century sermon on John 17 and Jerome Zanchius’s Confession of the Christian Religion (1562). These works convinced Toplady that Calvinism, not Arminianism, was correct. In 1759, Toplady published his first book, Poems on Sacred Subjects. Following his graduation from Trinity College in 1760, Toplady and his mother returned to Westminster. There, Toplady met and was influenced by several prominent Calvinist ministers, including George Whitefield, John Gill, and William Romaine. It was John Gill who in 1760 urged Toplady to publish his translation of Zanchius’s work on predestination, Toplady commenting that “I was not then, however, sufficiently delivered from the fear of man.” Church ministry: 1762–78 In 1762, Edward Willes, the Bishop of Bath and Wells, ordained Toplady as an Anglican deacon, appointing him curate of Blagdon, located in the Mendip Hills of Somerset. Toplady wrote his famous hymn “Rock of Ages” in 1763. A local tradition– discounted by most historians– holds that he wrote the hymn after seeking shelter under a large rock at Burrington Combe, a magnificent ravine close to Blagdon, during a thunderstorm. Upon being ordained priest in 1764, Toplady returned to London briefly, and then served as curate of Farleigh Hungerford for a little over a year (1764–65). He then returned to stay with friends in London for 1765–66. In May 1766, he became incumbent of Harpford and Venn Ottery, two villages in Devon. In 1768, however, he learned that he had been named to this incumbency because it had been purchased for him; seeing this as simony, he chose to exchange the incumbency for the post of vicar of Broadhembury, another Devon village. He would serve as vicar of Broadhembury until his death, although he received leave to be absent from Broadhembury from 1775 on. Toplady never married, though he did have relationships with two women. The first was Selina Hastings, Countess of Huntingdon, the founder of the Countess of Huntingdon’s Connexion, a Calvinist Methodist series of congregations. Toplady first met Huntingdon in 1763, and preached in her chapels several times in 1775 during his absence from Broadhembury. The second was Catharine Macaulay, whom he first met in 1773, and with whom he spent a large amount of time in the years 1773–77. Animals and Natural World Toplady was a prolific essayist and letter correspondent and wrote on a wide range of topics. He was interested in the natural world and in animals. He composed a short work “Sketch of Natural History, with a few particulars on Birds, Meteors, Sagacity of Brutes, and the solar system”, wherein he set down his observations about the marvels of nature, including the behaviour of birds, and illustrations of wise actions on the part of various animals. Toplady also considered the problem of evil as it relates to the sufferings of animals in “A Short Essay on Original Sin”, and in a public debate delivered a speech on “Whether unnecessary cruelty to the brute creation is not criminal?”. In this speech he repudiated brutality towards animals and also affirmed his belief that the Scriptures point to the resurrection of animals. Toplady’s position about animal brutality and the resurrection were echoed by his contemporaries Joseph Butler, Richard Dean, Humphry Primatt and John Wesley, and throughout the nineteenth century other Christian writers such as Joseph Hamilton, George Hawkins Pember, George N. H. Peters, Joseph Seiss, and James Macauley developed the arguments in more detail in the context of the debates about animal welfare, animal rights and vivisection. Calvinist controversialist: 1769–78 Toplady’s first salvo into the world of religious controversy came in 1769 when he wrote a book in response to a situation at the University of Oxford. Six students had been expelled from St Edmund Hall because of their Calvinist views, which Thomas Nowell criticised as inconsistent with the views of the Church of England. Toplady then criticised Nowell’s position in his book The Church of England Vindicated from the Charge of Arminianism, which argued that Calvinism, not Arminianism, was the position historically held by the Church of England. 1769 also saw Toplady publish his translation of Zanchius’s Confession of the Christian Religion (1562), one of the works which had convinced Toplady to become a Calvinist in 1758. Toplady entitled his translation The Doctrine of Absolute Predestination Stated and Asserted. This work drew a vehement response from John Wesley, thus initiating a protracted pamphlet debate between Toplady and Wesley about whether the Church of England was historically Calvinist or Arminian. This debate peaked in 1774, when Toplady published his 700-page The Historic Proof of the Doctrinal Calvinism of the Church of England, a massive study which traced the doctrine of predestination from the period of the Early Church through to William Laud. The section about the Synod of Dort contained a footnote identifying five basic propositions of the Calvinist faith, arguably the first appearance in print of the summary of Calvinism known as the “five points of Calvinism”. The relationship between Toplady and Wesley that had initially been cordial, involving exchanges of letters in Toplady’s Arminian days, became increasingly bitter and reached its nadir with the “Zanchy affair”. Wesley took exception to the publication of Toplady’s translation of Zanchius’s work on predestination in 1769 and published, in turn, an abridgment of that work titled “The Doctrine of Absolute Predestination Stated and Asserted”, adding his own comment that “The sum of all is this: One in twenty (suppose) of mankind are elected; nineteen in twenty are reprobated. The elect shall be saved, do what they will; the reprobate will be damned, do what they can. Reader believe this, or be damned. Witness my hand.” Toplady viewed the abridgment and comments as a distortion of his and Zanchius’s views and was particularly enraged that the authorship of these additions were attributed to him, as though he approved of the content. Toplady published a response in the form of “A Letter to the Rev Mr John Wesley; Relative to His Pretended Abridgement of Zanchius on Predestination”. Wesley never publicly accepted any wrongdoing on his part and seemingly denied his authorship of the comments contained in his abridgement when, in his 1771 work “The Consequenses Proved” that responded to Toplady’s letter, he ascribed his additions to Toplady. Subsequently Wesley avoided direct correspondence with Toplady, famously stating in a letter of 24 June 1770 that “I do not fight with chimney-sweepers. He is too dirty a writer for me to meddle with. I should only foul my fingers. I read his title-page, and troubled myself no farther. I leave him to Mr Sellon. He cannot be in better hands.” Last years Toplady spent his last three years mainly in London, preaching regularly in a French Calvinist chapel at Orange Street (off of Haymarket), most spectacularly in 1778, when he appeared to rebut charges being made by Wesley’s followers that he had renounced Calvinism on his deathbed. Toplady died of tuberculosis on 11 August 1778. He was buried at Whitefield’s Tabernacle, Tottenham Court Road. Hymns Compared with Christ, in all beside n. 760 in The Church Hymn book 1872 (1772) Deathless spirit, now arise n. 1381 in The Church Hymn book 1872 (1776) Holy Ghost, dispel our sadness n. 80 in The Church Hymn book 1872 (1776). Modernising of John Christian Jacobi’s translation (1725) of Paul Gerhardts hymn from 1653. How happy are the souls above n. 1434 in The Church Hymn book 1872 (1776) (? A. M. Topladys text) Inspirer and hearer of prayer n. 30 in The Church Hymn book 1872 (1774) O thou, that hear’st the prayer of faith n. 642 in The Church Hymn book 1872 (1176) Praise the Lord, who reigns above n. 160 in The Church Hymn book 1872 (1759) Rock of ages, cleft for me n. 697 in The Church Hymn book 1872 (1776) Surely Christ thy griefs hath borne n. 443 in The Church Hymn book 1872 (1759) What, though my frail eye-lids refuse n. 29 in The Church Hymn book 1872 (1774) When langour and disease invade n. 1032 in The Church Hymn book 1872 (1778) Your harps, ye trembling saints n. 861 in The Church Hymn book 1872 (1772) References Wikipedia—https://en.wikipedia.org/wiki/Augustus_Toplady

William Sydney Graham (19 November 1918– 9 January 1986) was a Scottish poet who is often associated with Dylan Thomas and the neo-romantic group of poets. Graham’s poetry was mostly overlooked in his lifetime but, partly due to the support of Harold Pinter, his work has enjoyed a revival in recent years. He was represented in the second edition of the Penguin Book of Contemporary Verse (Harmondsworth, UK, 1962) and the Anthology of Twentieth-Century British and Irish Poetry (Oxford University Press, 2001). Early life and work Graham was born in Greenock. In 1932, he left school to become an apprentice draughtsman and then studied structural engineering at Stow College, Glasgow. He was awarded a bursary to study literature for a year at Newbattle Abbey College in 1938. Graham spent the war years working at a number of jobs in Scotland and Ireland before moving to Cornwall in 1944. His first book, Cage Without Grievance was published in 1942. Graham and the neo-romantics The 1940s were prolific years for Graham, and he published four more books during that decade. These were The Seven Journeys (1944)' 2ND Poems (1945), The Voyages of Alfred Wallis (1948) and The White Threshold (1949). The style of these early poems led critics to see Graham as part of the neo-romantic group that included Dylan Thomas and George Barker. The affinities between these three poets derive from a common interest in poets like Gerard Manley Hopkins, Arthur Rimbaud and Hart Crane, and, in the cases of Thomas and Graham, a taste for the Bohemian lifestyle of the London literary scene. In 1947, Graham received the Atlantic Award for Literature, and lectured at New York University whilst spending a year on a reading touring of the United States. He moved to London to be nearer the hub of that Bohemian world. Here he came into contact with T. S. Eliot, then editor of Faber and Faber who published The White Threshold and who were to remain Graham’s publishers for the rest of his life. The Nightfishing and legacy In 1954, Graham returned to Cornwall to live near the St. Ives artists colony. Here he became friendly with several of the resident painters, including Bryan Wynter and Roger Hilton. The following year, Faber and Faber published his The Nightfishing, a book whose title poem marked a dramatic change in Graham’s poetry. The poem moved on from his earlier style and moved away from the neo-romantic/apocalyptic tag. Unfortunately for the poet, the poem’s appearance coincided with the rise of the Movement with their open hostility to the neo-romantics, and, despite the support of Eliot and Hugh MacDiarmid, the book was neither a critical nor a popular success. It was to be fifteen years before Graham published another book, Malcolm Mooney’s Land (1970). This, and his last book, “Implements In Their Places” are truly original and enduring poetic achievements, for which Graham is slowly coming to be recognised. For many years, he had been living in semi-poverty on his income as a writer, but in 1974 he received a Civil List pension of £500 per year. Perhaps because of this alleviation of his financial circumstances, Graham began to publish with more frequency, with Implements in their Places (1977), Collected Poems 1942–1977 (1979) and an American-published Selected Poems (1980). He died in Madron, Cornwall in 1986. His last collection Aimed at Nobody was published posthumously in 1993 and a book of Uncollected Poems appeared in 1990. Faber brought out a new Selected Poems in 1996. The Nightfisherman: Selected Letters was published in 1999 and New Collected Poems in 2005. All Graham’s poems have a location, a plot and setting (or narrative) as Graham insisted ‘the first act of engagement of reader and poem was in reading it aloud. This tested the syntax, pace and tone of poem and reader ’. Posthumous publication activity indicates, Graham’s reputation has grown in recent years. Some might argue this is partly due to Harold Pinter’s often-expressed enthusiasm for the poet, or attribute his increasing recognition to the widespread advocacy of poets associated with the British Poetry Revival. However Graham’s work was represented in the anthology Conductors of Chaos (1996) by a selection introduced by the poet and critic Tony Lopez, who also wrote a book-length study, The Poetry of W. S. Graham (1989). Marriage, death and recognition He married another poet, Agnes Kilpatrick Dunsmuir (1909–1999), known as “Nessie Dunsmuir”. He died on 9 January 1986. Copyright in Graham’s works is held by his daughter, Rosalind Mudaliar. In 2006, 20 years after his death, memorial plaques were unveiled in Fore Street, Madron where he spent his final years, and at his birthplace, 1 Hope Street, Greenock. Bibliography * Cage without Grievance, Parton Press, 1942 * The Seven Journeys, William MacLellan, 1944 * 2ND Poems, Nicholson and Watson, 1945 * The White Threshold, Faber and Faber, 1949 * The Nightfishing, Faber and Faber, 1955 * Malcolm Mooney’s Land, Faber and Faber, 1970 * Penguin Modern Poets 17, David Gascoyne, W. S. Graham, Kathleen Raine, Penguin Books, 1970 * Implements in their Places, Faber and Faber, 1977 * Collected Poems, 1942-1977, Faber and Faber, 1979 * Selected Poems, Ecco Press, 1980 * Uncollected Poems, Greville Press, 1990 * Aimed at Nobody: Poems from Notebooks, ed. Margaret Blackwood and Robin Skelton, Faber and Faber, 1993 * Selected Poems, Faber and Faber, 1996 * W.S. Graham Selected by Nessie Dunsmuir, Greville Press, 1998 * The Night Fisherman: Selected Letters of W. S. Graham, ed. Michael and Margaret Snow, Carcanet, 1999 * New Collected Poems, ed. Matthew Francis, Faber and Faber, 2004 * Approaches to How They Behave, Donut Press, 2009 * Les Dialogues obscurs / The Dark Dialogues, selected poems, bilingual book English-French, introduction Michael Snow, afterword Paul Stubbs, Black Herald Press, 2013 References Wikipedia—https://en.wikipedia.org/wiki/W._S._Graham

Abraham Cowley (1618– 28 July 1667) was an English poet born in the City of London late in 1618. He was one of the leading English poets of the 17th century, with 14 printings of his Works published between 1668 and 1721. Early life and career His father, a wealthy citizen, who died shortly before his birth, was a stationer. His mother was wholly given to works of devotion, but it happened that there lay in her parlour a copy of The Faerie Queene. This became the favourite reading of her son, and he had read it twice before he was sent to school. As early as 1628, that is, in his tenth year, he composed his Tragicall History of Piramus and Thisbe, an epic romance written in a six-line stanza, a style of his own invention. It is not too much to say that this work is the most astonishing feat of imaginative precocity on record; it is marked by no great faults of immaturity, and possesses constructive merits of a very high order. Two years later the child wrote another and still more ambitious poem, Constantia and Philetus, being sent about the same time to Westminster School. Here he displayed extraordinary mental precocity and versatility, and wrote in his thirteenth year the Elegy on the Death of Dudley, Lord Carlton. These three poems of considerable size, and some smaller ones, were collected in 1633, and published in a volume entitled Poetical Blossoms, dedicated to the head master of the school, and prefaced by many laudatory verses by schoolfellows. The author at once became famous, although he had not, even yet, completed his fifteenth year. His next composition was a pastoral comedy, entitled Love’s Riddle, a marvelous production for a boy of sixteen, airy, correct and harmonious in language, and rapid in movement. The style is not without resemblance to that of Randolph, whose earliest works, however, were at that time only just printed. In 1637 Cowley was elected into Trinity College, Cambridge, where he betook himself with enthusiasm to the study of all kinds of learning, and early distinguished himself as a ripe scholar. Portraits of Cowley, attributed to William Faithorne and Stephen Slaughter, are in Trinity College’s collection. It was about this time that he composed his scriptural epic on the history of King David, one book of which still exists in the Latin original, the rest being superseded in favour of an English version in four books, called the Davideis, which were published after his death. The epic deals with the adventures of King David from his boyhood to the smiting of Amalek by Saul, where it abruptly closes. In 1638 Love’s Riddle and a Latin comedy, the Naufragium Joculare, were printed, and in 1641 the passage of Prince Charles through Cambridge gave occasion to the production of another dramatic work, The Guardian, which was acted before the royal visitor with much success. During the civil war this play was privately performed at Dublin, but it was not printed till 1650. It is bright and amusing, in the style common to the “sons” of Ben Jonson, the university wits who wrote more for the closet than the public stage. Royalist in exile The learned quiet of the young poet’s life was broken up by the Civil War; he warmly espoused the royalist side. He became a fellow of Trinity College, Cambridge, but was ejected by the Parliamentarians in 1643. He made his way to Oxford, where he enjoyed the friendship of Lord Falkland, and was tossed, in the tumult of affairs, into the personal confidence of the royal family itself. After the battle of Marston Moor he followed the queen to Paris, and the exile so commenced lasted twelve years. This period was spent almost entirely in the royal service, “bearing a share in the distresses of the royal family, or labouring in their affairs. To this purpose he performed several dangerous journeys into Jersey, Scotland, Flanders, the Netherlands, or wherever else the king’s troubles required his attendance. But the chief testimony of his fidelity was the laborious service he underwent in maintaining the constant correspondence between the late king and the queen his wife. In that weighty trust he behaved himself with indefatigable integrity and unsuspected secrecy; for he ciphered and deciphered with his own hand the greatest part of all the letters that passed between their majesties, and managed a vast intelligence in many other parts, which for some years together took up all his days, and two or three nights every week.” In spite of these labours he did not refrain from literary industry. During his exile he met with the works of Pindar, and determined to reproduce their lofty lyric passion in English. However, Cowley misunderstood Pindar’s metrical practice and therefore his reproduction of the Pindaric Ode form in English does not accurately reflect Pindar’s poetics. But despite this problem, Cowley’s use of iambic lines of irregular length, pattern, and rhyme scheme was very influential and is still known as English “Pindarick” Ode, or Irregular Ode. One of the most famous odes written after Cowley in the Pindaric tradition is Wordsworth’s “Intimations of Immortality.” During this same time, Cowley occupied himself in writing a history of the Civil War (which did not get published in full until 1973). In the preface to his 1656 Poems, Cowley mentioned that he had completed three books of an epic poem on the Civil War, but had left it unfinished after the First Battle of Newbury when the Royalist cause began to lose significant ground. In the preface Cowley indicated that he had destroyed all copies of the poem, but this was not precisely the truth. In 1697, twelve years after Cowley’s death, a shortened version of the first book of the poem, called A Poem on the Late Civil War was published. It was assumed that the rest of the poem had indeed been destroyed or lost until the mid-20th century when scholar Allan Pritchard discovered the first of two extant manuscript copies of the whole poem among the Cowper family papers. Thus, the three completed books of Cowley’s great (albeit unfinished) English epic, The Civill Warre (otherwise spelled “The Civil War”), was finally published in full for the first time in 1973. In 1647 a collection of his love verses, entitled The Mistress, was published, and in the next year a volume of wretched satires, The Four Ages of England, was brought out under his name, with the composition of which he had nothing to do. In spite of the troubles of the times, so fatal to poetic fame, his reputation steadily increased, and when, on his return to England in 1656, he published a volume of his collected poetical works, he found himself without a rival in public esteem. This volume included the later works already mentioned, the Pindarique Odes, the Davideis, the Mistress and some Miscellanies. Among the latter are to be found Cowley’s most vital pieces. This section of his works opens with the famous aspiration: “What shall I do to be for ever known, And make the coming age my own?” It contains elegies on Wotton, Vandyck, Falkland, William Hervey and Crashaw, the last two being among Cowley’s finest poems, brilliant, sonorous and original; the amusing ballad of The Chronicle, giving a fictitious catalogue of his supposed amours; various gnomic pieces; and some charming paraphrases from Anacreon. The Pindarique Odes contain weighty Lines and passages, buried in irregular and inharmonious masses of moral verbiage. Not more than one or two are good throughout, but a full posy of beauties may easily be culled from them. The long cadences of the Alexandrines with which most of the strophes close, continued to echo in English poetry from Dryden down to Gray, but the Odes themselves, which were found to be obscure by the poet’s contemporaries, immediately fell into disesteem. The Mistress was the most popular poetic reading of the age, and is now the least read of all Cowley’s works. It was the last and most violent expression of the amatory affectation of the 17th century, an affectation which had been endurable in Donne and other early writers because it had been the vehicle of sincere emotion, but was unendurable in Cowley because in him it represented nothing but a perfunctory exercise, a mere exhibition of literary calisthenics. He appears to have been of a cold, or at least of a timid, disposition; in the face of these elaborately erotic volumes, we are told that to the end of his days he never summoned up courage to speak of love to a single woman in real life. The “Leonora” of The Chronicle is said to have been the only woman he ever loved, and she married the brother of his biographer, Sprat. Return to England Soon after his return to England he was seized in mistake for another person, and only obtained his liberty on a bail of £1000. In 1658 he revised and altered his play of The Guardian, and prepared it for the press under the title of The Cutter of Coleman Street, but it did not appear until 1661. Late in 1658 Oliver Cromwell died, and Cowley took advantage of the confusion of affairs to escape to Paris, where he remained until the Restoration brought him back in Charles’s train. He published in 1663 Verses upon several occasions, in which The Complaint is included. He is also known for having provided the earliest reference to coca in English literature, in a poem called “A legend of coca” in his 1662 collection of poems Six Books of Plants. Cowley obtained permission to retire into the country; and through his friend, Lord St Albans, he obtained a property near Chertsey, where, devoting himself to botany and books, he lived in comparative solitude until his death. He took a practical interest in experimental science, and he was one of those advocating the foundation of an academy for the protection of scientific enterprise. Cowley’s pamphlet on The Advancement of Experimental Philosophy, 1661, immediately preceded the foundation of the Royal Society; to which Cowley, in March 1667, at the suggestion of John Evelyn, addressed an ode. He died in the Porch House, in Chertsey, in consequence of having caught a cold while superintending his farm-labourers in the meadows late on a summer evening. On 3 August, Cowley was buried in Westminster Abbey beside the ashes of Chaucer and Spenser, where in 1675 the duke of Buckingham erected a monument to his memory. His Poemata Latina, including six books “Plantarum,” were printed in 1668. The poetry of Cowley rapidly fell into neglect. The works of Cowley were collected in 1668, when Thomas Sprat brought out an edition in folio, to which he prefixed a life of the poet. There were many reprints of this collection, which formed the standard edition till 1881, when it was superseded by Alexander Balloch Grosart’s privately printed edition in two volumes, for the Chertsey Worthies library. The Essays have frequently been revived. A Satire Against Separatists, printed in 1675, has been variously attributed to Cowley and to Peter Hausted. References Wikipedia—https://en.wikipedia.org/wiki/Abraham_Cowley

Nicholas Breton (also Britton or Brittaine) (1545–1626), English poet and novelist, belonged to an old family settled at Layer Breton, Essex. Life His father, William Breton, a London merchant who had made a considerable fortune, died in 1559, and the widow (née Elizabeth Bacon) married the poet George Gascoigne before her sons had attained their majority. Nicholas Breton was probably born at the “capitall mansion house” in Red Cross Street, in the parish of St Giles without Cripplegate, mentioned in his father’s will. There is no official record of his residence at the university, but the diary of the Rev. Richard Madox tells us that he was at Antwerp in 1583 and was “once of Oriel College.” He married Ann Sutton in 1593, and had a family. He is supposed to have died shortly after the publication of his last work, Fantastickes (1626). Breton found a patron in Mary, countess of Pembroke, and wrote much in her honour until 1601, when she seems to have withdrawn her favour. It is probably safe to supplement the meagre record of his life by accepting as autobiographical some of the letters signed N.B. in A Poste with a Packet of Mad Letters (1603, enlarged 1637); the 19th letter of the second part contains a general complaint of many griefs, and proceeds as follows: “Hath another been wounded in the warres, fared hard, lain in a cold bed many a bitter storme, and beene at many a hard banquet? all these have I; another imprisoned? so have I; another long been sicke? so have I; another plagued with an unquiet life? so have I; another indebted to his hearts griefe, and fame would pay and cannot? so am I.” Works * Breton was a prolific author of considerable versatility and gift, popular with his contemporaries, and forgotten by the next generation. His work consists of religious and pastoral poems, satires, and a number of miscellaneous prose tracts. His religious poems are sometimes wearisome by their excess of fluency and sweetness, but they are evidently the expression of a devout and earnest mind. His lyrics are pure and fresh, and his romances, though full of conceits, are pleasant reading, remarkably free from grossness. His praise of the Virgin and his references to Mary Magdalene have suggested that he was a Roman Catholic, but his prose writings abundantly prove that he was an ardent Anglican. * Breton had little gift for satire, and his best work is to be found in his pastoral poetry. His Passionate Shepheard (1604) is full of sunshine and fresh air, and of unaffected gaiety. The third pastoral in this book—"Who can live in heart so glad As the merrie country lad"—is well known; with some other of Breton’s daintiest poems, among them the lullaby, “Come little babe, come silly soule,” (This poem, however, comes from The Arbor of Amorous Devises, which is only in part Breton’s work.)—it is incorporated in A. H. Bullen’s Lyrics from Elizabethan Romances (1890). His keen observation of country life appears also in his prose idyll, Wits Trenckrnour, “a conference betwixt a scholler and an angler,” and in his Fantastickes, a series of short prose pictures of the months, the Christian festivals and the hours, which throw much light on the customs of the times. Most of Breton’s books are very rare and have great bibliographical value. His works, with the exception of some belonging to private owners, were collected by Dr AB Grosart in the Chertsey Worthies Library in 1879, with an elaborate introduction quoting the documents for the poet’s history. * Breton’s poetical works, the titles of which are here somewhat abbreviated, include: * The Workes of a Young Wit (1577) * A Floorish upon Fancie (1577) * The Pilgrimage to Paradise (1592), with a prefatory letter by John Case * The Countess of Penbrook’s Passion (manuscript), first printed by JO Halliwell-Phillipps in 1853 [1] * Pasquil’s Fooles cappe (entered at Stationers’ Hall in 1600) * Pasquil’s Mistresse (1600) * Pasquil’s Passe and Passeth Not (1600) * Melancholike Humours (1600) - reprinted by Scholartis Press London. 1929. * Marie Magdalen’s Love: a Solemne Passion of the Soules Love (1595), the first part of which, a prose treatise, is probably by another hand; the second part, a poem in six-lined stanza, is certainly by Breton * A Divine Poem, including “The Ravisht Soul” and “The Blessed Weeper” (1601) * An Excellent Poem, upon the Longing of a Blessed heart (1601) * The Soules Heavenly Exercise (1601) * The Soules Harmony (1602) * Olde Madcappe newe Gaily mawfrey (1602) * The Mother’s Blessing (1602) * A True Description of Unthankfulnesse (1602) * The Passionate Shepheard (1604) * The Souies Immortail Crowne (1605) * The Honour of Valour (1605) * An Invective against Treason; I would and I would not (1614) * Bryton’s Bowre of Delights (1591), edited by Dr Grosart in 1893, an unauthorized publication which contained some poems disclaimed by Breton * The Arbor of Amorous Devises (entered at Stationers’ Hall, 1594), only in part Breton’s * contributions to England’s Helicon and other miscellanies of verse. * Of his twenty-two prose tracts may be mentioned Wit’s Trenchmour (1597), The Wil of Wit (1599), A Poste with a Packet of Mad Letters (1602-6). Sir Philip Sidney’s Ourania by N. B. (1606), A Mad World, my Masters, Adventures of Two Excellent Princes, Grimello’s Fortunes (1603), Strange News out of Divers Countries (1622), etc.; Mary Magdalen’s Lamentations (1604), and The Passion of a Discontented Mind (1601), are sometimes, but erroneously, ascribed to Breton. Footnotes References Wikipedia—https://en.wikipedia.org/wiki/Nicholas_Breton

Rev. James Bernard Dollard ("Father Dollard") (1872–1946) was a Roman Catholic parish priest and noted poet. Life He was born at Mooncoin, County Kilkenny, Ireland, August 30, 1872, to Michael and Anastasia (Quinn) Dollard, the youngest son in a large family. After taking the course in Classics at Kilkenny College, he sailed in 1890 for New Brunswick, Canada. He graduated from the Grand Seminary of Montreal and received from Laval University the degrees of Bachelor of Theology and Bachelor of Canon Law. The same university conferred on him in 1916, the honorary degree of Litt.D. He was ordained to the priesthood in December 1896. He served as a curate in St. Helen’s Church, and St. Mary’s Church, Toronto, and for nine years, parish priest of Uptergrove, Ontario before he became the parish priest of St. Monica’s Church, North Toronto. He published two volumes of poems Irish Mist and Sunshine (1902) and Poems (1910), and a volume of short stories entitled The Gaels of Moondharrig. He sometimes wrote under the pseudonym of Sliav-na-mon. In a lecture on “The War and the Poets,” delivered in Toronto, 1916, Mr. Joyce Kilmer, poetry editor of the Literary Digest, declared that Father Dollard’s sonnet was the best poem that had appeared on the death of Rupert Brooke. He died in 1946. References Wikipedia—https://en.wikipedia.org/wiki/James_B._Dollard

References Wikipedia—https://en.wikipedia.org/wiki/

Kathleen Faragher (1904–1974) was the most significant and prolific Manx dialect author of the mid twentieth century. She is best known for her poems first published in the Ramsey Courier and collected into five books published between 1955 and 1967. She was also a prolific short story writer and playwright. Her work is renowned for its humour born of a keen observation of Manx characters, and for its evocative portrayal of the Isle of Man and its people. Life Kathleen Faragher was born in 1904 in Ramsey, Isle of Man, to Joseph and Catherine Anne Faragher, owners of a grocer and provision merchant business on Approach Road. Kathleen was the youngest of five children: Laurence (who died in Gibraltar in 1944 during WWII), Fred (later manager of Martin’s Bank, Peel), Joseph (who took over the family business but died in 1946), Evelyn (who emigrated to Auckland, New Zealand, where she died in 1949) and herself. Kathleen Faragher was raised in Ramsey until about 1924, when she moved to London to take up a business career. After 25 years working in London, ill-health forced her into early retirement, whereupon she returned to live on the Isle of Man in October 1949. Faragher lived first in Ramsey but eventually moved to Maughold, finally coming to live near to the Dhoon Church in Glen Mona. Poetry Faragher’s first poem, 'Blue Point’, was published in the Ramsey Courier on 14 October 1949. The poem was written whilst in Kent and sent to the paper, who surprised Faragher in accepting it, although it was not published until she had returned to live on the island. This poem was different in style to Faragher’s subsequent work and it was only published in her third book of poetry, Where Curlews Call, in 1959, by which time it had been substantially rewritten. Her next poem, 'Maughold Head’, was published at the start of February 1950, after which her poems were published regularly in the Ramsey Courier. Her first published poem in the Anglo-Manx dialect was 'A Lament’, which appeared in September 1950. Her poems were quickly picked up as special evocations of the Isle of Man and they were recited at meetings of Manx Societies in England alongside poems by the Manx National Poet, T. E. Brown, as early as November 1951. Her poems, 'Maughold Head’ and 'In Exile’, were set to music by C. Sydney Marshall and had been cut to record by February 1960. Her first book of poems, Green Hills by the Sea, was published in February 1955 by The Ramsey Courier Ltd. The book’s title is a reference to the popular song, 'Ellan Vannin’, composed from a poem by Eliza Craven Green. The book was described as displaying Faragher’s “deep insight into Manx feelings and a nostalgic love of the old folk and ways” by George Bellairs. The collection opened with 'Land of My Birth’, which she described as “the greatest compliment she can pay to the Manx people” and with which she usually ended her recitals. I love this purple-misted Isle, This land where I was born. The gorse-clad hills and bracken tops, The fields of waving corn. [...] But best of all I love to hear The gentle, lilting voice Of kindly Manx folk greeting me: It makes my heart rejoice, To feel once more the friendly hand, To hear the welcome warm, To look into each smiling face And know I have come home. Her second collection, This Purple-Misted Isle, was published in October 1957. The title was another reference to her forebears of Manx literature, this time to T. E. Brown, a reference continued within the collection with Faragher’s 'The Immortal “Kitty”' paying homage to Brown’s 'Kitty o’ the Sherragh Vane’ from his Fo’c’s’le Yarns. The collection had a Foreword by the Lieutenant Governor, Ambrose Flux Dundas. It proved to be very popular, having to be reprinted by the end of the year, and by the end of 1959 a third print had also almost sold out. This collection included 'The Homecomer’, which displays her distinctive Anglo-Manx conversational style: [...] “It isn’ me dyin’ that I min’, boy,” She said as she sat by her bed; “I’d go peaceful if it wasn’ for thinkin’ Ye’ll be managin’ so maul when I’m dead.” An’ Billy sthroked her cheek– so the tale goes – An’ whispered all lovin’ an’ low, “Dunt be grievin’, Nellie Kate; theer’s no need to gel, To worry about me when yer go! For theer’s the nices’ li’l wumman in Laxaa That I’ve had me eye on this las’ bit; She’ll look after me well, I can tell yer, So take yer res’, Nellie Kate, an’ dunt fret!” My gough! She gorrup from that bed theer Like an arra shot straight from the bow! Ay! an’ Billy himself was years buried ‘Fore herself in the en’ had to go! [...] By 1959 Faragher’s poems had been heard on BBC Radio a number of times, recited both by herself and by others. It was in October of that year that her third collection was released, Where Curlews Call, bearing a perceptive Preface by Sir Ralph Stevenson: “Our mother tongue has been overlaid by a stereotyped accent [...]. The Manx lilt [...] is all too rapidly fading. She does her best in these poems to keep it alive and at the same times gives a warm and human picture of our farms and crofts and the kindly folk who live in them. For this, if for nothing else, she has earned our gratitude.” Her subsequent collections of poetry were These Fairy Shores (1962) and English and Manx Dialect Poems (1967). Faragher’s poems can be predominantly categorised into two types: light-humoured dialect vignettes or lyrical descriptions of the Isle of Man. Her poems are distinctive in Manx literature in being prevailingly from or of a female perspective and based within the family or home environment. Theatre and prose As early as 1951 Faragher had been experimenting with extending her conversational monologue Anglo-Manx poems into theatrical dialogues for performance. In 1964 four such 'character sketches’ were published as Kiare Cooisghyn. As was distinctive of her dialect poetry, all of these pieces were written for middle-aged or elderly female characters and used a very tender humour born of a close observation of Manx character. Something of this is shown in the first 'duologue’ from the collection, 'The Caffy’ in which two women discuss the new café in town: [...] Mrs K. An’ what like was the china? Gran’ mighty I suppose? Mrs C. Aw! somethin’ awful that was! Rale indacent, in fac’. A whole lorra naked childher flyin’ about on the plates shootin’ bows an’ arras. Mrs K. Aw! them 'ud be l’il Cupids. Mrs C. Li’l Cupids? Li’l divils, more like! Why wan o’ them was the dead spit o’ that young dirt Kermid’s yandher! Ay! skeetin’ up at me through the gravy he was– enough to turn yer! [...] She came to concentrate on prose towards the end of her life, publishing By The Red Fuchsia Tree in 1967, a collection of short stories interspersed with reprints of poems from her earlier collections. This was followed by a long series of short dialect stories published under the pseudonym, “Kirree Ann”, in the Ramsey Courier at a rate of almost one a week over the last two years of her life. This output of nearly 100 short stories makes her the most prolific Manx short story writer of the twentieth Century. Death and legacy Kathleen Faragher died in 1974, on the same day as her final story was published in the Ramsey Courier. She was buried in the family plot in Maughold churchyard, a graveyard also associated with other important Manx writers such as T. E. Brown, Hall Caine, Cushag and William Kennish. Six years after her death, her friend, Constance Radcliffe, the leading authority on the local history of Ramsey and Maughold, wrote of Faragher’s work that: “In all her works she expressed her affection for a Manx way of life which has only just disappeared, her kindly humour based on acute observation of people’s idiosyncrasies, and her deep and abiding love of the island itself.” Her work continues to be popularly performed in recitals on the Isle of Man, despite none of her books having been republished after her death, and her “Kirree Ann” stories having never been collected. In 2015 a project to record the memories of those who knew and remember Faragher was launched. Funded by Culture Vannin, it is envisioned to tie in with the Culture Vannin oral history programme, but also to reach more widely to collect unpublished works, memorabilia or other artefacts that might be uncovered. In introducing the initiative, the project organiser gave an estimation of Faragher’s work in relation to Manx literature: “the importance of her work to the Isle of Man would be hard to overestimate. It would be a tragedy for Manx culture if we did not do everything in our power to preserve all we can of her memory.” Publications * Green Hills by the Sea. Ramsey: The Ramsey Courier Ltd. 1954. * This Purple-Misted Isle. Ramsey: The Ramsey Courier Ltd. 1957. * Where Curlews Call. Ramsey: The Ramsey Courier Ltd. 1959. * These Fairy Shores. Ramsey: The Ramsey Courier Ltd. 1962. * Kiare Cooisghyn. Ramsey: The Ramsey Courier Ltd. 1964. * English and Manx Dialect Poems. Douglas: Norris Modern Press. 1967. * By The Red Fuchsia Tree. Douglas: The Norris Modern Press. 1967. References Wikipedia—https://en.wikipedia.org/wiki/Kathleen_Faragher